Similiar to Book 1 of Ligeti's Etudes Book 2 requires the same level of technical ability to perform some of the composers most demanding pieces. With their shifting rhythms irregular intervals and polymetric nature they have become a standard in the Piano repertoire.

Ligeti?s piano études are some of the most splendid works ever composed for this instrument. Every ambitious player is eventually going to examine these milestones of contemporary music literature. The musical community had to wait for new piano works from the pen of Ligeti for quite a long time; now a new volume has been published: Études pour piano troisième livre. In the years 1997 till 2001 the magician of sound wrote new études which pose challenges to the pianist that are revealed only at second glance.

György Ligeti received in 1986 the Graemeyer Award Louisville Kentucky for his Etudes pour piano - premier livre (book 1). For the accomplished pianist this collection of etudes demands great technical control and are filled with colour and variation.

Ces morceaux de six caractères proviennent de célèbre cycle piano 'Musica ricercata' du Ligeti. Maintenant sauvages, maintenant joviale, maintenant contemplative, maintenant excité - chacune de ces miniatures est un joyau immanquable. Les bagatelles minimalistes existent déjà dans les arrangements populaires / Quatuor De Saxophones (Soprano, Alto, Tenor, Baryton)

Ce travail, considéré comme un hommage à Brahms, a une position clé dans le oeuvre de Ligeti. Il est particulièrement remarquable pour la façon vigoureuse dans laquelle le matériau thématique mémorable est en forme dans des structures formelles précisément définies. Le Trio commence par une citation / Violon, Cor (En Fa Ou Si) Et Piano

Un compte particulier pour la musique hongroise : c'est le rythme. Vous pouvez dire la même chose sur la musique rock - rock sans rythme est rien ! Mais que se passe-t-il lorsque vous combinez les deux genres ? Si vous souhaitez avoir la réponse / Clavecin

Par LIGETI GYORGY. When Ligeti taught composition at the University of Stockholm in the 1960s, he met his famous Swedish fellow composer Hilding Rosenberg (1892-1985). Ligeti wrote this musical greeting on the occasion of Rosenberg's 90th birthday. The little piece is easy to play, composed in an extremely instrument-related manner and sounds really good. It shows that Ligeti, like Bach, Schumann and Bartók, was able to write easily playable and at the same time tonally convincing music in his personal style. Whether at an audition in a music school class or (as an encore) at a concert, it is impossible to resist the immediate charm of this composition./ Répertoire / Violon et Violoncelle