Paris Canaille-Autumn Leaves by Joseph Kosma and Paris Canaille by Leo Ferre arranged for Salon Orchestra with parts for the following instruments:C instrument (chord symbols and text); Guitar/melody (chord symbols and text); Drums/melody (with text); 1-2. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text). Supplements: 3rd Violin; 4. Tenor Saxophone; 3. Trumpet; 2. Trombone; Baritone Saxophone; Cello.

Fascination-Joe Heyne's La Petite Valse (Der Kleine Walzer) and Fascination by F. D. Marchetti arranged by Rene Mense for Salon Orchestra. Parts are included for the following instruments:Cast - Standard: C instrument (chord symbols and text); Guitar/melody (chord symbols and text); Drums/melody (with text); 1-2. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text). Supplements: 3rd Violin; 4. Tenor Saxophone; 3. Trumpet; 2. Trombone; Baritone Sax; Cello. 

Sous Les Ponts De Paris-So Leb' Dein Leben (My Way) by Jaques Revaux/Claude Francois and Est Gibt Nur Ein Paris (Sous Les Ponts De Paris) by Vincent Scotto. Arranged by Werner Lang with parts for the following instruments:Standard: C-part (chord symbols and text); Guitar/melody (chord symbols and text); Drums/melody (with text); 1-2. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text)Supplements: 3rd Violin; 4. Tenor Saxophone; 3. Trumpet; 2. Trombone; Baritone Saxophone; Cello.

Cha-Cha-Perlen-Cha-Cha-Perlen for Salon Orchestra with parts for the following instruments:Piano Directorate; C instrument (with chord symbols); Guitar; Drums; Bass; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1. Trumpet; 1st Trombone.

Pique König-Lilalu (Stars In Your Eyes) by Gabriel Ruiz and Pique K?nig by Gunter Fuhlisch for Salon Orchestra. Score and parts for the following instruments:C-instrument (chord symbols and text); Guitar; Drums; 1/2/3. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text)

La Mer-Louis Ferrari's Domino and Charles Trenet's La Mer for Salon Orchestra. Parts are included for the following instruments:C instrument (chord symbols and text); Guitar/melody (chord symbols and text); Drums/melody (with text); 1-2. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text).

Granada-Ary Barroso's Brazil and Augustin Lara's Granada arranged by Werner Lang for Salon Orchestra. Parts for the following instruments are included:C instruments (chord symbols and text); Guitar/melody (chord symbols and text); Drums/melody (with text); 1-2. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text). 

Philadelphia-This volume contains two pieces Philadelphia by Anthony Antonucci and Billy Borelli and Du Gehorst An Mein Herz by Augustin Lara arranged for Salon Orchestra with German lyrics. Parts are included for the following instruments:C instrument (chord symbols and text); Guitar; Drums; 1-2. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text).

Sea Of Love-Never Never Never by Tonyrenis and Sea Of Love by Philip Baptiste and George Khoury. Arranged by Rene Mense for the following instruments:Cast - Standard: C-part (chord symbols and text); Guitar/melody (chord symbols and text); Drums/melody (with text); 1-2. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text).

The theme from the film 'The Big Country' is surely the epitome of 'Western' music: you can see the cowboys the cattle the arid landscape the waggons spread out before you! Jerome Moross wrote a large amount of music but nothing that quite matched up to the brilliance of this piece. Arranged here for full orchestra by Richard Ling. Score and Parts.Orchestration: 2 Flutes 2 Oboes 2 Clarinets in Bb Alto Saxophone (optional) 2 Bassoons 2 Horns in F 3 Trumpets in Bb 3 Trombones Tuba Timpani Percussion (Side drum Bass drum Cymbal Glockenspiel) Strings (Violin 1 Violin 2 Viola Cello Bass)

Sea Of Love-Never Never Never by Tonyrenis and Sea Of Love by Philip Baptiste and George Khoury. Arranged by Rene Mense for the following instruments:Cast - Standard: C-part (chord symbols and text); Guitar/melody (chord symbols and text); Drums/melody (with text); 1-2. Violin; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1-2. Trumpet; 1st Trombone; Bass; Piano (chord symbols and text).

Behind A Backyard for Soprano and Ten Instruments was composed by Bent Sørensen in 2013. Text by Tomas Espedal. Instr: 1 Flute1 Clarinet in Bb1 Alto Saxophone in Eb1 Trombone1 Percussion (1 player)Glsp. Vibr. Brake Dr. Cymb. (on table) Marim. Sand Pap. Bl. Table (wood)1 Guitar1 PianoSoprano1 Violin1 Viola1 Cello Sørensen's musical language is undeniably of the present day both aesthetically and technically. The music does however appear to be pervaded with memories wisdom ofexperience and old dreams of the inevitability of transitoriness and parting.

Hawkes Pocket Scores HPS 1512-Composed in 1991 this London Sinfonietta commission was first performed by them in May 1992 at the Queen Elizabeth Hall London. Scored for Orchestra or chamber Orchestra the instrumentation comprises alto Flute/Piccolo cor anglais E flat Clarinet/bass Clarinet soprano Saxophone Contrabassoon Horn Piccolo Trumpet Trombone Tuba Percussion Harp Piano and Strings. Recorded on BIS CD 1119 by the Scottish Chamber Orchestra conducted by the composer.

For Soprano Tenor Male Narrator and Ensemble.Published in 1970.Soprano voice Tenor voice Narrator Flute/Alto Flute/Piccolo Clarinet/Bass Clarinet/Baritone Saxophone French Horn Piano/Cembalo Violin Viola and 2 Percussionists.Score.

This Orchestral score and instrumental parts have been arranged by Frank Naylor for school and amateur Orchestras. This set includes a conductor’s score and instrumental parts as well as Piano accompaniment elementary Violin Alto and Tenor Saxophone and 3rd Violin. With the composition of the Thunder and Lightning Polka Johann Strauss completed the elevation of the polka from an Eastern European peasant romp to a dance form embraced by Vienna’s most fashionable circles. The ‘Waltz King’ was also a prolific composer other dance music: gallops and polkas marches and quadrilles. His sparkling dazzling Thunder and Lightning quick polka has become such a favourite in therepertoire that it is played every year along with The Blue Danube in the Vienna Philharmonic’s New Year’s Day Concert. The programmatic scoring evokes elemental weather events through the extensive use of timpani and the clashing of cymbals szforzandi and dramatic accents. The piece ends with as much excitement and energy as it begins not flagging for a second.