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Der Herr Ist Mit Mir
Choral SATB
SATB, Strings
[Score and Parts]
Barenreiter
/ 4 Parties Mixtes, Instruments A Cordes Et Basse Continue / Partition
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Vocal Score
Choral SATB
Soli, mixted choir, orchestra
[Vocal Score]
Barenreiter
Revised Barenreiter Urtext choral score for Handel's Dixit Dominus HWV 232.
80.00 GBP - Sold by Musicroom UK
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Antonio Vivaldi: Magnificat RV 610 (PA): SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Barenreiter
Antonio Vivaldi?s Magnificat in G minor has come down to us in two conflicting v...
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Antonio Vivaldi?s Magnificat in G minor has come down to us in two conflicting versions. The earlier one probably the original version (RV 610) is dominated by impressive but largely straightforward choral passages set against a few brief vocal ensembles manageable by soloists from the choir.In the later version (RV 611) the solo parts and one chorus are replaced by demanding virtuoso arias. Andreas Köhs arrangement for soloists chorus and organ allows performers to choose between these two versions and is equally suitable for use in church and concert hall.Standard repertoire work easy to performIndependent version for soloists (RV 610: SSAT;RV 611: SA) chorus (SATB) and organClear and well presented organ partSuitable for use in church and concert hallDuration: ca. 15 minutes (RV 610) or 20 minutes (RV 611)The Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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St. John Passion BWV 245 (BACH JOHANN SEBASTIAN)
Choral SATB
SATB A Cappella
Barenreiter
Par BACH JOHANN SEBASTIAN. This choral score BA 5037-91 completes the already av...
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Par BACH JOHANN SEBASTIAN. This choral score BA 5037-91 completes the already available performance material for Johann Sebastian Bach?s St. John Passion. The choral score contains no solo parts or piano reduction. For a full vocal score see BA05037-90 / Date parution : 2022-02-10/ Répertoire / SATB sans Accompagnement
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Wolfgang Amadeus Mozart: Requiem K.626: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
-
Intermediate/advanced
Barenreiter
Mozart?s Requiem has entered the realm of myth. This is surely the best-known o...
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Mozart?s Requiem has entered the realm of myth. This is surely the best-known of all sacred choral works and is performed all over the world. Now a new version for solo voices chorus and organ allows this legendary masterpiece to be performed without orchestra and thus without strain on the budget. The choral writing has been taken unaltered from the Urtext of the New Mozart Edition while the organ part by Martin Focke adheres strictly to the original orchestral writing. The result is a version as convincing as it is self-contained.Franz Xaver Süssmayr?s additions have been used to complete Mozart?s unfinished original.Self-contained version withorgan instead of orchestraIdeal for church services and concert performancesClear and well-presented organ partThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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Felix Mendelssohn Bartholdy: Three Motets Op.69: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Barenreiter
Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong...
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Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. These editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.Barenreiter also offer a separate edition of Psalm 91 “For He shall give His angels charge” in its original setting for eight-part a cappella chorus. (Mendelssohn later incorporated it into “Elijah” with an orchestral accompaniment).Each edition contains the original German text and the English translationauthorized by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefront of musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes
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Johann Sebastian Bach: Motet No.4 'Fürchte Dich Nicht Ich Bin Bei Dir': Double
Choral SATB
SATB/SATB (Double Choir)
[Sheet music]
Barenreiter
Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for tw...
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Motet for two four-part mixed choirs-Fürchte dich nicht ich bin bei dir for two four-part mixed choirs A major BWV 228 All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions. - Urtext of the New Bach Edition. - Performance material and choral score (BA5133) available for sale. -Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90) choral score (BA5193)
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Gerard Bunk: Sacred Choral Music: Mixed Choir: Vocal Score
Choral SATB
SATB, Organ
Barenreiter
This is the first ever publication of Bunk’s choral works with a detaile...
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This is the first ever publication of Bunk’s choral works with a detailed foreword and critical commentary.The public awareness towards Gerard Bunk’s Organ works is growing due to concerts and publications which have appeared. His choral music however has so far remained virtually unknown. This first Urtext edition presents his four most important choral works (Op 47 Op 72 Op 77 and Op 83) ranging from three-part female choir right through to eight-part mixed choir. These works are ideal for ambitious choirs who wish to broaden their repertoire to include appealing music in the late Romantic style and which can be performed inconcerts as well as church services.
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Messe De Requiem Op. 48
Choral SATB
Barenreiter
The ' Messe de Requiem? is probably the internationally best-known and most freq...
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The ' Messe de Requiem? is probably the internationally best-known and most frequently performed work by Gabriel Fauré . The composer's first version was limited to just five movements and small-scale forces with low strings, harp and organ. The work was then expanded several times culminating in the version for large orchestra of 1900. This orchestral version forms the basis of this edition.Despite its comparatively long period of gestation, the Requiem forms a stylistic unity. Unlike other requiem settings, the composer foregoes any theatrical gestures in this work. A restrained dynamic range together with graceful melodic writing for both soloists and choir give the work a gentle and optimistic character.The choral score just as the vocal score are based on the volume of the Complete Works of Gabriel Fauré (BA 9461) published in 2010. It is important to note that this choral score is also compatible with the first small-scale version as well as the second chamber orchestra version.- High-quality Urtext edition based on the 'Complete Works of Gabriel Fauré?- First systematic evaluation of all sources- Based on the large orchestral version of 1900- Choral score suitable for all versions of the Requiem / Choeur Mixte (SATB)
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The Creation Hob. XXI:2 Choral Score 10 Ex. Minimum (HAYDN FRANZ JOSEF)
Choral SATB
Barenreiter
Die Schöpfung. Par HAYDN FRANZ JOSEF. The oratorio 'The Creation' represents no...
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Die Schöpfung. Par HAYDN FRANZ JOSEF. The oratorio 'The Creation' represents not only a crucial point in Joseph Haydn's compositional output, but at the same time, marks the beginning of a new chapter in the history of the oratorio. At the turn of the 19th century, Haydn broke with the traditional dominance of the arias, giving the chorus a distinctly greater significance. This opened the way for a new kind of choral oratorio which became one of the standard features of developing bourgeois concert life. This choral score supplements the existing performance material (BA 4648). It is based on the G. Henle Complete edition of the 'Works of Joseph Haydn'./ Répertoire / Choeur Mixte SATB
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Felix Mendelssohn Bartholdy: Nun lassest du deinen Diener in Frieden fahren:
Choral SATB
SATB, Organ
Barenreiter
Lord now lettest Thou Thy servant depart in peace Op.69Mendelssohn’s Three...
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Lord now lettest Thou Thy servant depart in peace Op.69Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. These editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.Barenreiter also offer a separate edition of Psalm 91 “For He shall give His angels charge” in its original setting for eight-part a cappella chorus. (Mendelssohn later incorporated it into “Elijah” with an orchestral accompaniment).Each editioncontains the original German text and the English translation authorized by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefront of musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes
3.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Shorter Sacred Works: SATB: Vocal Score
Choral SATB
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Barenreiter
This selection of relatively short sacred works by Wolfgang Amadeus Mozart gives...
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This selection of relatively short sacred works by Wolfgang Amadeus Mozart gives active choruses an opportunity to perform these pieces without having to hire an expensive instrumental ensemble. The works including the moving ?Te Deum laudamus ? (K. 141) the brilliant ?Jubilate? from ? Benedictus sit Deus? (K. 117) and the immortal ?Ave verum? are well-suited to performance in church services or concerts. Andreas Köhs has sensitively arranged the orchestral parts for organ using the original score to produce self-contained versions for chorus and organ. The vocal parts follow the Urtext of the New Mozart Edition.Self-contained versions with organ instead oforchestraIdeal for church services and concertsStraightforward easy-to-play organ partThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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Hugo Distler: Es ist ein Ros entsprungen: SATB: Vocal Score
Deutsch
Choral SATB
SATB
Barenreiter
Chorale partita on the Weihnachtsgeschichte Christmas Story-Es ist ein Ros entsp...
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Chorale partita on the Weihnachtsgeschichte Christmas Story-Es ist ein Ros entsprungen Op.10Chorale partita on the Weihnachtsgeschichte (Christmas Story) for Mixed choir (SATB)Hugo Distler born on the 24th June 1908 in Nuremberg and died on the 1st November 1942 in Berlin was a German organist choral conductor teacher and composer. He studied at the Leipzig Conservatory moving to Berlin in 1940 where he became Director of the Berlin National and Cathedral Choir.
7.00 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Mass in C major K.317: SATB: Vocal Score
Choral SATB
satb (soli), SATB (chorus), Keyboard
[Vocal Score]
Barenreiter
Krönungsmesse-Composed in 1779 Mozart?s ?Coronation Mass? in C major K.317 i...
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Krönungsmesse-Composed in 1779 Mozart?s ?Coronation Mass? in C major K.317 is one of the most popular settings of the Ordinary thanks to its festive character and the wealth and variety of its musical ideas. This arrangement for solo voices chorus and organ is based on the Urtext of the New Mozart Edition and makes the work available in all its radiant beauty to choruses and church choirs with limited financial resources. The ?concertante? organ part prepared by Martin Focke from Mozart?s orchestral accompaniment does full justice to the beauty of the original.Self-contained version with organ instead of orchestraIdeal for church services and concertperformancesStraightforward and easy-to-play organ partThe Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
12.50 GBP - Sold by Musicroom UK
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Antonio Vivaldi: Kyrie Rv587: Mixed Choir: Vocal Score
Choral SATB
SATB, Piano
[Sheet music]
Barenreiter
Vivaldi's Kyrie RV 587 (BA 8950) is scored for two choirs and two groups of str...
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Vivaldi's Kyrie RV 587 (BA 8950) is scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a Choral work without solo passages.Today the ?Gloria? RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred Vocal works from the Baroque period. Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period atthe Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Informative foreword (Ger/Eng).
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Magnificat Anima Mea (BUXTEHUDE DIETRICH)
Choral SSATB
[Sheet music]
-
Beginner
Barenreiter
Motet. Par BUXTEHUDE DIETRICH. Dietrich Buxtehude?s Magnificat is an opulent-sou...
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Motet. Par BUXTEHUDE DIETRICH. Dietrich Buxtehude?s Magnificat is an opulent-sounding work, which obtains striking results with musically simple means. It contains no particular difficulties and makes a welcome addition to the repertoire of many choruses. Besides the score with enclosed instrumental parts, the choral score and supplementary parts can be purchased seperately./ Répertoire / SSATB
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Vater Unser (RAPHAEL GUNTER)
Choral SATB
SATB, Orchestra
[Sheet music]
Barenreiter
Choral Cantata. Par RAPHAEL GUNTER. / Répertoire / Choeur Mixte (SATB) et Orche...
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Choral Cantata. Par RAPHAEL GUNTER. / Répertoire / Choeur Mixte (SATB) et Orchestre
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Vater Unser (RAPHAEL GUNTER)
Choral SATB
SATB, Orchestra
[Sheet music]
Barenreiter
Choral Cantata. Par RAPHAEL GUNTER. / Répertoire / Choeur Mixte (SATB) et Orche...
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Choral Cantata. Par RAPHAEL GUNTER. / Répertoire / Choeur Mixte (SATB) et Orchestre
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Vater Unser (RAPHAEL GUNTER)
Choral SATB
SATB, Orchestra
[Sheet music]
Barenreiter
Choral Cantata. Par RAPHAEL GUNTER. / Répertoire / Choeur Mixte (SATB) et Orche...
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Choral Cantata. Par RAPHAEL GUNTER. / Répertoire / Choeur Mixte (SATB) et Orchestre
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Vater Unser (RAPHAEL GUNTER)
Choral SATB
SATB, Orchestra
[Sheet music]
Barenreiter
Choral Cantata. Par RAPHAEL GUNTER. / Répertoire / Choeur Mixte (SATB) et Orche...
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Choral Cantata. Par RAPHAEL GUNTER. / Répertoire / Choeur Mixte (SATB) et Orchestre
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Leos Janacek: Mass: Mixed Choir: Vocal Score
Choral SATB
SATB, Organ
[Sheet music]
Barenreiter
Unfinished Mass-Mass E-flat major 'Unfinished Mass'for SATB soloists mixed chor...
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Unfinished Mass-Mass E-flat major 'Unfinished Mass'for SATB soloists mixed chorus and organ By reason of its conciseness of style Janacek's Latin Mass from around 1907-1908 gives the impression of being an inspired sketch rather than a finished work. In particular the brevitv of the Agnus Dei is surprising in effect. The work has a number of striking features: its totally individual melodic andrhythmic style resulting from Janacek's well-known approach to word-setting; the use of rests for expressive purposes; the original use of heterophony which here replaces traditional polyphony; and the expressively written instrumental part. A truly worthwhilepiece offering reasonably proficient amateur choirs a good introduction to modern choral repertoire.
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Franz Joseph Haydn: The Creation: Mixed Choir: Vocal Score
Choral SATB
SATB, Piano
[Sheet music]
Barenreiter
German/English Urtext Edition edited A. Oppermann.The oratorio The Creation rep...
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German/English Urtext Edition edited A. Oppermann.The oratorio The Creation represents not only a crucial point in Joseph Haydn's compositional output but at the same time marks the beginning of a new chapter in the history of the oratorio. At the turn of the 19th century Haydn broke with the traditional dominance of the arias giving the chorus a distinctly greater significance. This opened the way for a new kind of choral oratorio which became one of the standard features of developing bourgeois concert life.The text translated from the English original by Baron van Swieten Prefect of the imperial court library in Vienna combinesprose texts of the creation story in Luther's translation of the Bible with complementary excerpts from John Milton's Paradise Lost.Instrumentation: Soprano solo Tenor solo Bass solo Mixed Choir-SATB Piano reduction accompaniment
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Johann Sebastian Bach: Magnificat In D: SATB: Study Score
Choral SATB
Barenreiter
Study score format 22.5 x 16.5 cm; With an introduction in English and German by...
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Study score format 22.5 x 16.5 cm; With an introduction in English and German by Alfred Dürr.The 2nd version with the 4 inserts from the E-flat major version (transposed into D major).Barenreiter Urtext:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter ?Urtext? ismore than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Johann Sebastian Bach: Johannes-Passion (St. John Passion) BWV 245: SATB: Vocal
Choral SATB
Barenreiter
Klavierauszug -Revised edition-The St. John Passion was first performed in Leipz...
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Klavierauszug -Revised edition-The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion it was a work Bach revised during the rest of his life in fact he did not leave us a definitive version either in print or fair copy. The sources give evidence of four different versions used at four performances - 1724 1725 around 1730 and during the last years of Bach's life. They often contain two or more readings for the same passage or even different movements that on different occasions occupied the same place in the work.Barenreiter's edition uses the final version IV as its basis with alternativemovements and readings contained in the appendices. A comprehensive preface in the study score (German/English) TP197 gives full information. - Full score performance material (BA5037) vocal score (BA5037-90) and study score (TP197) available for sale.
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The Seasons Hob. XXI:3 Choral Score 10 Ex. Minimum (HAYDN FRANZ JOSEF)
Choral SATB
Barenreiter
Hob XXI:3. Par HAYDN FRANZ JOSEF. Joseph Haydn's oratorio 'The Seasons' was comp...
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Hob XXI:3. Par HAYDN FRANZ JOSEF. Joseph Haydn's oratorio 'The Seasons' was composed directly after the first successful performances of 'The Creation'. 'The Seasons' has been greatly overshadowed by 'The Creation' for a long time and yet this work has far greater changes of style between popular Singspiel and great oratorio than 'The Creation'. 'The Seasons' continues to impress and remains part of the core repertoire to the present with its overwhelming richness of musical character and its immense formal variety. This choral score supplements the existing performance material (BA 4647). It is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn'./ Répertoire / Choeur Mixte SATB
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Max Reger: Sacred Choral Music a cappella: SATB: Vocal Score
Choral SATB
[Vocal Score]
-
Advanced
Barenreiter
2016 marks the first centenary of the death of Max Reger. In addition to his bes...
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2016 marks the first centenary of the death of Max Reger. In addition to his best-known field of creativity Organ music his choral compositions form another major part of his oeuvre.This edition contains a selection of his sacred a cappella choral works. Their scoring level of difficulty and length make them ideal for choirs who are wary of tackling the large-scale Op.110 motets. For the first time the selection of works includes the previously unpublished Acht Grabgesänge (1900). The pieces are arranged in chronological order culminating in the well-known cycle of Acht geistliche Gesänge op. 138 (1914).ContentsTantum ergoSacramentum (1895)Maria Himmelsfreud! (1899-1900)Acht Grabgesänge (ca. 1900)Acht Marienlieder op. 61d (1901)Sechs Trauergesänge op. 61g (1901)Palmsonntagmorgen (1902)Vier Kirchengesänge (1904)Easter motet: Lasset uns den Herren preisen (1911)Abschiedslied (1914)Acht geistliche Gesänge op. 138 (1914)The EditorMichael Chizzali has been a scholarly assistant at the Institute of Musicology in Weimar-Jena (Germany) since 2014. His dissertation on Reger?s contemporary the Tyrolean composer Josef Gasser (1873-1957) was published in Innsbruck in 2014.All extant sources consultedEdition for the first centenary of Reger?s deathCross-section of Reger?s music for a cappella choirForeword (Ger/Eng) and Critical Commentary (Eng)
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Johannes Brahms: Sacred Choral Music A Cappella: Mixed Choir: Vocal Score
Choral SATB
SATB A Cappella
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The sacred a cappella choral works by Johannes Brahms are amongst the most impor...
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The sacred a cappella choral works by Johannes Brahms are amongst the most important Romantic works in the genre. This edition is based on reliable sources which include autograph manuscripts engraver?s copies and first editions.The collection contains the 7 Marienlieder Op 22 Two Motets Op 29 Three Sacred Choruses for female voices Op 37 Two Motets Op 74 Fest- und Gedenksprüche Op 109 and the Three Motets Op 110.
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