Arrangeur: John Glenesk Mortimer. Par VIOLA ANSELM. / Niveau : Confirmé / Répertoire / Cor et Piano ou Orgue

Easy Popular Movie Instrumental Solos is an accessible selection of movie hits for the beginning student, with simple notation and a play-along CD. Available for flute, clarinet, alto saxophone, tenor saxophone, trumpet, horn in F, trombone, violin, viola, cello and piano accompaniment. Believe (The Polar Express); Come So Far (Hairspray); Gonna Fly Now (Rocky Balboa); Hedwig's Theme (Harry Potter and The Sorcerer's Stone); In Dreams (Lord of the Rings: The Fellowship of the Ring); James Bond Theme (Casino Royale); Over the Rainbow (The Wizard of Oz); The Pink Panther Theme (The Pink Panther); Raiders' March (Raiders of the Lost Ark); Way Back Into Love (Music and Lyrics)

für zwei Hörner zwei Violinen Viola und Bass-It is hardly surprising that Beethoven did not write any more chamber music for winds after 1800. Following the change to middle-class musical culture demand declined for buoyant serenades and divertimenti intended for courtcircles – a genre that Beethoven had reservations about as it was. Composed in 1795 with no known occasion in mind his Sextet op. 81b is thus all the more remarkable standing out on account of the unusual virtuosity of thehorn parts. This edition is the first to provide the bass part as originally intended by Beethoven: for violoncello supported by a double bass. In addition to the original horn parts in E flat it also contains transposed parts inF.

The virtuosic double concerto Concerto for Violin Horn and Orchestra follows the traditional concerto three-movement form I Allegro moderato II Elegy (In Memoriam) and III Presto. The sheet music includes alternate parts forViola or Cello with Piano accompaniment.Composer Ethel Smyth was a prolific composer of serious music for several decades at the turn of the last century whose works commanded great critical acclaim and earned her the honour ofDame Commander of the Order of the British Empire. A fiery powerful personality Smyth pursued her musical studies and career against her family’s wishes travelling to Leipzig to study there. Her style is late Romantic withrich Orchestration which fell out of favour in the 20th century. Sir Thomas Beecham was a champion of her work as was Henry Wood to whom this work is dedicated.

Trio avec cor Mi bémol majeur op. 40 Editeur: Katharina Loose-Einfalt Doigtés: Klaus Schilde Edition Urtext, reliure paperback pour cor en Mi bémol et Fa avec parties pour alto et violoncelle L?instrumentation inhabituelle de ce trio ? cor, violon et piano ? a de bonne heure fait l?objet de spéculations au sujet d?un arrière-plan extramusical. Le biographe Max Kalbeck y voyait par exemple une plainte du compositeur, qui venait de perdre sa mère, parce que dans son enfance le petit Brahms aurait joué à celle-ci des chants populaires au cor. Ce qui est indiscutable, c?est que le compositeur adorait la sonorité du cor naturel qui lui a inspiré quelques-unes de ses plus belles mélodies. Son Trio op. 40 est à juste titre porté aux nues par tous les cornistes auxquels l?édition Urtext de Henle offre désormais une base idéale pour étudier et interpréter ce chef-d??uvre. L?édition reprend le texte musical des nouvelles ?uvres complètes de Brahms, garantie d?une fidélité aux sources et d?une conformité aux recherches les plus récentes. Le pianiste Klaus Schilde a rajouté de précieux doigtés dans la partie de piano. On trouvera en outre les parties instrumentales des versions alternatives (alto ou violoncelle à la place du cor) qui avaient la bénédiction de Brahms.