Commissioned by the Providence Singers with support from its Wachner Fund for New Music. Includes full vocal and percussion score (for 6 percussionists) on each page.

Sounds And Sweet Airs is a work by Paul Mealor for SATB Choir with hand-held Percussion and Accordion. The various hand-held Percussion instruments are to be performed by members of the choir for this work which lasts around 4 minutes. This is the Vocal Score. Commissioned by Ty Cerdd for the National Youth Choir of Wales’s 2015 Tour of Argentina it was first performed by them at Llandaff Cathedral on 24th July 2015. A separate Accordion Part is available to purchase separately order number NOV165506-01.

Six settings of Innuit texts for mixed voices and optional percussion. If percussion is not available then singers should clap the rhythms indicated four to each part depending on the acoustics of the building.MagicWords was commissioned for the Little Missenden Festival. It received its first performance there on 13 October 2000 by the Joyful Company of Singers conducted by Peter Broadbent. Duration c. 15 minutes. A piano part isincluded for rehearsal purpose.

Tarik O'Regan's Where All Is Buried for SATB choir with Percussion. Commissioned by the Providence Singers with support from its Wachner Fund for New Music.

An Outrage is an enticing piece of music composed by Nico Muhly and has been scored for SATB Drones and Drum.It's galloping melodic lines slip out of the percussive writing as if by centrifugal force holding a sense of outrage at bay.Nico Muhly has composed a wide scope of work for ensembles soloists and organizations including the American Symphony Orchestra New York City Ballet The Royal Ballet and artist Conrad Shawcross to name a few. Muhly has also lent his skills as performer arranger and conductor to the likes of Usher and Björk.

This text comes from the Dakota people who address God as Grandfather and this a cappella work by Ruth Watson Henderson is prayerful, strong and full of passion. With large, low drum. / Choeur Mixte (SATB) Et Percussions

Hamba Lulu is a fantastic addition to the choral repertoire. A breath of fresh air in the classroom and for any choir wanting a challenge. These stirring songs are addictive so you can tailor performances to local resources increasing the technical demand according to their experience. Easy to learn and sure to make an instant impact on audiences the songs tap into the rich seam of African culture.

This choral journey begins with a tender “chorale” and soon sets out for Brazil. Accessible and exciting The Long Path will have your choir smiling singing and dancing in no time. Optional percussion partsavailable for free download at www.shawneepress.com/bin/TheLongPathPercussion.pdf .'

Mens Regnen Falder (1990) for Mixed Choir SATB and 6 Percussionists. Text by Vagn Lundbye. Chorus score: KP00129 Percussion: KP00131

Commissioned by the Hickory NC Choral Society for their 35th anniversary season Dan Forrest's Requiem For The Living is scored for mixed choir with solos for boy soprano and/or mezzo-soprano soprano & tenor. The instrumentation is available for large orchestra or chamber ensemble. Combining both liturgical and non-liturgical texts in some cases the traditional texts are slightly re-arranged for contextual emphasis. This powerful five movement work projects a wide range of meaningful expression from a biting essay on the vanity and pain of existence to a plea for mercy and a celebration of eternal light. The work standsalone - but would be especially moving for all saints Good Friday or even Palm Sunday. Movements: Introit - Kyrie Vanitas Vanitatum Agnus Dei Sanctus Lux Aeterna 3. Instrumentations available on rental only: 1. Full orch. (HMB265a): 2 flutes 2 oboes 2 bb clarinets 2 bassoons 2 horns (or 1-4: if performing with a large choir horn lines may be doubled by a second player on each part) 2 bb trumpets 2 trombones bass trombone or trombone 3 tuba percussion (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt.)(or other low drum) timpani (3) (one player) harp strings (min. Suggested count 4.4.2.2.1) full score. 2. Chamber version (HMB265b) - flute oboe horn in f (optional) combined percussion (one player: timpani suspended cymbal crash cymbal triangle glockenspiel crotales (bowed) snare drum low tom-tom (optional) (or other low drum) harp violin cello organ full score. 3. Expanded chamber version (HMB265c) - flute oboe horn in f(opt.) percussion from full orchestra version (1 player: suspended cymbal crash cymbal bass drum triangle glockenspiel crotales (bowed) snare drum low tom-tom (opt. or other low drum) timpani (3) from full orchestra version (1 player) harp strings from full orchestra version