Collection 2: Christmas Carols. Par KIMBERLING CLARK. Un total de 35 solos pour enregistreur soprano (avancé) ou les flûte (intermédiaire). Introduction comprend des indices de performance dans l'école ou de l'église, utilisez avec un système de sonorisation, doigté graphique pour les notes hautes enregistreur et notes concernant les techniques spéciales, telles que la double Teenagers, vibrato et enregistreur glissando. Dernières pages sont une section unique de notes historiques de carol spécifiques, y compris des adresses Internet. Comprend tous les favoris chants de Noël ainsi que gems from The Oxford Book of Carols. Idéal pour utilisation dans les services religieux et des concerts de la saison de Noël, ou avec des chanteurs. Ces solos instruments donnent de nouvelles significations aux expressions séculaires de l'esprit de Noël. / Niveau : Intermédiaire à Avancé / Christmas - Solos / Recueil / Flûte à Bec Soprano ou Flûte Traversière

German baroque composer Georg Philipp Telemann (1681-1767) was a self-taught multi-instrumentalist becoming a composer against his family's wishes. However his musical career saw him hold important positions and to this day he remains a major composer. His sublime 12 Fantasies for Flute is superbly arranged for Recorder by Jean-Claude Veilhan. Telemann composed his 12 Fantasies for solo Flute in 1732-33 in Hamburg. During this time he composed a wealth of solo instrumental music including those for Harpsichord and Violin. Veilhan's arrangement for Recorder of Telemann's12 Fantasies includes adaptions for the instrument such as key signatures and performance directions. Vailhan's rearrangement for the Recorder of Telemann's popular 12 Fantasies makes the popular genre more accessible and versatile.

A Selection of Pieces for Flute (Recorder or other Solo Intruments) and Basso continuo Series : Hortus Musicus Edition : Playing Score; Single Part Editor : Degen, Johannes Dietz Binding : stapled Instrumentation : Flute/ Soprano recorder (c), Basso continuo Contenu : Polonaise TWV 41:D 4 (Sopranblockflöte, Bc) Pastorelle TWV 41:D 5 (Sopranblockflöte, Bc) Capriccio TWV 41:G 5 (Flöte, Bc) Pastorale TWV 41:E 3 (Flöte, Bc) Sonate h-moll TWV 41:h 2 (Flöte, Bc)

Per Nørgård's Tusmorke Dialog (or Twilight Dialogue) is a beautifully expressive piece from 2002, for Solo Flute which is also suitable for Recorder.

Americana 1865-These American melodies sound great on a soprano recorder. They also provide excellent material for developing skills in rapid tonguing extended breath-control and the playing of high notes. This collection covers many kinds ofmusic. Millions of Americans grew up singing 'Attisket Atasket' 'Put Your Little Foot' and 'Paddywhack'. Immigrants brought delights like 'First Night in America' and 'My Love Is in America'. John Philip Sousa captured theAmericana of his time in marches for all time such as 'The Fairest of the Fair' 'King Cotton' and 'Boy Scouts of America'. All across the country Americans sang and whistled 'Nine Hundred Miles' 'Gypsy Dave' and 'Pie in theSky'. Although arranged primarily for soprano recorder most of these solos can be played on tenor or alto recorder. (On the alto use 'C' fingerings.) A separate flute edition is available.

The solos in this book are all based on melodies composed by women. They are especially well suited to performance on the soprano recorder and they provide excellent material for developing skills in rapid tonguing extendedbreath-control phrasing and the playing of high notes. Although arranged primarily for soprano recorder most of these solos can be played on tenor or alto recorder. (On the alto use ?C? fingerings.) Three of the world?s mostfamous melodies are here: Mildred Hill?s ?Happy Birthday? (originally ?Good Morning to You?) Euphemia Allens? ?Chopsticks? (originally ?The Celebrated Chop Waltz?) and Effie Corckett?s ?Rock-a-Bye Baby.? Less well knowndelights include Faustina Hodges? ?Because I?m Twenty-Five? and Florence Percy?s ?Fly Away ? as well as Amanda Aldridge?s ?Dance of the Warriors?-and the list goes on and on. A separate flute edition is available.

An anthology of solo pieces for Soprano Recorder b-A delightful collection of solo pieces by Dutch 17th Century composers.

Celtic Folk Songs pour tous les âges est une charmante collection de mélodies riches et de ballades spécifiquement distinctives pour les cultures de l'Ecosse, Terre-Neuve, Irlande et l'Angleterre. Le CD d'accompagnement (inclu dans le livre solo) fournit deux pistes pour chaque morceau. La première piste inclut un performances d'exemple du solo avec l'accompagnement. La deuxième piste est juste l'accompagnement, permettant le soliste à jouer le jeu. Il y a également un accompagnement Piano distinct disponibles. / Flûte A Bec Soprano Et Piano / 52 pages / niveau : Facile - Elémentaire / Partition Cd

Par BACH JOHANN SEBASTIAN / SANVOISIN. Johann Sebastian Bach: Recorder Solo Parts from Bach's Concertos./ Répertoire / Flûte à Bec Alto

Part of the Michala Petri Recorder Series this collection of eight variations from Der Fluyten Lust-Hof is derived from the first edition of the complete set and is intended as a performance edition and contains corrections and includes suggestions for phrasing and slurs. Set for Solo Recorder these wonderful pieces are ideal for performance recital or simply as an enjoyable addition to your repertoire.

Partitur und Stimmen - P/ST - for recorder quartet s(t)a(b)a(b)t(b) Arrangers: Beutler, Irmhild / Rosin, Sylvia C. Estonian minimalist composer Arvo Pärt has adapted his celebrated work, Summa, for recorder quartet. Originally written for four solo a cappella voices, it is also available in arrangements for string quartet, string orchestra, and choir with organ. Summa bears the distinctive qualities of Pärt's music, masking its great collective complexity with simplicity in each part. This arrangement can be played by soprano/alto 1/alto 2/tenor instruments or tenor/bass 1/bass 2/great bass. Phrasing marks are consistent with those of the vocal arrangement. Universal Edition makes a significant addition to the recorder library with this edition. For intermediate to advanced players.

The Chinese Pictures for solo flute (s) (1993) were composed for the premiere played by the solo flutist Walter van Hauwe but Yun also wished for a performance by German flutes. The four pieces which Yun composed in June 1993 in Hohegeiß/ Harz are characterised by the reduced structural capacity of his style the memories of far eastern flute-idioms - with the exceprion of the third piece Der Affenspieler - and a Buddhist pattern. Yun consistently limits his work: all pieces come from techniques of the evolved variations and contrastive adaptions from (repsectively different) two- or three-toned themes. The first two pieces have the contemplative tenor as well as the spiraldramaturgy of the upward auched semi-circle the archetypal symbol for heaven in common. However the themes are conflictive: Bigger intervals abound the single tone in I. Der Besucher der Idylle whereas the tight coupling with the 'main tone' through smaller intervals in II. Der Eremit am Wasser evoke a softer sound. This clearly mirrors the impression of the single tone as a brush mark. Both pieces are - just like IV. Die Hirtenflöte - inspired by various variations of the story of the shepherd and his ox which in east Asia is used to name the 'inner child' of a human. The title if the first piece in the autograph is Der Besucher der Eremitage and refers to Buddhist hermitage. The visitor of this idyll is the farmer who leads his ox to the water for him to drink. The continuation of this parable is expressed by the second piece Der Eremit am Wasser. Together with the farmer the hermit comes to the water and rinses his ears. The farmer asks him why he would do that and the hermit responds: 'I was in town at the royal palace. I was to be empoloyed as sergeant and got offered a good payment. But when I asked what I had to do I heard terrible things. That is why I have to rinse my ears. ' The farmer however is disgusted by the contamination of the water; he leaves the fountain without letting his ox drink. The title of the third piece

Instrumentation : 1-2 soprano recorders Version : edition with CD Description : Hasn't every recorder player dreamed of playing the most celebrated classical melodies as a soloist? Here you will find the finest pieces in arrangements for one or two descant recorders, with a CD to play along with. On a musical journey of discovery you will encounter many famous compositions, from Eine kleine Nachtmusik and Beethoven's Ode to Joy to the Birdcatcher's song from the Magic Flute and La donna è mobile from Verdi's Rigoletto. So that you can really enjoy making music the arrangements have been recorded in two versions on the CD: with and without recorders. Contenu : A. Vivaldi: Spring (The Four Seasons) - W.A. Mozart: The Birdcather's song (The Magic Flute) - J.S. Bach: O Haupt voll Blut und Wunden (St. Matthew Passion) - W.A. Mozart: Das klinget so herrlich (The Magic Flute) - J. Brahms: Cradle Song Guten Abend, gut Nacht - M.A. Charpentier: Prélude from Te Deum - J. Haydn: Andante from the Symphony No. 94 The Surprise - L.v. Beethoven: Ode to Joy (9. Sinfonie) - C.M.v. Weber: Wir winden dir den Jungfernkranz (Der Freischütz) - G. Verdi: La donna è mobile (Rigoletto) - J. Haydn: Imperial anthem (Emperor Quartet) - G.F. Händel: Ombra mai fù (Largo from Xerxes) - B. Smetana: The Moldau (My Homeland) - G. Bizet: Toréador, en garde! (Carmen) - J. Offenbach: Barcarole (Tales of Hoffmann) - G. Rossini: Overture to The Barber of Sevilla - R. Wagner: Wedding Chorus Treulich geführt (Lohengrin) - G. Verdi: Gefangenenchor Va, pensiero (Nabucco) - W.A. Mozart: Eine kleine Nachtmusik - P.I. Tschaikowsky: Main theme (Schwanensee) - J. Offenbach: Cancan (Orpheus in the Underworld) Date de parution : 17/02/2003 Nombre de pages : 24 Langue : English Format : Parisien portrait