Joni Jensen Choral Series-As the inscription on the statue that greets you as you enter Texas Woman's University this message is powerful and empowering. The primary octavo is for SSAA choir piano and percussion but there is an alternate full score and parts for string quartet and percussion. Singing of making a path in a pathless wilderness and pressing forward with unswerving courage this song addresses the strength of women and their ability to conquer adversity in ways that only they can.

Uses: General Music Appreciation ConcertScripture: Psalm 66:4; James 5:13; Psalm 96:1Leaping joyfully from the score this music of unbridled energy calls the world to jubilant praise. Masterfullyamalgamating classic sacred poetry along with words from the Psalms this general use anthem is equally at home in the sanctuary or concert hall. Whether done with piano alone with brass and percussion or with the fullorchestration you will ignite the spirit of song in a bright new way with this amazing composition. Available separately: SATB SSAA StudioTrax CD (Accompaniment Split-Trax Performance) Brass & Percussion parts FullOrchestration CD-ROM (Score & parts for Flute 1&2 (Fl. 2 dbl. Piccolo) Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Timpani Percussion 1&2 Harp Piano Violin 1&2 Violin Cello DoubleBass). Duration: ca. 2:39.

This Endris Night by Sarah Quartel for SSAA unaccompanied or with optional Handbells Percussion or Organ.Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this carol for upper Voices. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody in 6/8 metre through each of the Voice parts with each verse ending in the lilting refrain 'Lully by by lullay'. The carol may be sung unaccompanied though for added sparkle there is an optional part for Handbells (or Percussion or Organ).

Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention Joseph Martin's Come to the Music is alive and electric with driving rhythm memorable melodies mixed meter and joyfultext. Optional percussion and piccolo accompaniment (parts in the choral) enhance the medieval dance quality of this exciting piece.

Transient Glory Series-Boatmen’s Song was inspired by a folk song from northern China which was used by the boatmen as they towed their boats along the river. As this means of propulsion is now consigned to history only the musicremains; however the hand-clapping and nonsense words still reflect the unending turmoil and unrest of the river. Bright Sheng is a contemporary Chinese composer who settled and studied in America following theCultural Revolution. He is known for writing down traditional Chinese tunes and folk songs in a western style. Boatmen’s Song was commissioned by The Yong People’s Chorus of New York and scored for aprofessional children’s choir or a women’s chorus with Harp and Percussion.

Traditional Zulu Dowry Song-Here is a popular Zulu traditional song as arranged by Rudolf de Beer former conductor of the Drakensberg Boys Choir of South Africa. What a vivid connection to the people and culture of that part of the world! Authenticpercussion and movement suggestions give this selection great visual appeal. Available separately: SATB SSAA. Duration: ca. 1:50.

La musique de l'album de vendre des millions de dollars, en vedette sur le Delta Air Lines TV commercial. ' Adiemus ' combine classique et des influences ethniques pour créer un tribal sonore haunting. ' Chansons de sanctuaire ' est une oeuvre de choral-type étendue basée sur la cla européenne / Choeur De Femmes (SSAA), Flûte A Bec, Cordes Et Instruments De Percussions (Ou Choeur De Femmes Et Piano)

This rousing arrangement for women's chorus of this traditional French song will become a favorite of both your singers and your audiences. The piano accompaniment and the use of body percussion add to the excitement and help to tell the story of young girls who were tricked by devious sailors.

Now available in an SSSA voicing this multicultural piece in the Ron Kean series utilizes sounds from African folk songs. With a myriad of percussion instruments the rhythm is set. A joyful chorus emerges with an occasional solo interjection.

A guaranteed showstopper! This playful Irish children's song has been set with rousing clapping and stomping to reflect how it might have been sung by children during their playtime. The vocals are set in a simple homophonic style which makes the body percussion achievable. Can be performed with or without piano. Don't miss this fantastic concert closer!

The Storm Hound is a fantastic musical fable for Narrator Upper Voices Percussion and Piano. With the libretto by Marian Lines and Music by Betty Roe this is another fabulous musical experience by this influential and productive partnership. This Vocal Score contains all the narrated parts and the Vocal and accompaniment scores with full lyrics.

When I Return Home-Here is a popular South African traditional song as arranged by Rudolf de Beer former conductor of the Drakensberg Boys Choir of South Africa. What a vivid connection to the people and culture of that part of the world! Includes percussion and pronunciation guide.

Brazilian Folksong-O Sapo is an energetic arrangement of a traditional Brazilian Folk Song for SSSAA Chorus with optional percussion.