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Viola
ORCHESTRA - BAND
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Béla Bartók: Viola Concerto Op. Posthumous: Viola: Instrumental Work
Viola and orchestra
Boosey and Hawkes
This is a fantastic work in the concert repertoire for Solo Viola with its lyri...
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This is a fantastic work in the concert repertoire for Solo Viola with its lyrical integrity and virtuosic passages this truly is an exciting Concerto for Viola and Orchestra. This version is for Viola with Piano reduction.The solo viola part is also included on a separate insert and has been edited by William Primrose.
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Concerto A Flûte A Bec, 2 Violini, Viola E Cembalo - Ouverture A Flûte A Bec, 2 Violini, Viola E Cembalo - Canon All'Unissono A 2 Flauti, Violoncello O Vero Viola Da Gamba E Cembalo
Chamber Orchestra
Anne Fuzeau Productions
Concerto à flûte à bec, 2 violini, viola e cembalo (c.1731) Ouverture à flû...
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Concerto à flûte à bec, 2 violini, viola e cembalo (c.1731) Ouverture à flûte à bec, 2 violini, viola e cembalo (c.1741) Canon all'unisono a 2 flauti, violoncello o vero viola da gamba et cembalo (c. 1737)Présentation de Susi Möhlmeier et Frédérique Thouvenot : notice biographique - sources - lecture de la partition (articulation, dynamique, rythme, terminologie, agrémentation, ornementation, notation générale, basse continue) - suggestions. Intégrale des oeuvres pour flûte à bec de Graupner. Manuscrits autographes de Graupner, conservés à la Hessische Landes-und Hochschulbibliothek de Darmstadt.Concerto : 2 flûtes à bec, deux violons, alto, basse continue.Ouverture : flûte à bec, deux violons, alto, basse continue.Canon : 2 flûtes à bec, violoncelle ou viole de gambe. / Musique De Chambre / 71 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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Gordon Crosse: Viola Concerto: Viola: Score
Viola and orchestra
[Sheet music]
Cadenza Music
Viola Concerto
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Jacob Druckman: Viola Concerto: Viola
Viola and orchestra
Boosey and Hawkes
Viola Piano. Druckman J
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Carl Vine: Café Concertino: Chamber Ensemble: Score
Flute, Clarinet, Violin, Viola, Cello and Piano.
[Study Score / Miniature]
-
Intermediate
Chester
Written for flute clarinet violin viola cello and piano.This work was commis...
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Written for flute clarinet violin viola cello and piano.This work was commissioned by the Australia Ensemble with assistance from the Music Board of the Australia Council. It was first performed by the Australia Ensembleat the Queen Elizabeth Hall London on 16 November 1984.
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Enno Poppe: Fingernagel: Violin & Viola: Instrumental Work
Violin, Viola (duet)
Ricordi
für Violine und Viola
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Theme and Variations For Violin Viola and Cello: String Trio
String Trio: violin, viola, cello
Stainer and Bell
Theme and Variations For Violin Viola and Cello
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Chamber Music #5 - Op. 36/4
[Sheet music]
Eulenburg
Les oeuvres de musique de chambre sont parmi les plus réussies de Hindemith oeu...
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Les oeuvres de musique de chambre sont parmi les plus réussies de Hindemith oeuvres instrumentales des années 1920. Lors de la première mondiale de 'n o Musique de Chambre. 1 ', le public a même exigé une répétition de la troisième et quatrième mouvements. Mais le titre de la série d'oeuvres composée de sept compositions est tout à fait trompeuse: Les pièces individuelles plutôt ont concertante caractéristiques soliste. #1 est caractérisée par 'instruments', comme une boîte remplie de sable et d'une sirène, ainsi que l'utilisation abondante de la percussion. Les scores sont basés sur le volume IV / 2 (PHA 402) de l'Hindemith Complete Edition, édité par Giselher Schubert. / Viola Seule, Gr. Flûte, Hautbois, 2 Clarinettes (En Mi Bémol Et B), Basseclarinette (En Si Bémol), 2 Bassons, Contrebasson, Cor (En Fa), 2 Trompettes (En Do), 2 Trombones, Bassetuba, 4 Violoncelles, 4 Contrebasses / 102 pages / Partition
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Benjamin Britten: Double Concerto: Violin & Viola: Study Score
Violin, Viola and Orchestra
[Study Score / Miniature]
Chester
Study score for Britten's early and ambitious three-movement work (1932) for Vio...
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Study score for Britten's early and ambitious three-movement work (1932) for Violin Viola and Orchestra brought to light and edited by Colin Matthews for it first performance at the 1997 Aldeburgh Festival.
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Benjamin Britten: Two Portraits for Strings (1930): Viola: Study Score
Viola and orchestra
[Study Score / Miniature]
Chester
Britten's Two Portraits for strings - the composer himself called them 'Sketches...
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Britten's Two Portraits for strings - the composer himself called them 'Sketches' - were composed in August and September 1930 during the summer holidays preceding the sixteen-year-old composer's first term at the RoyalCollege of Music in London.Both are musical depictions of character the first portraying Britten's school friend David Layton and the second introducing a solo Viola (Britten's own string instrument) a self-portraitof the composer. According to Britten's diary he planned to compose a third portrait again for strings that was to depict another school friend Peter Floyd but this movement was not written. However David Layton was to beportrayed again though very differently in Britten's later quartet suite Alla Quartetto Serioso (1933) itself revised and re-titled in 1936 as Three Divertimenti.The Pencil manuscript score in theBritten-Pears Library at Aldeburgh although hastily written is very detailed ad dynamics and phrasing are carefully notated throughout. However in several places in the first 'Portrait' the notes themselves are either difficultto decipher or due to the highly chromatic nature of the music difficult to interpret - in some cases Britten has clearly made notational 'spelling' mistakes which have been silently corrected in this editon. A list ofthose places where the reading of the manuscript is doubtful may be obtained from the Britten-Pears Library Aldeburgh.As with virtually all orchestral music from his youth Britten did not hear either 'Portrait'performed. The first performance of Two Portraits was given by the Northern Sinfonia conducted by Martyn Brabbins broadcast by BBC Radio 3 on 5th December 1995 as part of a series entitled 'Britten's Apprenticeship'.The first concert performance of Portrait No.1 was given by the Britten Chamber Orchestra conducted by Andreas Mitisek at the Konzerthaus Schubert-Saal Vienna on 10th February 1996. The first concert performance of
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Christmas Strings (MILLER DONALD)
Alto, Violon 3 et Ensemble
-
Beginner
Mel Bay
Par MILLER DONALD. These books are arranged to be performed with various combina...
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Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment should not be used. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : Débutant / Christmas - Ensemble / Recueil / Alto, Violon 3 et Ensemble
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Benjamin Britten: Double Concerto (Full Score): Violin & Viola: Score
[Sheet music]
Chester
Britten was so remarkably prolific as a young composer that many of the works fr...
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Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the case around the time of hisOpus 1 Sinfonietta composed in the summer of 1932 his second year as a student at the Royal College Of Music.The Sinfonietta was written (in less than three weeks) very soon after Britten had completed thefirst draft of the Double Concerto; but after finishing the Sinfonietta he went back to revise the Concerto's second movement. He started work on his Op.2 Phantasy for Oboe and String Trio a few weekslater.Although the Concerto follows the same three-movement pattern as the Sinfonietta it is more ambitious in scale; and since the sketch is unusually for Britten complete in practically every detail it ispuzzling that he never made a full score of the work after finishing the composition and seems to have made no attempt to get it performed. It is not clear if he had particular performers in mind (he was of course a Violaplayer although he is not likely to have intended the part for himself). He showed the work to his composition teacher at the college John Ireland who as Britten recorded in his diary was 'pretty pleased' with it; but it isdistinctly possible that his experience in rehearsing the Sinfonietta with a student orchestra in 1932 ('I have never heard such an appalling row!' reads another diary entry) discouraged him from going on to complete theDouble Concerto in score. He was not to hear any of his orchestral works until the first performance of Our Hunting Fathers in 1936.In the absence of Britten's full score it was necessary for me to prepare the workfrom the sketch. But the instrumentation is so carefully indicated in the draft that the resulting score is not far from being 100% Britten - only between bars 70 and 74 of the slow movement did there seem to be any need to add
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Larry Moore: Violas Front and Center: String Ensemble: Score & Parts
String Orchestra
[Score and Parts]
Hal Leonard
The unsung heroes of the orchestra move into the spotlight with this showcase th...
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The unsung heroes of the orchestra move into the spotlight with this showcase that also teaches the rest of the ensemble the experience of playing important background and accompaniment parts. This short tuneful movement is justwhat you need to motivate your viola section and bring a welcome change of pace to your next concert.
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Wolfgang Amadeus Mozart: Horn Quintet K407 Parts: Chamber Ensemble
Horn, Violin, 2 Violas and Cello
[Set of Parts]
Barenreiter
for Horn Violin two Viols and Bass (Violoncello)-By Wolfgang Amadeus Mozart. E...
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for Horn Violin two Viols and Bass (Violoncello)-By Wolfgang Amadeus Mozart. Edited by Ernst Fritz Schmid. For Violin Viola (2) Contrabass (Violoncello). Set of Parts; Urtext Edition. KV 407(386c). Published by Baerenreiter-Ausgaben (German import). (BA4708) ISBN M006453467.
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Georg Philipp Telemann: Concerto in G major TWV 51: Viola: Score
[Sheet music]
Barenreiter
The Concerto in G major (TWV 51: G 9) is not only Telemann’s only concerto ...
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The Concerto in G major (TWV 51: G 9) is not only Telemann’s only concerto for the viola but one of the earliest viola concertos in history. It belongs to the standard repertoire of every violist and is also suited for less experienced players being relatively easy to master.Full score parts (BA5878) viola & piano reduction (BA5878-90) available for sale
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Laude Cortonese Vol. 3 (BRYARS GAVIN)
Voix et Instruments
[Score]
Schott
for voices and instruments. Par BRYARS GAVIN. Laude were short mediaeval devotio...
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for voices and instruments. Par BRYARS GAVIN. Laude were short mediaeval devotional songs to the Virgin Mary, and Gavin Bryars has kept to the pure, lyrical style of the originals. Following the successful publication of Bryars’ first and second volume of laude, which singers around the world have added to their repertoire, this third volume for various combinations of soprano, tenor, viola, cello, double bass and bass clarinet provides new opportunities for performers and audiences to experience these devastatingly beautiful works./ Répertoire / Voix et Instruments
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Phantasy in F Minor (BRITTEN BENJAMIN)
String Trio: violin, viola, cello
[Sheet music]
Faber Music Limited
Par BRITTEN BENJAMIN. Set of parts for Phantasy in F Minor for string quintet (t...
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Par BRITTEN BENJAMIN. Set of parts for Phantasy in F Minor for string quintet (two violins, two violas and cello) and lasting 11 minutes. Phantasy in F Minor won the Cobbett Prize for chamber music at the Royal College of Music in May 1932 and was also submitted in support of Britten's application for the Mendelssohn Scholarship at the College. / Ensemble Music / Répertoire / Violon, Alto et Violoncelle
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Malcolm Arnold: Concerto for Viola: Viola
Conducteur
[Sheet music]
Faber Music Limited
'. . .It is a revelation to hear something of the composer's other side. The Vi...
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'. . .It is a revelation to hear something of the composer's other side. The Viola Concerto featuring Rivka Golani is the real thing: post Walton heartfelt viola writing. . .'Sarah Pope CD Classics December 1992
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33ème Quintette Pour Deux Violons, Deux Altos Et Un Violoncelle - Op. 80 (ONSLOW GEORGE)
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Easy
Anne Fuzeau Productions
Par ONSLOW GEORGE. 33e quintette pour deux violons, deux altos et un violoncelle...
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Par ONSLOW GEORGE. 33e quintette pour deux violons, deux altos et un violoncelle. Edition : Paris, Brandus, 1852. oeuvre composée en 1849/1850Publication en fac-similé de toutes les sources.Présentation : Introduction - Dates essentielles de la vie de George Onslow - Différences de détails entre les trois sources.Une oeuvre de musique de premier plan, que Berlioz admirait. La documentation est très complète : parties séparées autographes et éditées, mise en partition par Gouffé.- Edition originale en parties séparées, Paris, Brandus, 1852. 33ème quatuor, opus 80 (en Ut mineur et Majeur) : 1er violon - Second violon - Alto 1o - Alto 2o - Violoncelle.- Manuscrit autographe en parties séparées. Composition en 1849/1850 : Violino 1o - Violino 2o - Viola 1a - Viola 2a - Violoncello.- Partition - manuscrite réalisée par Gouffé. / Niveau : Facile / Répertoire / Quintette à Cordes (Fac-similé)
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Wolfgang Amadeus Mozart: Sinfonia concertante in E-flat major K.364: Violin &
Violin, Viola and Orchestra
[Score]
Barenreiter
E flat major-There is no reference to the origin occasion or a performance of t...
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E flat major-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
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Wolfgang Amadeus Mozart: Sinfonia concertante in E-flat major K.364: Violin &
Violin, Viola and Orchestra
Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...
(+)
There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
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Concerto In E Twv53:E1 For Flûte, Oboe D'Amore And Viola D'Amore (TELEMANN GEORG PHILIPP)
Parties Orchestrales
[Sheet music]
Peters
for Flute, Oboe d'amore & Viola d'amore. Par TELEMANN GEORG PHILIPP. Viola part ...
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for Flute, Oboe d'amore & Viola d'amore. Par TELEMANN GEORG PHILIPP. Viola part / oeuvre solo et Orchestre / Répertoire / Parties Orchestrales
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Michael Nyman: Drowning By Numbers: Chamber Ensemble: Score
Violin, Viola and Orchestra
[Study Score / Miniature]
Chester
Drowning By Numbers arranged by the composer from his sound-track for the film ...
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Drowning By Numbers arranged by the composer from his sound-track for the film by Peter Greenaway for Violin Viola and Chamber Orchestra. This work was commissioned by the London Mozart Players and first performedDecember 1998 at the Warwick Arts Centre. Duration 20 minutes. Full Score and parts are available on hire from the publishers. Instrumentation: Solo Violin Solo Viola 2 Flutes Oboe Cor Anglais 2 B Flat Clarinets 2 Bassoons 2 Horns in F 2 Trumpets in C Bass Trombone Piano Strings (8.6.4.4.2).
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Peng-Peng Gong: Viola Concerto - Full Score: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
Full Score-Gong's Viola Concerto was premiered by the Shanghai Philharmonic with...
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Full Score-Gong's Viola Concerto was premiered by the Shanghai Philharmonic with fellow Julliard graduate Liyuan Liu on viola. The work is based on J. D. Salinger's Catcher in the Rye as part of a program addressing the emotional health of teenagers along with the composer's autobiographical 6th Symphony. Instrumentation: 2.2.2.2: 4.2.0.0: Timp.Perc(1).Pno.Hp: Str Duration: c. 35 minutes
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Michael Rose: Round Dance Viola: Viola: Part
Chamber Music
Novello & Co Ltd.
Round Dance Viola
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Girolamo Frescobaldi: Ricercar Et Canzon - Viola: Viola: Part
Orchestra
Novello & Co Ltd.
Ricercar Et Canzon - Viola
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Giles Swayne: String Quartet No.3 Op.59: String Quartet: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
Novello & Co Ltd.
Giles Swayne's third string quartet was commissioned by Lord Harewood for the 19...
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Giles Swayne's third string quartet was commissioned by Lord Harewood for the 1993 season of concerts at Harewood House Leeds. The first performance was given by the Skampa Quartet at Harewood House December 1993. The work is written in one continuous movement duration 21 minutes. Instrumentation Violin I Violin II Viola Cello.
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Trio In E Flat Op. 52 (DOTZAUER JUSTUS JOHANN FRIEDRICH)
String Trio: violin, viola, cello
Amadeus Verlag
For Violin, Viola And Cello. Par DOTZAUER JUSTUS JOHANN FRIEDRICH. / Répertoire...
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For Violin, Viola And Cello. Par DOTZAUER JUSTUS JOHANN FRIEDRICH. / Répertoire / Violon, Alto et Violoncelle
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Ernest Bloch: Suite Hebra?que: Violin: Instrumental Work
Viola and orchestra
Schirmer
Study Score No. 71-For Viola/Violin solo and orchestra.
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Affekte. Quintetto (CORGHI AZIO)
Quintette
[Score]
Ricordi
Per Flauto, Clarinetto, Violino, Viola, Violoncello. Par CORGHI AZIO. / Musique...
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Per Flauto, Clarinetto, Violino, Viola, Violoncello. Par CORGHI AZIO. / Musique contemporaine / Répertoire / Quintette
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