Media : BookAuthor : by Paul MickelsonLevel : IntermediateDate published : 4/25/1990Style : WeddingType : SolosDescription : This book presents a dozen timeless wedding themes from various sources arranged in idiomatic keys for flute or violin with tasteful piano accompaniment. A convenient pull-out part is included for the soloist. Here, under one cover, is an outstanding selection of tunes to please the bride and keep the wedding musician booked for months in advance!

Works for two Pianos-Whose ears are not instantly filled with the dreamy flute solo when Debussy?s 'PrĆ©lude l?aprĆØs-midi d?un faune' is mentioned? Very few people know that before he wrote the orchestral score Debussy made a version for two pianos.Both versions should be seen as being independent and they differ in some details. The differences are revealed in our edition as are Debussy?s entries concerning the work in his copy of the score. The volume also contains theSpanish impression 'Lindaraja' and the three pieces 'En blanc et noir' in which Debussy addresses the horrors of World War I. Andreas Groethuysen one half of the famous piano duo Tal & Groethuysen provided the fingerings.

of the concerto for flute, harp and orchestra KV 299. Par MOZART WOLFGANG AMADEUS. In the unparalleled series Ā‚CadenzaĀ‘, Schott Musik International presents cadences of well-known instrumental concertos of classical and Romantic music, composed by major composers and soloists of our time. The cadences of MozartĀ‘s Concerto for flute, harp and orchestra in C major KV 299 were created by Nino Rota. It is not known when and for which occasion Rota wrote these cadences. But the two soloists, on the other hand, to whom he dedicated the cadences are quite well-known: the harpist, Clelia Gatti Aldronandi and the famous flutist Severino Gazzelloni. RotaĀ‘s brilliant neoclassicism is perfect for the virtuoso dialogue between the two solo instruments on the themes of the concerto./ RĆ©pertoire / FlĆ»te TraversiĆØre et Harpe

Music Minus One Violin-Famous trios composed about 1790 displaying Haydn's genius for writing charming chamber works. Haydn deliberately scored these three trios for either flute or violin with piano and violoncello. Years of playing pleasure await you. Includes a complete high-quality printed music score and a compact disc containing accompaniments minus you the soloist. Accompaniment: The Classic Piano Trio: Harriet Wingreen piano Alan Shulman violoncello

Appartenant Ơ la catƩgorie Classique la partition Piwit (Cor solo, Flute, Basson, Harpe, Piano, Vibraphone,quatuor Ơ cordes) Defaye Jean-Michel est ƩditƩe par la maison d'Ʃdition Robert Martin. Sa rƩfƩrence catalogue est SL10024. / Ensemble Instrumental / Partition

The play-along book ?Playing with the Orchestra VOL. I? has been designed for flute, Bb clarinet, oboe, Bb trumpet, F horn, violin and cello. The original symphony orchestra part for each instrument is printed in its own edition. The orchestral recordings were performed by an 80-strong professional orchestra, the Bratislava Symphony Orchestra, conducted by David Hernando Rico. The series includes many successful works by the composer Otto M. Schwarz, such as ?Around the World in 80 Days?, ?Nostradamus?, ?Dragon Fight?, ?The Story of Anne Frank? and most recently ?The White Tower?, compositions that also feature in the Top 40 of the world-wide Classic New Releases on Spotify.

PrĆ©sentation Jean-Marie Leclair est le plus Ć©minent reprĆ©sentant de l?Ć©cole franƧaise de violon du XVIIIe siĆØcle. Cette nouvelle publication en partition des Editions du Centre de musique baroque de Versailles propose Ć  tous les violonistes, mais aussi aux ensembles, spĆ©cialistes ou non de ce rĆ©pertoire, de jouer ses concertos, vĆ©ritables manifestes d?une virtuositĆ© instrumentale au service du goĆ»t musical franƧais. Jean-Marie Leclair naĆ®t Ć  Lyon en 1697. A partir de 1722 il effectue plusieurs voyages dans le PiĆ©mont, oĆ¹ il sera en particulier l?Ć©lĆØve de Somis qui lui transmet l?enseignement du fameux Corelli. Cette rencontre, dĆ©terminante pour le compositeur, lui fait embrasser une carriĆØre de soliste. Sa virtuositĆ©, toujours au service de la musique, bouleverse entiĆØrement la pratique violonistique en France, crĆ©ant une vĆ©ritable Ć©cole. De 1728, oĆ¹ dĆ©marre sa carriĆØre au Concert Spirituel Ć  Paris, jusqu?Ć  son assassina en 1764, il n?aura de cesse d?Ć©crire et de jouer, que ce soit pour son instrument ou dans des ?uvres ambitieuses. Ce concerto pour violon et orchestre op. VII nĀ°5, probablement des annĆ©es 1737, est en la mineur. En trois mouvements (Allegro, Largo, Allegro assai), il dure environ un quart d?heure. A la faƧon d?un concerto grosso, un ?Violino concertino? alterne la direction de l?orchestre et de larges passages solo. L?orchestre est constituĆ© de deux parties de violons, une partie d?alto, une partie de basse et d?une basse continue. GĆ©nĆ©ralitĆ©s PĆ©riode : baroque Genre : profane Contenu Introduction (langue) : franƧais Musiques : Concerto pour violon et orchestre op.VII nĀ°5

Instrumental Play-Along-Play along with 10 pieces from the beloved holiday ballet including: Arabian Dance ('Coffee') ? Chinese Dance (Tea) ? Dance of the Reed-Flutes ? Dance of the Sugar Plum Fairy ? Final Waltz and Apotheosis ? March from the Nutcracker ? Overture ? Russian Dance (Trepak) ? Spanish Dance ? Waltz of the Flowers. Includes access to online audio.

These three exquisite miniatures ? composed in 2009 and lasting a total of 5 minutes ? are responses to the poetry of George Bruce. In the first Soloist and Piano are fused together as a single instrument as if singing from a great distance. Suckling describes the following movements as ?inside a beam of light? and ?a never-ending lullaby?. Three Venus Haiku exist in versions for a number of different solo instruments with Piano and this edition is intended for either Flute or Violin.

For Flute, Clarinet In Bb, and Piano. Par JALBERT PIERRE. Triple Set was commissioned by the Flute/Clarinet Duos Consortium, an organization of 17 groups which will give the premiere performances of the work. IĀ’ve always been fascinated by the flute and clarinet, and when I was approached by my colleagues at Rice (Leone Buyse and Michael Webster) to write a piece for flute, clarinet and piano (IĀ’m a pianist myself), for the Flute/Clarinet Duos Consortium, I was happy to oblige. Both of my sons also play the clarinet, so many of these sounds are around me all the time. The piece is in three contrasting movements. The first movement, Driving, marked Ā“With great energyĀ”, is rhythmically propelled forward by the pianoĀ’s muted strings and the flute and clarinet playing at first in rhythmic unison, then each taking a turn at solos while the other participates in the accompanimental syncopations. The second movement, Still, is marked Ā“TimelessĀ” and slowly unfolds its melodic and harmonic ideas. The third movement, Relentless, is a kind of 6/8 scherzo, which vigorously and relentlessly propels itself forward to the end, with just two minor interruptions of quasi-cadenza like passages for flute and clarinet duo. - Pierre Jalbert/ RĆ©pertoire / FlĆ»te TraversiĆØre, Clarinette et Piano

Two pleasant and pastoral movements by Christopher Le Fleming that may be played with Violin Flute or Oboe as the soloist with a full Piano accompaniment. A bass-clef version is available with the Cello as the soloist itemcode number CH56275-01.

Gabriel's Message Rocking and Angels from the Realms of Glory delightfully arranged in a light style for SATB with keyboard accomp. and solo flute. As heard on Friday Night is Music Night (BBC R2).

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Movie Hits' features idiomatic arrangements of classic film themes offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun. Contents: You Can Leave Your Hat On; The Wind Beneath My Wings; Blue Monday; Star Wars (Main Title); Because You Loved Me; I Will Always Love You; (Everything I Do) I Do It For You; I Don't Want To Miss A Thing

There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score