As a lily among thorns was composed as a wedding present for Katie Johnston and John Hillier in March 2004. It was performed at their marriage in Christ Church Cathedral Oxford and later performed publicly by Commotio directed by Matthew Berry. The words are taken from the Song of Songs.The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden theirrepertoire and explore some of the best new music around.Thomas Hyde (b.1978) studied at Oxford University where he gained a doctorate in composition in 2008 and the Royal Academy of Music. His teachers have included David Matthews Simon Bainbridge Peter Maxwell Davies and Robert Saxton. In October 2008 he was appointed Lecturer in Music at Worcester College Oxford and since September 2009 has been visiting lecturer in composition at City University London. Prizes include finalist in English National Opera’s young composer festival ‘New Visions New Voices’ (1992) the National School Band Association Prize (1993) and a Wingate Scholarship (2004-5). His music is performed regularly in Britain at festivals including Spitalfields City of London Presteigne Deal and Little Missenden as well as abroad and has been broadcast on BBC Radio 3. Recent works have included a string quartet for the Allegri Quartet and the one-man opera That Man Stephen Ward for the Hampstead & Highgate Festival.

Heilig-Messe-Bernard of Offida 1604 1694 was a Capuchin monk whose saintly life and devotion to the sick and poor caused him to be beatified by Pope Pius VI on 19 May 1795. St. Bernard?s name day falls on the 11th of September (a Saturday in 1797) and it is generally thought that Haydn combined doing honour to the Capuchin monk with the production of a new Mass for his patron the day thereafter.Apparently later performances in Eisenstadt added horns to double the trumpets in the tuttis and just as in the previous Mass the clarinet parts were enlarged; it is almost certain that the new clarinet parts are either by Haydn or (shall we say) ?supervised? by him. As inthe Mass in Time of War conductors have the choice of two orchestrations: with or without doubling horns and with or without the supplementary clarinet parts.The Heiligmesse has always been one of Haydn?s most admired works. Its dignity its strength (we draw special attention to the extraordinary ?Gratias? with its brilliant contrapuntal writing) the subdued orchestral grandeur to which the B-flat trumpets contribute a silvery but unmartial weight all these have made it one of Haydn?s most serious and most deeply sensitive church works: its constant popularity in Viennese churches is quite deserved.Urtext from Joseph Haydn WerkeFull score (together with Missa Cellensis [Mariazellermesse] Hob.XXII:8; Missa brevis Sti Joannis de Deo [Little Organ Mass] Hob.XXII:7; Missa in Tempore Belli [Mass in Time of War] Hob.XXII:9) available for saleParts (BA4651) and vocal score (BA4651-90) available for sale

Uses: Advent Epiphany GeneralScripture: John 10:3This anthem is a sacred tone poem shining with the light of hope. Illuminated with the warmth of a rich harmonic syntax this singular choral isrefreshing to the ears and spiritually encouraging to the heart. The lush and colorful orchestration creates a soundtrack to this message of divine faithfulness. Available separately: SATB Studiotrax CD Orchestration (Score andparts for Piccolo flute oboe Bb Clarinet Bass Clarinet Bassoon Horns 1&2 Glock Perc Timp Harp Piano Violin 1&2 Viola Cello Double Bass). Duration: ca. 2:49.

for SATB with organ. This short piece sets a heartening text by David Warner long-time collaborator with Wilberg. The simple melody and homophonic choral harmonies are accompanied by warm flowing quavers in 12/8 played either by organ or by horns harp and strings.

Commissioned by the Hickory NC Choral Society for their 35th anniversary season Dan Forrest's Requiem For The Living is scored for mixed choir with solos for boy soprano and/or mezzo-soprano soprano & tenor. The instrumentation is available for large orchestra or chamber ensemble. Combining both liturgical and non-liturgical texts in some cases the traditional texts are slightly re-arranged for contextual emphasis. This powerful five movement work projects a wide range of meaningful expression from a biting essay on the vanity and pain of existence to a plea for mercy and a celebration of eternal light. The work standsalone - but would be especially moving for all saints Good Friday or even Palm Sunday. Movements: Introit - Kyrie Vanitas Vanitatum Agnus Dei Sanctus Lux Aeterna 3. Instrumentations available on rental only: 1. Full orch. (HMB265a): 2 flutes 2 oboes 2 bb clarinets 2 bassoons 2 horns (or 1-4: if performing with a large choir horn lines may be doubled by a second player on each part) 2 bb trumpets 2 trombones bass trombone or trombone 3 tuba percussion (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt.)(or other low drum) timpani (3) (one player) harp strings (min. Suggested count 4.4.2.2.1) full score. 2. Chamber version (HMB265b) - flute oboe horn in f (optional) combined percussion (one player: timpani suspended cymbal crash cymbal triangle glockenspiel crotales (bowed) snare drum low tom-tom (optional) (or other low drum) harp violin cello organ full score. 3. Expanded chamber version (HMB265c) - flute oboe horn in f(opt.) percussion from full orchestra version (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt. or other low drum) timpani (3) from full orchestra version (1 player) harp strings from full orchestra version

Take a special look at this great American pop song standard arranged in an easy light swing style. Features logical voice leading and a full-choral sound both Jay Althouse trademarks. Opens with an optional soprano solo. Can be sung by any size group. Choose either the optional SoundTrax or SoundPax to add rhythm and horns.

Instrumental Accompaniment Set-Includes: 3 Bb Trumpets 2 Horns 3 Trombones Tuba Percussion and Organ. The organ reduction in the choral score is not intended for use with the brass and percussion. Use the separate organ part provided.

Mass 1978-Score for Messe 1978 by Bernhard Lewkovitch for SATB and 2 horns in F.Parts available: WH29661A

Feeling the call of sun and sand? This Latin dance party original will take you there! Hot horns and salsa rhythm add the finishing touch.Available separately: SATB SAB SSA ePak(C) and ShowTrax CD. Performance Time: Approx. 2:25.

For Soprano and Barintone soloists SATB and junior chorus and Orchestra.English text selected by Nicholas Fisher from the New Revised Standard Version of the Old and New Testaments. John Joubert 's An English Requiem was commissioned by the Grimmitt Trust for the 2010 Gloucester Three Choirs Festival and was given its first performance at Gloucester Cathedral on 9th August 2010 with the Festival Choirs of Gloucester Hereford and Worcester Carolyn Sampson (Soprano Neal Davies (Baritone) and Philharmonia Orchestra conducted by Adrian Partington. Instrumentation: 3 Flutes (III/Piccolo)3 Oboes (III/Cor Anglais)3 Clarinets (III/Bass Clarinet)3 Bassoons (III/Contrabassoon)4 Horns in F3 Trumpets3 TrombonesTubaTimpaniPercussion (2 Players);Bass Drum Tenor Drum Side Drum Cymbals Tam-tam Crotales Triangle Tubular BellsHarpOrganStrings

The early hits by supergroup Chicago were remarkable for their driving rock style combined with a distinctive and integral use of horns. This 7-minute medley of early hits will introduce a new generation to these iconic hits andbring a touch of nostalgia to your pop, jazz and concert groups.

A light, swinging, Jay Althouse arrangement of a Duke Ellington 'standard.' Features accessible voice leading and some simple scat syllables...but no vocal improvisation. Accessible voice leading. Add the SoundPax parts (horns and rhythm section) for an authentic, small combo sound. / Choeur Mixte (SATB)

Hot horns and syncopated vocals drive this rhythmic arrangement of the Billboard number one hit. Kirby's signature vocal stack shines a spotlight on every section of your ensemble. 'It's gonna be a bright, bright sunshiny day!' / Choeur Mixte (SATB)

For high school and community choirs the text describes beautifully the hopes and longings of those families with near ones in harm's way. In addition to the setting with snare drum and piano accompaniment you can add optional flutes French horns string ensemble and bass drum all according to the performance resources at hand. Duration: ca. 3:45.