Par FRANCK CESAR / MAGALIF EUGENE (Arr.). Prelude, Fugue and Variation for Flute and Harp (or Piano), by Cesar Franck, here adapted for concert performance by Eugene Magalif, including further 'improvisatory' passages following the Prelude, the addition of another melody in the Fugue, and more solo material for the flute in the Variation. / Date parution : 2022-11-29/ Répertoire / Flûte Traversière et Harpe

Par DELISE LOUIS ANTHONY. Louis Anthony deLise's Passaggio for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. The compositions included in this suite are arrangements of solo piano pieces by deLise which began as improvisations, including 'Early January,” 'In the Edge of the Water,” and 'Spring Rain.” Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the first two movements. The third movement, being entirely diatonic, is suitable on both pedal and lever harp.Louis Anthony deLise's Passaggio for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. The compositions included in this suite are arrangements of solo piano pieces by deLise which began as improvisations, including 'Early January,” 'In the Edge of the Water,” and 'Spring Rain.” Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the first two movements. The third movement, being entirely diatonic, is suitable on both pedal and lever harp./ Répertoire / Flûte Traversière et Harpe

Companion CD to the Songbook-This companion CD will assist harp players in learning the pieces in the Pachelbel's Canon and Jesu Joy of Man's Desiring books. Since many will want to ?play along? as they learn Sylvia has recordedthese pieces slower than they are usually played and as ?straight? as possible with little or no expression or rhythmic variations. The Canon was recorded at a metronome marking of 92 and Jesu at 100. Inall of the duet versions one harp part is on one tract of the stereo and the second harp part (or the flute part) is on the other. If you can adjust the separate channels you can hear each part separately. The three versions ofthe Canon are played first in the original key of D and then in the key of G. All the versions of the Jesu are without repeats and go straight to the second ending.