Par STEFANELLI MATTHIEU. / Date parution : 2023-03-21/ Répertoire / Hautbois d'amour (ou Clarinette en la ou Saxophone

Par DELGIUDICE MICHEL. / Niveau : Débutant à Elémentaire / classique / Répertoire / Hautbois ou Saxophone

18 Études For Oboe Or Saxophone was composed by Eugène Bozza for upper intermediate / advanced players. Quite difficult most of these studies are one-page long and will improve the flexibility and the sonority of the players:  1. Moderato – a piacere with the character of an improvisation 2. Moderato – expressive and flexible 3. Allegro giocoso 4. Très modérément – with a nice sonority 5. Allegetto scherzando 6. Andantino – with a nice sonority 7. Andantino – deep and quiet 8. Tarentelle (Allegrovivace) 9. Andantino 10. Recitativo 11. Allegro moderato (grazioso) 12. Allegro moderato 13. Allegro vivo 14. Sicilienne 15. Improvisation – after Pastoral Fantasy for Oboe and Piano 16. Recitativo (Moderato) 17. Presto 18. Moderato Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prize for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition pour Saxophone Ou Hautbois vous pourrez découvrir une des oeuvres de Lacour Guy en l'occurence 100 DECHIFFRAGES MANUSCRITS VOLUME 1 - SAXOPHONE, HAUTBOIS qui a été éditée par la maison d'édition Billaudot. / Saxophone Ou Hautbois / Partition

Par COMINOTTO Marcel. / Niveau : 5 / Partition / Flûte, Hautbois ou Saxophone

Histoires vol. 1 (7e) pour quatuor d'anches (hautbois Clarinettete saxophone ténor basson) (partition et parties). Par Ballon aux éditions Leduc. Partition / Livre de chansons pour Wind Ensemble

The contents of the Solo Sounds folios features works on State Contest lists for each instrument (and pieces that are likely list candidates). Two folios are available for each instrument (flute, clarinet, oboe, alto saxophone, trumpet, trombone, French horn, and tuba), both with supplementary piano accompaniment volumes.

Oboe-Metamorphoses after Britten was written for Melinda Maxwell for UYMP's Signals volume of new music for Oboe. It was first performed by Melinda at York University on 24th November 2010.I - A MountainII -FixationIII - FlowersIV - Fountains Metamorphoses after Britten by philipvenables 'Metamorphoses after Britten arejust that: four miniatures each inspired by one of Benjamin Britten’s Six Metamorphoses after Ovid for solo oboe. Each movement over its short course transforms gradually from one thing to another ending with the exception ofFountains in a short cathartic coda. Some of the movements also take specific musical elements from Britten’s pieces.I very much viewed these pieces as musical Haiku and in that sense I hope they embody a sense ofpeace brevity and simplicity.The oboe version of Metamorphoses after Britten is dedicated to Melinda Maxwell.The saxophone version of Metamorphoses after Britten with an additional movement is dedicated to Vickiand Andrew Vaughan'      - Philip Venables     

The contents of the Solo Sounds folios features works on State Contest lists for each instrument (and pieces that are likely list candidates). Two folios are available for each instrument (flute, clarinet, oboe, alto saxophone, trumpet, trombone, French horn, and tuba), both with supplementary piano accompaniment volumes.

Three Movements For Improvising Oboe, Soprano Sax, Viola, Cello. Par LIEBMAN DAVID. It is natural as we age to contemplate the finality of passing on, if not personally, then certainly as an effect from others around you whom have left this space. Having to endure the passing of family and friends is of course very trying. This is especially true when the perception is that someone 'passed before their time” though there are those of us who believe in fate implying that the Force works in its own mysterious way. In some ways I can subscribe to that concept, but for me when someone passes early, say in their fifth or sixth decade of life, it is 'before their time.” Composers often commemorate passings with music as a means to mourn and as well to celebrate the life of an individual who meant something to them. Such is the nature of this piece. Movement 1 - Past uses as source material themes I wrote for my mother Frances and father Leo when they passed - movement 2 - Present centers around a choral ('Prayer for Mike”) I wrote for my dear friend, saxophonist Michael Brecker when he passed a few years ago. This same period also saw the passing of other friends and associates whom I had known for years, all way too premature, beginning with JF Jenny Clarke and Bob Berg, Hans Gruber, Thomas Stowsand, David Baker, James Williams, Dennis Irwin, John Stubblefield. The final movement - ­Future is a requiem of sorts for all of us still here. With its improvisational character, it is meant to suggest the positive implications of living life to its fullest./ Recueil / Hautbois, Saxophone Soprano, Alto et Violoncelle

17 Solos, Duets And A Play-Along Cd On Christmas Favorites - Karen Khanagov (Argnd-Edt). Par KHANAGOV KAREN. Les dix-sept chansons de Noël dans ce volume sont disposées en touches confortables pour les joueurs de tous les niveaux et pour toutes les occasions. Il comprend deux parties pour soit solo ou performance duo et accompagnement au piano. Les livres pour les flûte, trombone, trompette et saxophone alto sont compatibles pour que les ensembles peuvent mélanger et correspond à des pièces que désiré. Groupes de Suzuki peuvent apprécie particulièrement de ces arrangements. Le CD fournit les accompagnements piano seul à utiliser pour le back-up, improvisé play-long, ou pour l'écoute agréable par elle-même. / Niveau : Débutant / Christmas - Play Along / Recueil / Flûte Traversière et Hautbois

The composer states that'the piece begins with a slowly falling scale of seven notes, thrown from one player to another, repeated nine times and embellished with ornamental flurries which outline a gradually evolving harmonic pattern. The repetitive nature of the music is like a peal of bells or some other kind of evocation. Eventually the music breaks out of this cyclic inevitability and heads into a faster dance-like material which in turn develops its own ritualistic recurrences.? The score and parts are intended for oboes at sounding pitch or for soprano saxophones sounding a tone lower than notated. / 3 Hautbois