Mélodieuses, brèves mélodies arrangé pour flûtistes intermédiaires et les guitaristes de la musique populaire américaine et au début de le (1817). Ecrit en notation standard, ces arrangements délicieuses vedette des collections de mélodies populaires de cette époque ainsi que des airs et des danses. Conformément à la pratique de l'interprétation de la musique traditionnelle a joué pendant cette période, ces arrangements sont organisés en ensembles de pièces comme ils peuvent ont été effectués pendant cette période. Les jeux incluent les turluttes, airs lentes et marches ainsi que des mélodies qui étaient populaires du continent. Ces arrangements sont appropriés pour la musique de fond ainsi que des performances de concert public. Les arrangements sont tirées d'un livre de mélodies flûte intitulé ' flûte mélodies de Riley. ' Publié en 1816 et 1817, cet ouvrage a été peut-être utilisé comme musiciens de jazz utilisent des feuilles de plomb pour élaborer des ententes spontanées des pièces selon l'occasion et les musiciens à portée de main. Les accords de guitare ont été modélisées sur existants plénier de guitare... / Guitare Classique / 32 pages / niveau : Débutant/Intermédiaire / Partition - Format: 11 X 8,5

Quand il s'agit de la technique de cueillette de droite, les guitaristes sérieux ont attendu patiemment un livre complet pour répondre à ces compétences spécialisées. Jusqu'à présent, le rock, le blues, le jazz et les joueurs n'ont pas eu un livre entièrement consacré à la cueillette de droite. Le guitariste sérieux: Droit cueillette à la main comble cette lacune avec une approche unique, dédié à choisir de jouer que vous avez toujours cherché. Vous apprenez la façon la plus efficace d'organiser et d'utiliser une pioche, et de découvrir des façons d'accroître l'efficacité lors du passage d'une corde à l'. Les cours sont organisés par le nombre de chaînes --- ouverts à une seule chaîne, puis de passer à des exercices à deux cordes, puis trois, tout le chemin jusqu'à six cordes. Les exercices ont été soigneusement sélectionnée développé dans les idées et lèche musicales pour donner un exemple clair de la façon dont vous pouvez incorporer les exercices dans votre propre jeu. De cette façon, vous serez jouer de la musique, et pas seulement des exercices. Droit cueillette à la main fournit les outils dont vous avez besoin pour devenir un meilleur joueur de guitare, mais plus important encore, il vous aidera à devenir un meilleur musicien. Le CD d'accompagnement inclus propose des démonstrations des exemples dans le livre. / Guitare

The goal of this book is to provide a concept for guitarists that will help them go quickly to the core of the harmonies that must be dealt with in order to improvise over chord changes. Joe Negri shows how youcan assimilate harmonies and quickly determine a common denominator that you instantly visualize on the fingerboard. From this `cell' harmony you will be able to build or create single-note melodic lines. JoeNegri has taken the fundamentals of music theory and made them applicable and relevant to the improvising guitarist. One of this book's secrets is the use of basic triadic shapes as an organizational tool to demystifyimprovisation. This keep it simple approach allows improvisers to hear and unveil melodic lines that are right under their fingers within simple triadic shapes. These studies are packed with the basic information thestudent needs in order to use the chord tones as melodic focal points. Written in notation and tablature.

Pour tous les guitaristes qui souhaitent ajouter des savoir-faire musical un peu à leur jeu. Don Latarski offre un ensemble de leçons couvrant les aspects de la théorie de la musique qui s'appliquent directement aux guitaristes facile à suivre et très pratique. Apprendre à construire des accords et des échelles de la terre et de construire des arpèges qui conviennent vraiment le son que vous cherchez. Découvrez comment s'articulent les échelles et les cordes et comment s'approcher improviser avec modes. Propose un didacticiel invité spécial de Frank Gambale, qui démystifie les complexités du mode Dorian. Organiser votre idéogramme pensée... knowledge is power ! / Guitare / Dvd

Par THOMAS GEOGHEGAN. Dans le processus d'organiser ces pièces pour deux guitares, l'auteur a examiné le solo et pièces orchestrales de scores de Vivaldi en vue de leur effet de texture. Le résultat final est un paramètre de duo guitare mettant en vedette des rôles égales pour les deux joueurs. Ecrit en notation seulement. score de 24 pages avec deux sections arrachement de guitare de 24 pages convenable. / Niveau : Intermédiaire à Avancé / Baroque - Duets / Répertoire / Guitare Classique

Do you wonder why lots of practice on scales and arpeggios hasn't made you feel fluent and creative when soloing? If so, then this book is the missing link for you! Line Games is an organized series of practical studies for the development of single-note guitar technique and jazz vocabulary simultaneously. Many examples are transcribed from the recorded solos of great jazz guitarists (Wes Montgomery, Pat Martino, Joe Pass, etc.) and then the book gives you the tools to develop complete fluency in creating similar lines on your own! Randy Vincent's Line Games is a serious, well-conceived book on jazz guitar. It has a tremendous amount of useful information which can be truly helpful to guitarists seeking thorough knowledge and training in jazz music.? ? Kenny Burrell Topics Covered Include: Basic six-note scales commonly used by the jazz greats. How to use all of the chromatic notes to make playing inside the chord changes sound more interesting and melodic. Triad pairs for modern-sounding lines, as used by all the great players from Coltrane on. Exercises that will give you the tools to create many interesting chord extensions from a few simple arpeggios. How to build long lines across many chord changes. How to use thematic development for more cohesive solos. Fingerings often given to aid in getting these lines under your fingers. Plus much more! 156 pages. More Endorsements: This book is probably the most complete explanation of linear improvisation as applied to the guitar that I have come across. Randy Vincent goes into his subjects, which include a novel take on hexatonic applications, chromatic neighbor tones, and various scale forms and arpeggios, with unprecedented thoroughness. It is also refreshing to see the emphasis on thematic development, and I like how some of the great recorded guitar solos are often used as illustrative examples. I highly recommend it.? ? Ben Monder Randy has come up with another Winner. This is one of the most comprehensive studies I have ever encountered concerning single line improvisation!? ? Vic Juris With all the books on jazz improvisation available I didn't think it was possible to find one that offers a new perspective but Randy Vincent's Line Games does just that. It's a great book! There are many real- world examples of players using the archetypal bebop hexatonic sound and many examples of ways to practice and utilize the sound. In suggesting ways of practicing and using the scale Randy gets you started, but it's up to the reader to strike out on their own ? in my opinion the best way to really grasp a sound or concept. There is a whole lot of material here and I'm looking forward to working with it for a long time. Thanks, Randy!!? ? Bruce Saunders With the plethora jazz guitar books on the market today, one must sort through dozens to find one that yields the results of a tried and true method for learning to play jazz as applied to the guitar. I was pleasantly surprised to find a new book that I feel to have such qualities. This being the jazz guitar book written by Randy Vincent called Line Games for Sher Music Co. Inside, you'll find dozens of examples, explanations, techniques, and the application of the jazz language employed by all the great jazz guitarists we know and love. Great job, Randy!? ? Henry Johnson

A Quick and Easy Introduction for Beginners-This best-selling title is now available with a demonstration audio tracks available online for download or streaming! Teach Yourself to Play Guitar was created specifically for the student with no music-reading background. With lesson examples presented in today's most popular tab format which also incorporates simple beat notation for accurate rhythm execution Teach Yourself to Play Guitar offers the beginning guitarist not only a comprehensive introduction to essential guitar-playing fundamentals but a quick effective uncomplicated and practical alternative to the multitude of traditional self-instructional method books. It also: covers power chords barre chords open position scales and chords (major and minor) and single-note patterns and fills; includes lesson examples and song excerpts in a variety of musical styles rock folk classical country and more; familiarizes the student with fretboard organization chord patterns hand and finger positions and guitar anatomy by way of easy-to-interpret diagrams photos and illustrations; provides complete concise explanations while keeping text to a minimum; and prepares the student for the option of further guitar instruction.

Par SANZ GASPAR. Ce célebre musicien et pretre est né à Calanda le 4 avril 1640. Il a étudié et enseigné à l'université de Salamanca en tant que professeur de musique. Il fut également l'organiste au ViceRoy de Napoles. Il serait mort à Madrid en 1710. Il est considéré comme le plus grand théologien espagnol de guitare du XVIIème siècle. Cette suite fut écrite en 1674. / Rép Classique / Répertoire / Guitare

Chord Encyclopedia-This is the guitar book guitarists have needed for a long time. Kadmon created an encyclopedic compendium that contains thousands of chords diagrams and charts organized in the most logical manner ever employed in a chord book. All chords from basic three note structures to elaborate tonal construction are presented.The sequence from simple to complex is designed to help the player understand the pattern and logic behind chord formations as well as offering the structure and fingering of all standard chords on the guitar and will become the basic reference tool for guitar players no matter what their orientation.

In this edition Guido Böger provides 72 further compositions by the legendary Irish harpist Turlough O’Carolan arranged for classical guitar.These solo pieces are generally of intermediatedifficulty and convey the beautiful lyrical qualities of the original tunes. This expanded selection of the melodies has not been organized into any set of themes or forms; however along with his TurloughO’Carolan Irish Harp Pieces for Classical Guitar O’Carolan’s Laments have now been arranged in their entirety.These pieces will provide the guitarist with a wonderful collection of new andfascinating pieces for use in study concerts or for your musical pleasure.

Bridges: A Comprehensive Guitar Series serves as the official resource for guitar assessments of the Royal Conservatory Music Development Program. Innovative in its structure, Bridges supports students from the beginner to advanced levels with carefully sequenced repertoire, etudes, and technique. Each of the Repertoire and Etudes books in the series spans all major style periods and a variety of genres, presenting an organized compilation of pieces appropriate for that level of technical development. Nine progressive levels of Repertoire and Etudes scaffold student learning at every stage of musical development. Each book contains a balanced and representative selection of works from the Renaissance, Baroque, Classical, Romantic, and contemporary style periods. From the classics of Aguado to the modern compositions of Zenamon, Bridges connects students to both essential literature and enticing masterpieces never before found together. The Etudes have been carefully selected to support the repertoire and isolate specific technical and musical challenges, making Bridges an ideal collection and a comprehensive teaching resource. / Guitare

Salsa has become quite a dance craze. Its popularity has grown from the Cuban and Puerto Rican community to include most of the Americas Europe and even Japan. New Salsa bands are forming everywhere from New York to Los Angeles from Tokyo to Paris. But despite its increasing popularity many musicians find that Salsa and the other genres of Afro Cuban Music are still very difficult to feel and play in an authentic relaxed way. This type of music with its unique concept of the Clave presents quite a challenge for the aspiring young performer. In the past the only way to learn how to play Salsa was to live in an area where Salsa was already very popular so that one mightconnect with as many authentic musicians as possible; learning one pattern here another there via a very slow learning process that could take years if not decades to accomplish. Even though the process of immersing oneself fully and experientially in the music style of our choosing is absolutely necessary for our musical growth the need for concise well written and organized materials written by someone who knows and lives this type of music is also essential. Mr. Campos' books are doing exactly that. ADG believe that he has done a great service by writing his first two books titled 'Salsa: Afro-Cuban Montunos for Piano' and 'Salsa: Further Adventures in Afro-Cuban Music' and now with his latest book 'Salsa: Afro-Cuban Montunos for Guitar'. Mr. Campos is helping to expand the area of Salsa studies to include all guitar players and students. Salsa

Dans plusieurs de ses oeuvres, le jeune compositeur mexicain Enrico Chapela prend plaisir dans le côté ludique et sensuel de composer serial. Par exemple, la commission pour composer un double quatuor inspiré à développer une idée selon laquelle le caractère exponentiated des deux groupes consistant en une chaîne quatre instruments de chacun - un quatuor ' élevé à la puissance de 2 ' pour ainsi dire - doit être affiché structurellement, et donc il inventa un jeu de mots croisés ('Crucigrama') qui il puis retraduit en paramètres musicales. ' Melate Binario ', en revanche, qui doit son nom à une loterie mexicaine, se caractérise par des aleatorism humoristique : un Mozart-like ' musical jeu de dés' de l'ère numérique. Les 8 parties du travail ont été conçus comme une variante dodécaphonique et tonale chaque et peuvent donc être organisées dans les 2 à la puissance de 8 = 256 combinaisons différentes de laquelle l'interprète peut laisser l'auditoire sélectionner une version au moyen d'un coupon de loterie... / Guitare