Wilhelm Kempff is remembered as one of the great pianists of the 20th century. Bach's music was to be of central importance for his artistic development. This edition contains choral preludes and famous movements from cantatas and sonatas by Johann Sebastian Bach, in classical arrangements for piano by this great pianist. The Bote

Arrangement for Piano-Alongside his Chaconne for Violin the ten Chorale Preludes for Organ are Busoni’s best-known Piano transcriptions of works by J. S. Bach. Whilst Busoni envisaged the Chaconnefor concert performance the Chorale Preludes are transcribed in a 'chamber-music style'. The Preludes in this book are of varying levels of difficulty some are suitable for intermediate level players andothers for the more advanced pianist. This Henle Urtext Edition is Busoni's definitive version with valuable fingering suggestions by Marc-André Hamelin. The appendix contains an eleventh chorale prelude Busoni’s transcription of “Aus tiefer Not” which is published here for the very first time. With regard to performing its six-part setting the composer himself spoke of an“extreme performance limit” – but why not judge for yourself?

31 choral pieces from the classics arranged for piano solo many of which include part words.

La publication de la célèbre mélodie chorale dans les vêtements instrumental de Bach, Pachelbel est un souhait souvent exprimé de nombreux amateurs de piano. Si dans les notes offert quelques variantes supplémentaires à la version Pachelbelschen w / Piano

Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori LARGO BWV1056/2 PRELUDES/CHORAL PIANO (TRANSCRIT I.PHILIPP de Bach. Cette partition qui est éditée par les éditions Max Eschig fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano peut être chez vous dans quelques jours. / Piano / Partition

Long esteemed as counterpoint's greatest master, Johann Sebastian Bach created harmonizations of chorales that have served as voice-leading models for generations. This affordable volume features 371 of the composer's harmonized chorales, presented in closed score for easy study as well as play. These traditional liturgical melodies in four-voice arrangements comprise Gregorian chant melodies that survived the Reformation to form part of Protestant worship as well as traditional German melodies that found their way into services. A staple of every music program, Bach?s chorales spell out the rules of music theory that remain the cornerstones of modern composition. These closed score arrangements, ideal for playing at the piano, offer keyboardists an opportunity to practice their sight-reading skills. Students of counterpoint and harmony will find this collection of enormous theoretical importance, and all will appreciate the practical value of its modest price.

Armes Waisenkind (The Poor Orphan) Op.68 No.6 Auf Der Gondel (In A Gondola) Op.68 Barentanz (Bear's Dance) Op.68 Ein Choral (A Chorale) Op.68 No.4 Erinnerung (Remembrance) Op.68 No.28 Ernteliedchen (The Harvest Song) Op.68 No.24 Erster Verlust (First Loss) Op.68 No.16 Figurierter Choral (Ornamented Chorale) Op.68 No.41 Fremder Mann (A Stranger) Op.68 No.29 Frohlicher Landmann, Von Der Arbeit Zuruckkehrend (The Merry Peasant, Returning From Work) Op.68 No.10 Fruhlingsgesang (Spring Song) Op.68 No.15 Fur Ganz Kleine (For Very Young People) Op.68 Gukkuk Im Versteck (Hide And Seek) Op.68 Haschemann (Catch-me-if-you-can) Op.68 Jagerliedchen (Huntsman's Song) Op.68 No.7 Kleine Fuge (Little Fugue) Op.68 No.39 Kleine Romanze (Little Romance) Op.68 No.19 Kleine Studie (A Little Study) Op.68 No.14 Kleiner Morgenwanderer (Little Dawn-wanderer) Op.68 No.17 Knecht Ruprecht (Knight Rupert) Op.68 No.12 Knight Rupert Op.68 No.12 [Schumann, Robert] Kriegslied (Battle Song) Op.68 No.31 Landliches Lied (Country Song) Op.68 No.20 Langsam Und Mit Ausdruck Zu Spielen (Poco Lento E Espressivo) Op.68 No.21 Lied Italienischer Marinari (Italian Fishermen's Song) Op.68 No.36 Mai, Lieber Mai, Bald Bist Du Wieder Da! (May, Lovely May, You'll Soon Be Here Again!) Op.68 No.13 Matrosenlied (Sailor's Song) Op.68 No.37 Melodie (Melody) Op.68 No.1 Mignon (Mignon) Op.68 No.35 Nachklange Aus Dem Theater (Echoes Of The Theatre) Op.68 No.25 Nicht Schnell, Hubsch Vorzutragen (Andantino Con Espressione) Op.68 No.26 Nordisches Lied (Nordic Song) Op.68 No.40 Puppenschlafliedchen (Doll's Lullaby) Op.68 Rebus (Puzzle) Op.68 Reiterstuck (The Horseman) Op.68 No.23 Rundgesang (Roundelay) Op.68 No.22 Schnitterliedchen (Reaper's Song) Op.68 No.18 Sehr Langsam (Molto Lento) Op.68 No.30 Sheherazade Op.68 No.32 Sicilianisch (Siciliano) Op.68 No.11 Soldatenmarsch (Soldiers' March) Op.68 No.2 Stuckchen (Little Piece) Op.68 No.5 Sylvesterlied (New-year's Eve Song) Op.68 No.42 The Wild Horseman Op.68 No.8 (Album For The Young) Thema (Theme) Op.68 No.34 Trallerliedchen (Humming Song) Op.68 No.3 Volksliedchen (Folksong) Op.68 No.9 'weinlesezeit - Frohliche Zeit' ('vintage-time - Happy Time') Op.68 No.33 Winterszeit I And Ii (Wintertime I And Ii) Op.68 No.38

By Johann Sebastian Bach (1685-1750) edited by Klaus Hofmann. Piano book for piano (solo duet - see contents). Urtext of the New Bach Edition. 156 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5207) ISBN M006503674. With introductory text performance notes and manuscript facsimiles. Baroque. 9x12 inches. SMP Level 8 (Early Advanced)4 and 5-note chords spanning more than an octave. Intricate rhythms and melodies. (Learn more about SMP levels)Contents:Contrapunctus 1 BWV 1080/1Contrapunctus 2 BWV 1080/2Contrapunctus 3 BWV 1080/3Contrapunctus 4 BWV 1080/4Contrapunctus 5 BWV 1080/5Contrapunctus 6 BWV 1080/6Contrapunctus 7 BWV 1080/7Contrapunctus 8 BWV1080/8Contrapunctus 9 BWV 1080/9Contrapunctus 10 BWV 1080/10Contrapunctus 11 BWV 1080/11Contrapunctus 12 BWV 1080/12 2 forma inversa.Contrapunctus 12 BWV 1080/12 1 forma recta.Contrapunctus 13 BWV 1080/13 2 forma recta.Contrapunctus 1 BWV 1080/13 1 forma inversa.Canon BWV 1080/14Canon BWV 1080/15Canon BWV 1080/16Canon BWV 1080/17Fugue BWV 1080/18 2 forma recta - piano duet (extra part included).Fugue BWV 1080/18 1 forma inversa - piano duet (extra part included).Vierstimmige Spiegelfuge No. 12 piano duet (extra part included).Dreistimmige Spiegelfuge No. 19 piano duet (extra part included).Fugue BWV 1080/19Contrapunctus BWV 1080/10aChorale - Wenn Wir In Hochsten Noten Sein BWV 668aCanon In Hypodiatessaron BWV DeestFugue (Fragment)

Cantique De Jean Racine is one of Faure's beautiful choral works composed in 1865 while he was still a student at the Niedermeyer School. This choral piece has been arranged for solo piano by Martin Setchell.

L'édition officielle des partitions de l'album du même nom « Piano Songbook » chez Sony Classical. Elle contient des arrangements et des fantaisies sur des œuvres populaires, du baroque au romantisme, ainsi que des compositions originales de Martin Stadtfeld. Niveau de difficulté facile à intermédiaire - idéal pour les jeunes et ceux qui se remettent au piano.
« Les œuvres rassemblées dans ce volume m'ont accompagné toute ma vie. Dans des périodes difficiles, cette musique m'apporte du réconfort et de la certitude.
Les arrangements sont en partie libres et subjectifs, distillant ce qui est essentiel pour moi. La devise était : le moins de notes possible. C'est également ce que je revendique pour mes dix propres compositions dans la troisième partie. Ainsi, la plupart des pièces peuvent être jouées dans des cours de piano. Même ceux qui se remettent au piano après une longue période peuvent commencer avec ces pièces. Je souhaite que beaucoup de gens, lorsqu'ils les joueront, ressentent ce que j'ai ressenti lorsque j'ai écrit ce volume : contemplation, approfondissement, force intérieure. »
(Martin Stadtfeld)
Part I, 10 piano songs after Händel, Bach, Beethoven and Schumann: I Hymn (after Händel’s “Zadok the Priest”)
II Never alone (after Bach’s “Bist Du bei mir”)
III Shepherd’s song (after Bach’s “Schafe können sicher weiden”)
IV Nature song (after Beethoven’s “Pastorale”)
V Organ piece I (after Bach’s “Toccata in C”)
VI Study (after Schumann’s “Die Rose, die Lilie, die Taube, die Sonne“)
VI Organ piece II (after Bach’s “Sonata No. 5”)
VIII Choral (after Schumann’s “Aus meinen Tränen sprießen”)
IX Siciliano (after Bach’s “Erbarme Dich”)
X Hymn II (after Händel’s “Zadok the Priest”)
Part II, 10 piano songs after Bach, Dvorak, Schubert, Vivaldi, Purcell, Beethoven and Mozart: I New song (after Bach’s “Singet dem Herrn ein neues Lied”)
II Folksong (after Dvořák’s “Dumka from piano quintet”)
III Passacaille (after Bach’s “Crucifixus”)
IV Night song (after Schubert’s “Nachtstück”)
V Aria (after Vivaldi’s “Sovente il sole”)
VI Bach meets Vivaldi (after Vivaldi’s “Sovente il sole”)
VII Canon (after Bach’s “Ich folge Dir gleichfalls mit freudigen Schritten”)
VIII Lamento (after Purcell’s “When I am laid in earth”)
IX Folksong (after Beethoven’s “Eroica”)
X Variation (after Mozart’s “Marsch der Priester”)
Part III, Ten Piano Songs: I Lullaby
II Choral
III Old song
IV Passacaille
V Minuet
VI Eichendorff song
VII Natural loud
VIII Choral
IX March
X Lullaby
Encore 1: Eroica Dance (after Beethoven’s “Eroica”)
Encore 2: Jesu my joy (after Bach’s “Jesu bleibet meine Freude“) / Partitions classique / Piano - instruments à clavier / Piano / SCHOTT