pour harpe & orchestre à cordes-Claude Debussy's Danses (I & II) for Harp and Orchestra. Study score.

The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre

Full Score-This treatment has been done for strings alone with an optional part for harp. The original key of F has been retained and the optional harp part is embraced by the celli in definitive sections. This arrangement is playable by advancing ensembles with expanded use of rhythms ranges and keys but technical demands are still carefully considered. Includes viola T.C. parts and optional harp and piano.

Par KOPPEL ANDERS. / Date parution : 2023-03-11/ Répertoire / Orchestre et Solistes

Full Score-The Persian traditional music (called the Dastgah Segah) is based on intervals made of three quarter-tones and natural whole-tones. Segah has no interval in common with the European/ Western equal-temperament tuning. This lack of common intervalsbetween the Segah mode and the equal-temperament tuning will lead to a cognitive dissonance if this mode is set against the equal-temperament system. My goal has been to elaborate on the innate tensions that exists between the two interval systemsand use it as a symbol for the existing political and cultural tensions between the Persian and the Western cultures. The piece consists of two Persian traditional instruments the Ney (Persian vertical bamboo flute) and the Kamanche (Persian spikefiddle) as the musical representatives of the Persian culture set against the Western orchestra as the musical representative of the Western culture. A small ensemble of Western instruments consisting of a harp and string quintet accompanies thePersian instruments. The harp is tuned to the Segah intervals and the string quintet plays in the Segah mode. The orchestra is performing inthe Western equal- temperament tuning. From the very first bars of the main section of the piece confusionsand misunderstandings arise. The orchestra being unable to play in Segah or understand the mode becomes more and more agitated. Musical tensions between the soloists and the orchestra lead to musical confrontations and finally to musicalviolence. The orchestra becomes extremely violent and militaristic and tries to suppress the soloists efforts to express their musical thoughts. In the midst of all these confusions and cultural misunderstandings musical connections and attractionsstart to take place. The orchestra and the soloists find themselves musically attracted to each other and start imitating each others musical phrases. Cognitive dissonances start to be gradually transformed to musical dialogues symbolizing thegradual replacement of the clash of civilizations with the dialogue of civilizations. Segah was written for Khosrow and Kian Soltani and premiered at the Segah Festival on January 15 2016.

Hawkes Pocket Scores HPS 881. Par PANUFNIK ANDRZEJ. Détails de la formation instrumentale: 3(III=picc).2.corA.2.b Clarinette 2.dbn-4.3.3.1-timp.perc(3):glsp -SD/TD -SD/ cyms/tam-t-harp-strings - Durée: 22' -/ Répertoire / Orchestre

Rhapsody in F Sharp for Piano and Orchestra was commissioned by the BBC Proms and first performed in the Royal Albert Hall on August 19th 1943. Written with the wartime audience in mind it is unashamedlypopular in style with its flashy virtuosity making it immediately accessible and entertaining. There is argument among scholars as to whether it should be referred to in the Major or Minor key as it makes almost equal use ofboth starting in one and finishing in the other. Ernest J Moeran (1894-1950) was an English composer who followed the tradition of R. Vaughan Williams and John Ireland by collecting preserving and using manyfolk songs mainly from Norfolk Suffolk and Ireland.

Harp Solo Part-Harp solo part for Double Concerto for Harp Guitar and Orchestra by Karl Aage Rasmussen (1998). Orch. parts are available on hire: hire@ewh.dk Full score: KP00678Guitar solo part: KP00678D

parts included: Vn1-Vn2-Va-Vlc-Cb-3Trp-Tb- Hp-MzBar soli SATB chorus 3 trumpets 2 violins viola cello harp and organ with double bass and timpani ad lib.This set includes parts for 3 trumpets 2 violins viola cello harp double bass and timpani. Only one of each string part is inc

A collection of 12 traditional carols for developing string orchestra (Grade 2) from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years to come.Each carol is given a fresh creative treatment yet is expertly arranged with younger players in mind. May be accompanied by piano or harp and percussion. Songs include: Away in a Manger • We Wish You a Merry Christmas• Deck the Halls • Ding Dong Merrily on High • God Rest Ye Merry Gentlemen • Greensleeves • O Come All Ye Faithful • Chanukah Oy Chanukah • O Holy Night • Pat-A-Pan • Silent Night• Three Holiday Songs (Medley including The Dreydl Song Jingle Bells and Joy to the World).Available for:04490308 Conductor / $19.9504490309 Violin 1 / $5.9504490310 Violin 2 /$5.9504490311 Violin 3 (Viola T.C.) / $5.9504490312 Viola / $5.9504490313 Cello / $5.9504490314 String Bass / $5.9504490315 Piano / $8.9504490316 / Opt. Harp / $8.9504490317Opt. Percussion / $5.95.

Haydn?s ?Farewell Symphony? is one of the most frequently played works of the symphonic repertoire. The popular title did not derive from the composer but refers to the final movement at the end of which (Adagio) the musicians stop playing one after the other leaving only two violins to end the work. According to an anecdote the musicians? exit was a means of making reference to the demands of orchestral work at Esterháza at the end of the season.The publication of Haydn?s ?Sturm und Drang? Symphonies the Farewell Symphony and Symphony No. 48 (the so-called ?Maria Theresia? Symphony) represents a continuation of the cooperation between Bärenreiter and theHenle publishing company for editions of larger choral works operas and symphonic works. The publications are based on the Henle ?Complete Edition of the Works of Joseph Haydn?. Both symphonies (BA 10971 and BA 10972) will be published with a full score and orchestra parts on sale in a large format.

Fanfarer-Danmarks Radio for Orchestra BVN 351 was composed by Rued Langgaard in 1948. Instrumentation: 3.2.2.2/4.3.3.1/timp/2 perc/org/str. Parts are available on hire: hire@ewh.dk This extremely short orchestral piece was composed 7 May1948 in Ribe. Exactly between 5:45 and 6:45 in the morning(“normal time”). Rued Langgaard indicates the time of dayin both the sketch for the composition and the fair copy of thescore. Fair-copying of the score took place on 10 May 4:30 to6:00 in the morning (“summertime”) after it should be noted Langgaard had taken his obligatory morning constitutional inRibe (he suffered from insomnia and arose in the early morninghours). After the work’s final measure Langgaard wrote:“Short razor-sharp line of thought in music excluding allextraneous ‘developmental’ fussiness and with lightning fastmovement in all the parts”. The same day 10 May he sent thescore as program suggestion to the State Broadcasting Servicein Copenhagen under the title Denmark’s Radio Fandfare forGrand Orchestra – “fandfare” as a sarcastically meant spellingmistake with an allusion to “the Devil” (fanden = the Devil inDanish). Langgaard had as is known an ambivalent relationshipwith the State Broadcasting Service. The work was not acceptedand the score was therefore returned to Langgaard whonevertheless submitted it again. The State Broadcasting Serviceclearly regarded the piece as a joke from the composer’s side.When Langgaard died in 1952 the unperformed score was tobe found in broadcasting corporation’s music

Hawkes Pocket Scores HPS 1512-Composed in 1991 this London Sinfonietta commission was first performed by them in May 1992 at the Queen Elizabeth Hall London. Scored for Orchestra or chamber Orchestra the instrumentation comprises alto Flute/Piccolo cor anglais E flat Clarinet/bass Clarinet soprano Saxophone Contrabassoon Horn Piccolo Trumpet Trombone Tuba Percussion Harp Piano and Strings. Recorded on BIS CD 1119 by the Scottish Chamber Orchestra conducted by the composer.

This setting of César Franck's exquisite Latin hymn will enhance many concerts with a high floating solo supported by rich choral harmony accompanied by keyboard or the optional oboe harp and strings. Availableseparately: SATB/Solo SSA/Solo ChoirTrax CD. Chamber Orchestra score and parts available as a printed edition and as a digital download (hp ob vn 1-2 va vc db). Duration: ca. 3:15.