During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage) after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances the Reel and the Jig. In between these two dances there is a short breathing space during which a traditional Irish rhythm can be enjoyed.

During the eighteenth century a person called 'the Dance Master' made his appearance in Ireland. He was a travelling dance-teacher who moved from one village to another to teach the people there how to dance. They were often flamboyant personalities gorgeously dressed and holding a staff in one hand. In order to teach their pupils the difference between their right and left leg the dance master used to tie a small bunch of straw or hay to their leg and then would order them to either lift their 'hay-leg' or their 'straw-leg'. The dancing masters used to stay in one particular village for about six weeks (if they were not claimed by a neighbouringvillage) after which they continued their journey. Having a famous dance master gave a village a certain distinction and did not seldom lead to boasting and pride. Also on account of the popularity of Celtic music in general at the moment William Vean was inspired to writing 'The Irish Dance Master'. He 'teaches' you two dances the Reel and the Jig. In between these two dances there is a short breathing space during which a traditional Irish rhythm can be enjoyed.

A tuneful way to introduce students to the lyrical style and rollicking feel of traditional Scottish/Irish music. The 'Air' is the melody from Gilderoy and is set with a contemporary harmonic palette that concludes with an exciting climax before transitioning to the jig. 'The Jig of Slurs' is a traditional Irish dance with a melody and feel that is infectious! (2:30) 'Air and Jig? correlates to Book 2, Level 2 of Sound Innovations for Concert Band. / Concert Band

Robert W. Smith has chosen three castles and several colorful characters known for legendary deeds from Irish history and folklore to put to music. The use of tinwhistle, the Irish drum bodran and hints of traditional Irish melodies add ethnic authenticity and fascination to the performance of this work. As we have come to expect from this highly inventive composer, the arena of sounds is expanded at every turn of the page. Musical imagery at its finest! (duration 6:59)

Recorded by the Dropkick Murphys this Irish jig with a rock-and-roll edge has become a popular anthem for professional sports teams--not only in Boston but also in stadiums and arenas across the country. Traditional Irish musicwas never quite likethis!

Although this haunting tune has the flavor and sentiment of a traditional Irish folk song it was composed in 1995 by multifaceted artist Pádraigín Ní Uallacháin. Her inspiration for the song was the idea that when we are happy or sad the elements and the natural world are aligned with our feelings. From the wistful lyrics of the song; Down by the river there's a tall willow tree who weeps all night for you and me. This evocative setting for band follows this sentiment through peaks and vallys of sound and emotion. Dur: 3:10

Although this haunting tune has the flavor and sentiment of a traditional Irish folk song it was composed in 1995 by multifaceted artist Pádraigín Ní Uallacháin. Her inspiration for the song was the idea that when we are happy or sad the elements and the natural world are aligned with our feelings. From the wistful lyrics of the song; Down by the river there's a tall willow tree who weeps all night for you and me. This evocative setting for band follows this sentiment through peaks and vallys of sound and emotion. Dur: 3:10

The haunting melody of this traditional Irish folk song is treated here in a lush and moving setting by Michael Sweeney. Even at this easy level the instrumentation is varied and a wealth of musical elements are provided throughcreative harmonizations and carefully placed key changes. This is scored in a way that will make even small bands sound terrific. Dur: 3:05

James Curnow's Dublin Sketches features a rich blend of textures and moods and represents a distinctive work in the repertoire for mature bands. Composed as a theme and set of three variations the final variation has the flavor of a traditional Irish jig. Dur: 8:00

BandQuest Series Grade 4.5-Smash the Windows is a vigorous piece full of energy and motion. The work is based on a traditional Irish jig with the same name. Robert Xavier Rodríguez calls the piece a “toccata moto perpetuo ” themusic gradually builds from its quiet beginning to a brilliant flourish that with sound effects truly befits the title.

Par PALMER JIM. The Last Rose of Summer is a traditional Irish tune arranged by Jim Palmer. The beautiful melody, rich harmonies, and interesting accompaniment will help your young orchestra sound mature. The long phrases are highlighted with beautiful slurs and a variety of dynamics. Pizzicato, slurs and ties create the interesting accompaniments. Well-developed phrases and unexpected chords provide opportunities for artistic expression. A perfect choice to teach a broad range of musical ideas. Correlated to Sound Innovations, Book 2, Level 2. (2:25) / Date parution : 2022-10-12/ Répertoire / Orchestre à Cordes

Easy Music for Strings - Grade 2. Par . This iconic traditional Irish medley shines in this accessible arrangement by Larry Moore. Moore's cut-time version begins in G major and modulates to A major for the final section, providing much-needed experience with C-sharps and G-sharps! / Date parution : 2022-12-12/ Répertoire / Ensemble de Cordes

Composed in the 1700s this traditional Irish ballad was a lament of homesickness for its author and now a tender and beloved melody appearing on countless recordings. Also known as ?The Wind from the South? or ?An Gaoth Aneas ? this setting forsecond year players provides melody for all sections of the band along with subtle and tasteful harmonic variants.

Britten's Irish Reel was composed in 1936 as title music for a documentary film made by Marion Grierson and Evelyn Spice. Around the Village Green was made for the Travel and Industrial Development Association which explored the changes to rural life in East Anglia after the increased mechanisation of agriculture. In his incidental music Britten incorporated a riotous medley of folk songs and other traditional tunes (including 'Early One Morning' 'The Vocar of Bray' and Sheild's 'The Plough Boy') many of which were suggested to him by the Norfolk-based composer E.J.Moeran.

The traditional American folk and bluegrassífavorite Angelina the Baker is cleverly arranged in an Irish dance style forístrings. Great fiddle style melodies accompanied by drone harmony make it funíto teach and play.