Paul Mealor wrote In My Dreams for The Military Wives Choir, Jonjo Kerr and Gareth Malone for their first album In My Dreams . This version is for SATB chorus and Piano. Also available for Tenor solo, SSA chorus, Piano, Harp, Percussion and Strings, and for SATB chorus and Piano. / SATB Et Piano

Paul Mealor wrote In My Dreams for The Military Wives Choir, Jonjo Kerr and Gareth Malone for their first album In My Dreams . This version is for Tenor solo, SSA chorus and Piano. Also available for Tenor solo, SSA chorus, Piano, Harp, Percussion and Strings, and for SATB chorus and Piano. / SATB Et Piano

Par DVORAK ANTONIN. Antonin Dvorák?s impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer?s sacred works. Some painful experiences in 1875 his first daughter died, and in 1877 he lost two other children in quick succession may have led to Dvorák?s preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-publishedarrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation. / Date parution : 2023-06-02/ Répertoire / Choeur Mixte SATB et Piano

A choral showpiece featuring the greatest melodies and songs of Andrew Lloyd Webber, arranged as a celebratory medley. Songs including The Phantom Of The Opera and Don't Cry For Me Argentina have been specially assembled into this choral spectacular that will be the centrepiece of any performance. The arrangement includes a full Piano accompaniment. However, parts are available for Concert Band (Catalogue No.AM949179) and Strings (Catalogue No.HL08721948). Further arrangements are available for SAB chorus (Catalogue No.AM930853) and 2-Part Choir (Catalogue No.AM930864). A CD of professional backing tracks is available for easy rehearsal or performance without the Piano (Catalogue No.AM945032) / Voix

Vocal Score for John Tavener's Three Hymns Of George Herbert for SATB chorus percussion and strings. Commissioned by the Legatum Institute [www.LI.com] as part of its ?British and American Notions of Liberty?programme in the year of the Diamond Jubilee of Her Majesty Queen Elizabeth II. First performance on 21st April 2013 in Washington National Cathedral by the City Choir of Washington conducted by Robert Shafer.'The ThreeHymns of George Herbert were written after a long illness and represent for me a Hymn of thanksgiving to God for a relative return to health. They are intended to be sung in a large resonant acoustic with the main choir andstring orchestra at one end of the building and an echo choir and string quartet at the other. The percussion (tubular bells gongs and tam-tams) should sound from a gallery or other raised position.The Hymns wereinspired by the transparent poetry of George Herbert and are dedicated in gratitude and love to the memory of Mother Thekla former Abbess of the Orthodox Monastery of the Assumption Normanby near Whitby who died in 2011.' -John Tavener

Taken from Songs Between The Soul And The Bridegroom.Canciones entre el alma y el esposo is a poem consisting of forty verses. Having previously set two sections of it as separate a cappella choruses andone for two countertenors and strings I've long wanted to make a complete setting of the work and by arranging the countertenor piece for a cappella chorus and setting the remaining verses as two more anthems for the sameforces I've completed the task. The five pieces can of course still be performed separately or brought together as a twenty-five minute setting of Roy Campbell's translation from the original Spanish of this vivid and intensepoem.'Geoffrey Burgon May 2008

Karl Jenkins's uplifting and celebratory Te Deum (text in Latin) premiered in Nov 2008 is now available on sale as a vocal score. The work is moderate length (15 mins) and scored for strings trumpets percussion and organ making it accessible to choirs of all sizes. Jenkins is the Patron of the Liverpool Welsh Choral who commissioned the new work to celebrate the city's European Capital of Culture year.

Motet for soloists chorus two flutes strings and organ continuo.Edited by Phillipe Oboussier. Duration c. 33 mins.

For SATB choir with Piano accompaniment.'In 2000 the poet Tony Harrison to cheer me up during a troubled period of my life sent me a copy of Goethe?s poem. I began to sketch music for it then and finished it in 2003. It is set for mixed chorus and strings. A winding forlorn cello figure like a lost soul leads to a softer tender violin theme that evokes the healing power of music to the troubled spirit. The hushed chorus enters a cappella and the forlorn cello figure is developed as they describe the illusory nature of the ?splendid? world. The ?healing? theme returns now elaborated by the sopranos and the whole chorus joins them building a sustainedmessage of hope and thanks for the regenerative power of music and love.This short piece is fondly dedicated to my friends Jane and David Fanshawe. It was commissioned by the Bournemouth Symphony Chorus and first performed by them in Poole on 17 April 2004.'????????????????????????????????- Richard Blackford

The Shadows Of War is a work by Paul Mealor for SATB Choir Timpani Percussion and Strings. The work is a Mass to commemorate the centenary of the Battle of the Somme 1916-2016. Commissioned jointly by the Welsh Proms and John Armitage Memorial Trust a full performance lasts around 20 minutes. This is the Vocal Score.

A choral showpiece featuring the greatest melodies and songs of Andrew Lloyd Webber arranged as a celebratory medley. Songs including <>The Phantom Of The Opera and Don't Cry For Me Argentina have been specially assembled into this choral spectacular that will be the centrepiece of any performance. The arrangement includes a full Piano accompaniment. However parts are available for Concert Band (Catalogue No.AM949179) and Strings (Catalogue No.HL08721948). Further arrangements are available for SAB chorus (Catalogue No.AM930853) and 2-Part Choir (Catalogue No.AM930864). A CD of professional backing tracks is available for easyrehearsal or performance without the Piano (Catalogue No.AM945032)

For Passion in 1680 Dieterich Buxtehude composed his largest work in the style of an oratorio the cantata cycle Membra Jesu nostri and he dedicated it to his friend the Swedish Court Music Director Gustav Düben. In each of the seven separate cantatas which in principle follow the scheme ?instrumental introduction ? choral movement with biblical texts ? vocal soli (aria) with a sacred text from the Middle Ages ? repetition of the choral movement ? the feet knees hands side chest heart and face of the crucified Christ are interpreted allegorically. The original scoring for strings in No. VI ('Ad Cor') consists of a consort of five gambas. If this group of instruments isnot available then violins I/II can be substituted for gamba I/II and the gamba V parts can be played by the violone (the music for these substitute parts is contained in each respective parts) so that in this case only two gambas (III IV) are needed. For such a performance only two copies of the Gamba performance score (Carus 36.013/16) are required.

SSAATTBB Piano String Quartet-This moving lush and symphonic work with piano and string quartet has a contrasting brighter lighter feel than ?Dark Night of the Soul.? Added contemporary text describes the divine spirit of all art. An outstanding work! Full Score.Also available:Vocal Score: HL08501837Strings Score/Parts: HL08501838

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.