This unique volume is the second collection of the renowned Galway flute player's compositions and includes his wonderful Ward's Eviction Suite.Vincent Broderick's tunes have all the qualities that have made them naturally and gracefully such an important part of the Irish music tradition. Hear all the tunes from this volume of Vincent Broderick's collection plus an archive recording of Vincent playing Ward's Eviction Suite.The arrangements are suitable for all melody instruments.

10 Original And Traditional Pieces. Par DIVERS AUTEURS / RAE JAMES (ARR.). Un recueil de dix pièces arrangées dans un styles variés, mais toujours dans esprit très irlandais! Ce volume propose des airs traditionnels et plusieurs compositions originales. La partie de flûte, d'une difficulté intermédiaire, bénéficie d'un accompagnement de piano offrant un bon soutien stylistique (James Rae - Juillet 2019)/ Recueil / Flûte Traversière et Piano

For Beginner Flautist-This volume includes a selection of 22 traditional tunes from English Irish Scottish and Welsh backgrounds all arranged for beginner Flautists with a Piano accompaniment by Patricia Ramsay. These provide a varied and tuneful selection of pieces for the developing flautist to enjoy while also intruducing a new generation of musicians to the traditional songs of the British Isles.

71 Traditional Pieces-Irish Folk Tunes for Flute presents seventy-one superb Irish traditional tunes including jigs reels polkas hornpipes and slow airs and pieces by Carolan and are suitable for flute recorder or tin whislte. Experienced folk musician Patrick Steinbach provides an excellent introduction explaining style and traditional ornamentation and there are also notes on each of the seventy-one tunes. All pieces are recorded on the accompanying CD.

Grey Larsen in the 150 Gems collections has given us a most welcome follow-up to his encyclopedic volume The Essential Guide to Irish Flute and Tin Whistle (Mel Bay Publications 2003) and The Essential Tin Whistle Toolbox(Mel Bay Publications 2004).The Gems feature not only meticulously-selected tunes but represent the first major offerings that use Larsen's innovative system of notating Irish ornamentation.These books and onlineaudio will help players gain a deeper understanding of the Irish musical tradition as well as provide new material to enhance the experience of the solo player and Irish session participant alike.

Par WHIBLEY DANIEL. A traditional Irish tune (The Twisting of the Rope) arranged by Dan Whibley for flute and harp (lever or pedal)./ Répertoire / Flûte Traversière et Harpe

Arrgt: Alain Lopez. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor de Flûtes : 4 Flûtes - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 1 mn 45 s - Style Musical : Classique, Traditionnel - Catégorie : Arrangement - Compositeur : TRADITIONAL - Arrangeur : Alain LOPEZ / Niveau : Intermédiaire / Classique, Traditionnel / Recueil / 4 Flûtes Traversières

Par KUHLAU FRIEDRICH. A set of variations on The Last Rose of Summer by Friedrich Kuhlau, arranged for flute quartet by Cassie Lear. Kuhlau first composed this work for flute and piano in 1829. The Irish poet Thomas Moore wrote the poem 'The Last Rose of Summer' in 1805, using the traditional tune 'The Young Man's Dream,' first transcribed by Edward Bunting in 1792. The tune has since been used by many composers, including Beethoven, Mendelssohn, Britten, and countless others. / Date parution : 2022-11-29/ Répertoire / 4 Flûte Traversières

Cleverly arranged for Flute with Bb clarinet and/or Alto Saxophone. Includes eight traditional folk tunes from England Ireland Scotland and Wales including The Irish Washerwoman Skye Boat Song several medleys and more.Grade: 4 - 6

Play-Alongs Bekannter Stücke Aus Irland Schottland Wales Dem Cornwall und Der Bretagne-Martin Tourish is an accordionist composer and musicologist from Co. Donegal now based in Dublin. Celtic music is in his blood for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. ?World Music Celtic? presents material from the Irish Scottish Welsh Cornish and Breton traditions. It makes no great technical demands on the players but Tourish points out that notation of this music is often ?skeletal? hence it is important to gain a knowledge of theindividual traditions in question and naturally he offers plenty of information on performance practice. The collection spans three centuries from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings festivals and the very communities whence this music comes. ?World Music Celtic? is available in four formats each with complete recordings and backing tracks on CD: as solo versions for violin flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C Bb or Eb) piano guitar bass and bodhrán.