D major-Concerto For Flute And Orchestra D major K. 314 (285d).Flute Solo Oboe (2) Horn (2) Strings. Flute & Piano reduction. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. BÄRENREITER URTEXT: In the international music world “Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which includeprominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter “Urtext” is more than just a label – it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer’s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

for two Flutes without Bass-Though recovered as part of the long lost Sing-Akademie Berlin archives in 1999 these sonatas were first examined in 2002. Knowledge of their existence or at least their presumed existence is due to their partial use by Johann Joachim Quantz in his solfeggi for the Flute.The sonatas possibly composed sometime after 1730 are presented in a performing score format. As with Telemann’s other Flute music the Nine Sonatas are equally suited for performance and teaching. The expressive melodic qualities of these sonatas combined with their modest technical requirements will make these sonatas classics in both lessons and the concerthall.- First Edition.- Performing score with facsimiles.- A must-have edition from a master composer of Flute music.

Piccolo Alto and Bass Flute / Piccolo Alt- und Bassflöte-A comprehensive and systematic presentation of all relevant techniques for playing contemporary music. Following on the great success of the first volume this second book systematically explains the full technical and timbral potential of the piccolo also and bass flutes. The techniques are presented with instructive examples from the modern flute repertoire that also serve to illustrate peculiarities of notation. Useful tips for practising are presented as an aid to performance.The CD allows you to compare your playing with recordings by Carin Levine. The volume is an indispensable and practical tool for composers performers andteachers.Features:Comprehensive and systematic presentation of all relevant techniques for playing contemporary music on the piccolo alto and bass flutesClear explanations of timbral peculiaritiesHelpful suggestions for experimentationCD with recorded examplesIllustrative musical examples with excerpts from contemporary worksPreviously tested on all standard models of piccolo alto and bass flutesGerman and English text

Twelve Fantasias for Flute without Bass TWV 40:1-12-The Fantasias For Flute Without Bass address themselves less to the virtuoso than to the amateur flutist who will find everything he wishes in these pieces. Although Telemann himself may have lost track of his works the many flutists who have perfected their technique and musical interpretation with the help of these lovely Fantasias will never forget them. - Urtext of the Telemann Edition.

By Marin Marais (1656-1728) Bass Viol player edited by Hans-Peter Schmitz. Solo flute book for flute (unaccompanied). 8 pagesBaroque. 9x12 inches.

The Partita was virtually unknown until 1917 when the manuscript (call number: Mus. Ms. Bach P 968) was acquired by the then Royal Library in Berlin from the heirs of the former Thomaskantor and avid Bach collector Wilhelm Rust (1822-1892). For this reason the Partita for Flute BWV 1013 was not included in the pioneering Gesamtausgabe der Bachgesellschaft finished in 1900. In addition it seems possible that Wilhelm Rust intentionally withheld the piece from publication despite the fact that he had generously supported the Bachgesellschaft edition in its early stages. Today the Partita is well known though it is worth remembering that this piece is one of the latestadditions to the canon of Bach's works.- Urtext of the New Bach Edition

Edition : Playing Score; Urtext Edition Editor : Schmitz, Hans-Peter;Leisinger, Ulrich Binding : stapled Instrumentation : Flute

Although these two sonatas composed by the young Carl Philipp Emanuel Bach clearly reflect the influence of his famous father they also herald the unconventional and strikingly expressive preclassical composer. Besides ?character? variations Bach also wrote variations with large intervallic leaps in his minuets thus offering flutists a chance to enjoy a delightfully iridescent play of tone colours.Sonate G-DurSonate e-Moll