Ella Fitzgerald 's When Santa Got Stuck Up The Chimney is a popular and upbeat Christmas classic. Choruses can enjoy the piece's sense of festive fun as a humorous addition to their seasonal repertoire. Arranged for SATB choir with an additional baritone part and piano accompaniment, this single sheet choral release is perfect for choirs wanting to create their own Christmas programme, piece by piece. / Choeur SATB Et Piano

Great for concerts and caroling these jazz-flavored tunes will be a big hit with your audiences! Arranged for SATB voices this choral medley puts a real jazzy swing to your Christmas celebrations.

Merry Christmas Everyone presents three all-time festive classics, arranged by the ever-inventive Gwyn Arch. There's something for everyone here: a jolly rendition of Merry Christmas Everyone, the beautiful, poignant When A Child Is Born, and the smoochy classic Last Christmas. Arranged for accompanied mixed voices. The Choral Programme Series is now a well-established programming tool for many choirs as it offers a wealth of fresh material from many eras and in many styles./ Recueil / SATB et Piano

Set vocal score 25 parts. Par DE HAAN JAN. English/Dutch choral parts matching Christmas Fantasy DHP 0830001 (medley including: Es ist ein Ros? entsprungen; O Little Town of Bethlehem; Once in Royal David?s City; Hark! The Herald Angel?s Sing; God Rest Ye Merry Gentlemen and Good King Wenceslas ). Also available: English choral parts. / Niveau : 4 / Recueil / SATB

There is no rose may be considered as having three distinct but musically interlinked phases. The first is reflective in nature a set of musings on the mysteries of Mary as the Mother of God the nature of God Creation and the Trinity; the music lends a sense of the rising expectation appropriate to the season of Advent. This increasing tension breaks out into the angelic chorus Gloria in excelsis Deo a brief glimpse of something other which is then echoed by the fading repetitions of Gaudeamus (we rejoice). Finally the poem moves on joining the procession towards Christmas; a new key the expanding range and Transeamus (we go/proceed/cross over) fading intothe distance serve to provide a musical metaphor for the journey.The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Andrew Cusworth (b.1984) read music at Magdalene College Cambridge where he was also an Organ Scholar. Recent compositions include Factum est silentium for double choir and organ which won the first New Music for St Paul’s Cathedral Composition Competition and Give ear O ye heavens which was shortlisted for the King James Bible Trust Composition Awards. 'This is a piece whose effect greatly exceeds its simple means and it would be welcome in any serious carol service.' - Jeremy Summerly Choir & Organ

Carl Rütti's choral music is 'sensuous and exuberant by turns combining dazzling rhythms and soaring melodies with distinctively lush harmonies' (Choir and Organ Magazine).The composer writes: 'The Three Carols were initiated in 1996 by my friend Stephen Jackson (conductor of the BBC Symphony Chorus) for a Carol concert by the Wooburn Singers to whom they are also dedicated. They were originally written for brass quintet and choir. I picked three texts out of the enormous choice of traditional Carols which could form three parts: Andante - Adagio - Presto.'The three carols are: I Wonder as I Wander (Andante) O Little Town of Bethlehem(Adagio) and Tomorrow Shall Be My Dancing Day (Presto).

Lully Lullay was written at the request of Philip Reed music director of the Bury St Edmunds Bach Choir which gave the first performance on 17 December 2011 at Holy Trinity Church Long Melford Suffolk. Inspired by the familiar medieval text of the Coventry Carol it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonality of the opening verse is reflected in the continuous interaction between the tonic and dominant keys and resolving dissonances. This develops into broader passages of increased range and dynamics during the second and third verses where the melody ispassed between the upper and lower voices clearly invoking the poignancy of the text. The last verse returns to the original theme with subtle harmonic changes and a reflective final cadence.An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles.Harriet Wybor was born in Leeds in 1986 and read music as an undergraduate at Durham University followed by an M.A. in composition with Martyn Harry and António Pinho Vargas.Harriet’s main compositional interests are sacred and secular contemporary choral and chamber music and the relationship between music and time. Her work reflects a wide range of influences from renaissance choral music and medieval texts to 20th-century literature and art. Harriet has had works performed by the Northern Sinfonia (conducted by H K Gruber) Psappha the Allegri String Quartet St John’s College Choir Durham the Bury St Edmunds Bach Choir and the Fishburn Band broadcast on BBC Radio 2’s Listen to the Band.After graduating from Durham University Harriet continued her studies at the University of Edinburgh where she read for

A carol for Christmas Betty Roe's setting of a text by Leonard Clark is written for SATB chorus with Piano. Completed in 1978 for the Royal Choral Society.

Lute Book Lullaby (Christmas)-The second of a trilogy of choral works A Year's Carols for SATB Choir and Organ commissioned by David Whitehead and the choir of St John's Cathedral Portsmouth. This is a very original setting of the frequently-used text of William Ballet.

The Faber Carol Book is an exciting volume of Christmas carols and songs with an original contemporary twist designed to breathe fresh air into Christmas concerts. They contain forty pieces expertly edited and arranged by Gwyn Arch and Ben Parry capturing a variety of moods and styles through time – from contemporary arrangements of medieval and traditional carols to spirituals and music from around the world.There is also an impressive line-up of original pieces by some of today’s most highly respected choral composers including Howard Goodall Lin Marsh Peter Gritton Errollyn Wallen and Mike Brewer. Presented in two separate volumes this isthe second anthology with all carols arranged for SATB choir with Piano Accompaniment. Both publications include undemanding keyboard accompaniment and suggestions for optional instrumental lines.

Fourteen traditional and modern Christmas texts all set by contemporary composers for various choral combinations and levels of accomplishment. Includes works for Unison SSA and SATB choirs accompanied and unaccompanied.

Robert Young is renowned for his gorgeous acappella writing. Orchestrator Stephen Heyde has created what he calls “a medley of Advent and Christmas Anthems by Robert H. Young.” Using the rich textures ofthe stringorchestra he has exploited Dr. Young's affinity for choral elegance in this 20-minute Cantata. Available: SATB.

A perfect example of the young Britten's masterful vocal writing in a Christmas choral suite destined to become a major repertoire work. Christ's Nativity is a superb Christmas Suite for a cappella chorus (SATB Divisi) written in 1931 by composer Benjamin Britten.

Holst's choral fantasy on old carols Christmas Day arranged for mixed voice choir SATB with organ accompaniment.

Nine Christmas songs in close harmony skillfully arranged by Peter Gritton for SATB voices and ideal for both small vocal groups and large choral societies. Singers will find these skilful arrangements musically satisfying without being too technically challenging since they are carefully written to suit the average range of each voice. Great music for a light concert programme encore material and an informal evening concert.