Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as 'Zaïs?, 'Zoroastre? and 'Les Boréades?. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from 'Aruéris?, a scoring found nowhere else in his oeuvre.For the first time, this scholarly-critical edition of 'Les Fêtes de l'Hymen et de l'Amour? presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Académie Royale de Musique in 1748.- Milestone of French Baroque opera in performance practice orientated vocal score- With a brief foreword (Fr/Eng) containing salient information on the genesis of the work, the synopsis and the edition / Orchestre

F-Dur. Par JANITSCH JOHANN GOTTLIEB. Langue : o Spr/ Répertoire / Hautbois, Flûte à Bec F1 ou Flûte Traversière), Vi

Par TIPPETT MICHAEL SIR. Durée: 3',/ Répertoire / 4 Cors Français en F, 3 Trompettes en Do et 3 Trom

F-Dur. Par JANITSCH JOHANN GOTTLIEB. Langue : o Spr/ Répertoire / Hautbois, Flûte à Bec F1 ou Flûte Traversière), Vi

F-Dur. Par JANITSCH JOHANN GOTTLIEB. Langue : o Spr/ Répertoire / Hautbois, Flûte à Bec F1 ou Flûte Traversière), Vi

F-Dur. Par JANITSCH JOHANN GOTTLIEB. Langue : o Spr/ Répertoire / Hautbois, Flûte à Bec F1 ou Flûte Traversière), Vi

F-Dur. Par JANITSCH JOHANN GOTTLIEB. Langue : o Spr/ Répertoire / Flûte à Bec F1, Violon et Basse Continue

F-Dur. Par JANITSCH JOHANN GOTTLIEB. Langue : o Spr/ Répertoire / Flûte à Bec F1, Violon et Basse Continue

for Woodwind Quintet-These two extraordinary works of late Mozart KV 594 and KV 608 were both composed to fulfill a commission for a memorial exhibit in Vienna to be played in a “mechanical clock organ.” The term “fantasy” or“fantasia” came to be affixed to these works later and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue “Ein Stüke für ein Orgelwerk in ein Uhr.” They are also variouslytitled “Adagio und Allegro in f für ein Orgelwerk” and “Allegro und Andante (Fantasie in f) für eine Orgelwaltze.”The first of these composed between the monumental String Quintet in D and the Piano Concertoin Bb KV 595 is an A-B-A form comprised of an f minor Adagio opening and closing with a contrapuntal Allegro at its heart. KV 608 is more complicated opening with an f minor section reminiscent of a French Overture followed by a fugue in fminor then an Andante aria followed by a return to the opening and then a more complex version of the fugue.Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices KV 594and 608 are remarkable works which stand at an intersection incorporating what he learned about counterpoint studying at the foot of Bach while looking ahead to the emotional and harmonic poignancy of Schubert.

[Konzerte für Cembalo solo BWV 1052-1056] / Classique / Editeur : Werner Breig / Partition de poche / Cartonné / Plats de carton / Edition Urtext

Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted theoriginal solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted theoriginal solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass

Polka Schnell F. Klar., 2 Vl., Vla., Vc.. Par STRAUSS JOHANN (FILS). Weil kultivierte Geselligkeit ohne Musik kaum denkbar ist, konnte das traditionsreiche Verlagshaus Doblinger kaum einen besseren Titel als 'Wiener Melange' für seine Reihe mit Alt-Wiener Tanzmusik wählen, in der effektvolle und gut spielbare Bearbeitungen populärer Kompositionen von Johann Strauß Sohn u. a. erschienen sind. Die Besetzung orientiert sich an den Gepflogenheiten bürgerlicher Haus- und Salonmusik - was dem ungarischen Fürsten die eigene Hofkapelle im Ballsaal seiner Wiener Residenz, war dem Geheimen Rat das Streichquartett im großbürgerlichen Salon (oft übernahm dabei der klangstärkere Kontrabass die Stelle des Cellos)./ Répertoire / Musique de Chambre

F. Bläs.Okt.. Par MOZART WOLFGANG AMADEUS. Andante und Allegro in F, KV 594, Fantasia in f, KV 608, Andante C-Dur,KV 616/ Répertoire / Musique de Chambre

Octet in F major D 803-Franz Schubert's Octet In F major D 803 for Clarinet (B flat/C) Bassoon Horn (F/C) 2 Violins Viola Violoncello and Double Bass.This composition was modelled on Beethoven?s Septet op. 20 whose Divertimento character and six-part layout were adopted by Schubert although he merely expanded the instrumentation by adding a second Violin.In a letter he numbered his octet amongst the chamber music workswith which he desired to blaze a ?path to the great symphony?. It can no longer be ascertained whether the composition was commissioned by Count Ferdinand Troyer who had a musical salon in Vienna and played the Clarinet. We onlyknow that Schubert composed the work at the beginning of 1824 taking only a few weeks to do so and that it was performed at Troyer?s shortly afterwards. Today it is one of the most popular larger chamber music works.

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition Konzert in F für Klavier und Orchester 'Nr. 19' tout le talent de Mozart. Cette partition a été composée pour Piano Et Orchestre. C'est l'éditeur Bärenreiter qui a publiée cette oeuvre. / Piano Et Orchestre / Partition