Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BƄRENREITER URTEXT:In the international music world ?BƤrenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For BƤrenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

In an arrangement by A. E. MĆ¼ller after the Clarinet Concerto K. 622-About Concerto in G major for Flute and Orchestra (1801)In an arrangement by A. E. Muller after the Clarinet Concerto K. 622. By Wolfgang Amadeus Mozart. Edited by Christopher Hogwood. For Flute Solo Oboe (2) Bassoon (2) Horn (2) Strings. Piano Reduction/Vocal Score; Single Part. KV 622. Duration 24'. Published by Baerenreiter-Ausgaben (German import). (BA5335 90)

Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BƄRENREITER URTEXT:In the international music world ?BƤrenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all availablesources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For BƤrenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

for Flute Violin Violoncello Strings and Basso continuo-Concerto for Flute Violin Violoncello Strings and Basso Continuo in A major (TWV 53:A2)Tafelmusik IIf Telemann was regarded by his contemporaries as one of the greatest of all composers his star faced with the overwhelming presence of Bach and Handel paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music Telemann once considered purely an instrumental composer has emerged into a highly cultivated culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day both large and small.The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733 the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments.- Urtext of the Telemann Edition

This ?Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family) - the string section in the Sarabande - in both chorales (extremely muted in the first and brutalist in the second), the brass etc. - and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This permits the flute to remain the provider of all impulses - it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights - acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flƻte en suite. Jƶrg Widmann / Flƻte Et Orchestre

for soloist and string orchestra. Par CURTIS MIKE. Featuring largely original writing and five highly descriptive movements. The solo part in C treble clef is playable by oboe or flute, and the string parts incorporate a variety of arco, pizzicato and spiccato techniques./ RĆ©pertoire / Instrument Solo en Do et Orchestre Ć  Cordes

Study score with solo flute part. The Flute Concerto was commissioned by the London Symphony Orchestra first performed by James Galway at the Barbican Centre Concert Hall London on 20 September 1990.Arranged for solo flute (doubling alto flute)and orchestra. Duration 23 minutes.

for Flute, Oboe d'amore and Viola d'amore. Par TELEMANN GEORG PHILIPP. FlĆ»te TraversiĆØre, Ob-d'a and Alto -d'a Soli - Strings - Basse Continue - DurĆ©e: 15 / oeuvre solo et Orchestre / RĆ©pertoire / Parties Orchestrales

Arrangeur: Raymond Meylan. Par REINECKE CARL HEINRICH CARSTEN. / oeuvre solo et Orchestre / RĆ©pertoire / FlĆ»te TraversiĆØre et Orchestre

In this evocative work for beginning bands Michael Oare draws upon imagery and sounds of the Native American ?wolf dance? for inspiration. A flute solo sets the opening mood followed by dramatic full band statements accompanied by a driving percussion ostinato.

Inspired by the Arikara (uh-RIK-a-RAH) tribe of Native Americans based in North Dakota this work by James Meredith is an evocative piece without portraying any specific event or story. Opening with a plaintive flute solo supported by an exotic percussion backdrop the piece features a chorale-like statement in the winds before moving to the faster and more rhythmic main section. Mixing early American imagery with striking dissonances this is an effective and unique offering with limited technical demands.

Here is the haunting main theme from the blockbuster movie New Moon the second installment of the Twilight saga. Opening with a flute solo accompanied by vibes and low clarinets this sensitively scored arrangement then builds to a dramatic full band climax before returning to a quiet finish.

In this evocative work for beginning bands Michael Oare draws upon imagery and sounds of the Native American “wolf dance” for inspiration. A flute solo sets the opening mood followed by dramatic full band statements accompanied by a driving percussion ostinato. Dur: 1:45

From the blockbuster movie “The Lord of the Rings: The Fellowship of the Ring” comes this hauntingly beautiful ballad sung by Enya. This easy concert band setting by master arranger John Moss begins with a Flute soloor section feature then gradually builds intensity through the skillful handling of the instrumentation. Very effective!