Par BUNK GERARD. As a 20th century composer, Gerard Bunk developed a distinctive musical style comparable perhaps to that of Max Reger or Sigfrid Karg-Elert. In addition to Bunk?s large-scale organ work ?Legende? Op.29 and its symphonic version Op.29II, there is a further well-known ?Legende? Op.55b written for organ and string orchestra (or string quartet) which was composed in 1945. This edition offers the earlier version of this work, dating from 1914, in its original instrumentation for organ and brass quartet. In order to facilitate performance, the sketchily notated score is carefully supplemented by performance markings from the string version. What Albert Schweitzer praised in the earlier ?Legende?, ?the calm and vivid layout of the complete work?, is also recognisable in Bunk?s later composition: the catchy, modestly beautiful theme alongside the clear musical form of this ?Legende? for organ and brass quartet. - Scored for 2 Flugelhorns, French horn, Trombone - Attractive chamber music for brass with organ - Edited by the composer?s grandson - Also suitable for amateur ensembles / Date parution : 2022-07-30/ RĂ©pertoire / Orgue et Quatuor de Cuivres

PrÀludium und Elegie. Par STOCKMEIER WOLFGANG. / Répertoire / Trompette ou Cornet

Four movements for trumpet and organ after Marc Chagall-Windows.Four movements for Trumpet and Organ after Marc Chagall.Fine art has always been a prominent source of inspiration for Petr Eben (1929-2007). Chagall's stained-glass windows for the synagogue in Jerusalem gave an impulse for the four movements for Trumpet and Organ commissioned by the city gallery in the West Bohemian town of Cheb. The author commented on his choice of instruments: 'The solemnity of the large panes of stained glass made me imagine the sound of the Organ and the intensity and brilliance of the sheaves of bright colours called for the shrill tone of the Trumpet.'Eben combines the two instruments in anoriginal manner: both parts retain a great deal of independence progressing in their own rhythmic patterns intersecting in places. The modal composition typical of Eben's method is confronted here with atonality enabling the final unison of the two instruments to sound with a monumental effect.Since its origin in 1976 Windows has been one of the most frequently performed pieces by the composer. The individual movements of the cycle are named after colours: The Blue Window The Green Window The Red Window and The Golden Window. The Organ part was revised by Milan Slechta the Trumpet part by Ladislav Kozderka.