The bass recorder brings a deep rich timbre to the recorder ensemble. Nevertheless when beginning with the bass recorder even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a 'hands-on' tutor which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tone quality rhythm andtechnical demands. The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects: o the bass recorder - construction instrument types historical background o technical foundations of bass recorder playing posture fingering sound and articulation o practise and rehearsal techniques intonation in ensemble playing o stylistically diverse ensemble repertoire ranging from medieval to contemporary music The Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line which can be used to play along with. Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher. Learning the bass recorder whilst playing in an ensemble continues in this 3rd volume of Workshop Bassblockflöte. Greater emphasis is placed on the techniques of refining sound quality 2 and 3 part arrangements and playing not only the bass voice but also the middle or even the melodic line. The enclosed CD recorded by the editors Irmhild Beutler

Eight Little Three-part Pieces. Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach wrote the present short, three-voice pieces for cembalo. Minuet BWV 929 comes from the collection entitled Small Preludes and Fughettas and was probably written as teaching material. The Minuet and the Polonaise from the Notebook for Anna Magdalena Bach are examples of the Bach family's domestic music. Gavotte II (ou la Musette) and Gavottes I and II come from the English Suites, while a further gavotte was sourced from the French Suite No. 5. The Recorder Trio à la Carte series presents attractive pieces for recorder trio that cover a wide stylistic spectrum encompassing arrangements and original compositions from the classical and entertainment repertoire. It also combines the instruments of the recorder family in various ways. Recorder Trio à la carte opens up new paths that feature high quality, professional-standard recorder literature which motivates young players, sounds good and appeals to listeners. • Spirited dances by J. S. Bach in stylish arrangements for an enjoyable venture into the world of Baroque music • Suitable for students of all ages at intermediate-level and beyond • A beautiful addition to the J.S. Bach recorder repertory/ Recueil / 3 Flûtes à Bec SAB/STB

Bassblockflöte lernen im Ensemble für 3-5 Blockflöten (SA(A)TB) und CD-The bass recorder brings a deep rich timbre to the recorder ensemble. Nevertheless when beginning with the bass recorder even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a “hands-on” tutor which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tonequality rhythm and technical demands.The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects:• the bass recorder – construction instrument types historical background• technical foundations of bass recorder playing posture fingering sound and articulation• practise and rehearsal techniques intonation in ensemble playing• stylistically diverse ensemble repertoire ranging from medieval to contemporary musicThe Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line which can be used to play along with.Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher. Comtents: Paix Jakob: Ungaresca Petruschka (Volkslied aus

Learn Bass Recorder in Ensemble Playing Partitur und Stimmen - Mit Playback CD vom Ensemble Dreiklang Berlin - Anleitung zum Bassblockflötenspiel - for 3-5 recorders (sa(a)tb) and cd arranger: Ripper, Martin arranger: Rosin, Sylvia C. arranger: Beutler, Irmhild The bass recorder brings a deep, rich timbre to the recorder ensemble. Nevertheless, when beginning with the bass recorder, even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a ?hands-on? tutor, which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tone quality, rhythm and technical demands. The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects: ? the bass recorder ? construction, instrument types, historical background ? technical foundations of bass recorder playing, posture, fingering, sound and articulation ? practise and rehearsal techniques, intonation in ensemble playing ? stylistically diverse ensemble repertoire ranging from medieval to contemporary music The Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line, which can be used to play along with. Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher.

For Books 3-4-This CD contains backing tracks for all the tunes in Recorder Magic Descant Tutor Books 3 and 4 so that beginners can hear how the music sounds then play along to the accompaniments. In addition it contains full performances with voice of all the tunes with lyrics. Each full performance is to be found after the backing track within the same track number.

10 progressive pieces for descant recorder electronic keyboard percussion and voice suitable for the classroom and for concerts. Each piece has a recorder part lyrics for singing along rhythm patterns and keyboard diagramsfor playing the auto-accompaniment.Professionally recorded demonstration and backing tracks are available to purchase and download here .

George Odam. Radiant stage cantata about the Incas of Peru and the cat moon and sun people. Designed to encourage an exchange of ideas between curriculum areas such as Drama Art Geography History and Religious Studies withdance and choral speaking. The Inca King’s throne is the only ‘prop’ needed although samples of topic work such as models pots paintings and maps can adorn the arena-style production. Sound project work cards on Sea Desert andMountain music are included in the set of parts.

Easy pieces to play together-Duets for Fun contains original compositions from the Renaissance Baroque and Modern eras. The band is aimed at recorder players who have sound basic knowledge. As supporting repertoire the pieces train the sense of style and the interpretation of the music of the different eras. All aspects of duo playing are supported such as voice leading sound balancing and intonation. These original pieces are also very well suited for concerts auditions and competitions.

Christmas Songbook Teacher's Book-John Pitts & Jan Holdstock. Carols for voices and recorders with piano accompaniment. Including 'Mary Had a Baby' 'Rise Up Shepherd' and 'How Far Is It To Bethlehem'.

Book Only-Written for easy recorder this book features big easy-to-read notes a beginner's guide to playing the recorder and a clear simple introduction to reading music. Seven of the most well-known Wizard of Oz themes and melodies are included. Titles: Ding-Dong! The Witch Is Dead * If I Only Had a Brain * Lullaby League and Lollipop Guild * The Merry Old Land of Oz * Optimistic Voices * Over the Rainbow * We're Off to See the Wizard.

Partitur und Stimmen - P/ST - for recorder quartet s(t)a(b)a(b)t(b) Arrangers: Beutler, Irmhild / Rosin, Sylvia C. Estonian minimalist composer Arvo Pärt has adapted his celebrated work, Summa, for recorder quartet. Originally written for four solo a cappella voices, it is also available in arrangements for string quartet, string orchestra, and choir with organ. Summa bears the distinctive qualities of Pärt's music, masking its great collective complexity with simplicity in each part. This arrangement can be played by soprano/alto 1/alto 2/tenor instruments or tenor/bass 1/bass 2/great bass. Phrasing marks are consistent with those of the vocal arrangement. Universal Edition makes a significant addition to the recorder library with this edition. For intermediate to advanced players.

Well-known classical works for recorder students at all levels of ability adapted and arranged especially for the recorder. The works are drawn from all periods including Baroque Classical Romantic and Modern. The authorhas carefully placed the melodies in the best keys for easy recorder.