Par ROGER MICHEL. comédie musicale pour classes de collège et écoles de musique. 10 airs originaux à 2vx acct ens jazz trad avec 1 partie de banjo obligée (durée 1h) / Niveau : Assez Facile / Contemporain / Date parution : 2007-10-01/ Répertoire / Ensemble Vocal

Arranged by Mark Hayes this familiar Stephen Foster standard is available as SATB SAB and 2-part voicings. Mark Hayes has written instrumentation for fiddle banjo guitar bass and drums. “Oh Susanna” is brightand upbeat with a few knee slaps making this a strong selection for your folk song teaching and performance needs. Available separately: SATB SAB 2-Part StudioTrax CD Instrumental parts for guitar bass/drums banjo andfiddle.

Arranged by Mark Hayes this familiar Stephen Foster standard is available as SATB SAB and 2-part voicings. Mark Hayes has written instrumentation for fiddle banjo guitar bass and drums. “Oh Susanna” is brightand upbeat with a few knee slaps making this a strong selection for your folk song teaching and performance needs. Available separately: SATB SAB 2-Part StudioTrax CD Instrumental parts for guitar bass/drums banjo andfiddle.

This top hit put the group Alabama on the map! Mac Huff's arrangement captures the spirit and energy of the original recording. Use the fiddle and banjo parts included in the Instrumental Pak for additional authenticity.Available separately: SATB SAB 2-Part Instrumental Pak (parts for Fiddle Guitar/Banjo Bass and Drums) and ShowTrax CD. Performance Time: Approx. 2:40

Choirs and ensembles alike will enjoy the down-home setting of this traditional spiritual. Use the authentic ChoirTrax for full effect! Available separately: SATB SAB TTB ChoirTrax CD. Score and parts (piano mandolin banjo guitar fiddle dobro upright bass) available as a CD-ROM and as a digital download. Duration: ca. 3:25.

A Christmas Jubilee-Set hearts soaring with this joyful Christmas cantata based on American folk songs spirituals bluegrass-styled carols and original gospel songs. Traditional choral elements dance easily with the rustic qualities of the mountain music and the results are pure joy. Designed to be performed either with piano alone or with the unique bluegrass consort this work is a celebration of light. Even the narration has a gentle folk quality adding to the dramatic potential of your presentation. Experience the work that after its Carnegie Hall debut left New York critics ebullient with praise! Songs include: Hear the Wondrous Story; The King Shall Come; Star of Promise Light of Glory; AMorning Star Will Rise; Mary Went a-Riding; O Little Town; Here Comes the Light; A Christmas Answer; A Little Light Was Born. Score and Parts (fiddle banjo mandolin acoustic guitar upright bass drums) available as a Printed Edition and as a digital download.

Rural Roots of Bluegrass is a songbook and history book that takes a deep at the roots of bluegrass music: ballads and fiddle tunes of Scots-Irish pioneers black spirituals plantation melodies blues murder ballads sentimental parlor songs from Tin Pan Alley North Carolina banjo styles and gospel songs. This book is richly illustrated with 107 vintage photos and includes history lyrics to 94 songs musical notation chords playing tips and historical sources for each song. Includes profiles on the Bill Clifton Bill Monroe the Blue Sky Boys Bradley Kincaid the Callahan Brothers Carolina Tar Heels the Carter Family Charlie Poole and the North CarolinaRamblers the Coon Creek Girls Earl Scruggs Eck Robertson Ernest V. 'Pop' Stoneman Fiddlin’ Arthur Smith Fiddlin’ John Carson G. B. Grayson & Henry Whitter Jimmie Rodgers Karl and Harty the Lilly Brothers MonroeBrothers the Morris Brothers Riley Puckett Samantha Bumgarner Vernon Dalhart Snuffy Jenkins and Wade & J. E. Mainer. 6' x 9' 180 pages. The perfect companion to the CD 'Rural Roots of Bluegrass.'

Par KAUFMAN STEVE. L'idée ici est d'aider à coordonner les préparateurs de sorte que vous avez tous solos de jouer et ils peuvent être joués dans la même clé. Quel concept - une ' Band dans le livre '. Dans ces pages, vous trouverez des solos pour toute la bande : lead guitare, guitare, banjo, mandoline, violon et basse. La mandoline et violon partagent les ajustements apportés mêmes leurs solos sont donc écrites juste une fois pour les deux. Si vous commencent tout juste et si vous avez des solos de difficulté-conclusion pour votre niveau - regardez pas plus. Ces solos sont écrits pour le débutant, niveau étudiant, en supposant que vous peut déjà jouer quelques solos de simples ou mener des pauses. Cette série vous aidera à apprendre des solos sur plusieurs instruments, aider à organiser à jouer ensemble, d'aider à développer un sentiment constant du moment et vous donner des heures de plaisir aussi bien. Afficher les paroles de ce livre. / Niveau : Débutant / Bluegrass - Solos / Recueil / Chant

You'll warm many a merry heart and set toes to tapping with this treble chorus setting of the Stephen Foster favorite Some Folks. Optional fiddle banjo and woodblock parts are included for extra folk flair! Duration: ca. 1:45.

Choirs and ensembles alike will enjoy the down-home setting of this traditional spiritual. Use the authentic ChoirTrax for full effect! Available separately: SATB SAB TTB ChoirTrax CD. Score and parts (piano mandolin banjo guitar fiddle dobro upright bass) available as a CD-ROM and as a digital download. Duration: ca. 3:25.

A ghost story telling of the mysterious disappearance of three lighthouse keepers in the Hebrides. This is a mystery story in the form of a chamber opera. The prologue is set as a court of enquiry into the unexplaineddisappearance of the three keepers from a lighthouse. Questions are posed by a solo horn which may sound from among the audience and three officers give answer. Gradually they move from straight testimony into fantasticalimaginings of evil during a 'flashback' to the lighthouse; but then we snap back to the courtroom. In the main act the three singers become the vanished keepers. They have been together for months long enough to be fullyaware of each other's weaknesses; petty bickerings suggest a relationship which is stable but liable to become highly unstable at any moment. They sing songs to reduce the tension Blazes beginning with a rough ballad of streetviolence accompanied by violin and banjo. Sandy's song with cello and out-of-tune upright piano is a thinly disguised description of sexual bliss and Arthur's with brass and clarinet is a tub-thumping hymn. But the songsserve only to resurrect in their minds ghosts from the past and as the fog descends each of the keepers becomes convinced that he is being claimed by the Beast. They prepare to meet its dazzling eyes which become the lights ofthe relief vessel and the three men reappear as officers met at the lighthouse only by an infestation of rats. They leave and at the end the last hours of Blazes Sandy and Arthur begin to play over again.Vocal score withpiano reduction of the instrumental score. Duration c. 1h 25mins.

American singer/songwriter Andy Grammer evokes themes of friendship and roots with this 2014 single. The banjo-tinged verse explodes into a thrilling stadium-flavored refrain that will electrify your singers and audience. A wonderful send-off song for your graduates or any celebration concert.

Chamber opera in a prologue and one act. A ghost story telling of the mysterious disappearance of three lighthouse keepers in the Hebrides. This is a mystery story in the form of a chamber opera. The prologue is set as acourt of enquiry into the unexplained disappearance of the three keepers from a lighthouse. Questions are posed by a solo horn which may sound from among the audience and three officers give answer. Gradually they move fromstraight testimony into fantastical imaginings of evil during a 'flashback' to the lighthouse; but then we snap back to the courtroom. In the main act the three singers become the vanished keepers. They have been together formonths long enough to be fully aware of each other's weaknesses; petty bickerings suggest a relationship which is stable but liable to become highly unstable at any moment. They sing songs to reduce the tension Blazes beginningwith a rough ballad of street violence accompanied by violin and banjo. Sandy's song with cello and out-of-tune upright piano is a thinly disguised description of sexual bliss and Arthur's with brass and clarinet is atub-thumping hymn. But the songs serve only to resurrect in their minds ghosts from the past and as the fog descends each of the keepers becomes convinced that he is being claimed by the Beast. They prepare to meet its dazzlingeyes which become the lights of the relief vessel and the three men reappear as officers met at the lighthouse only by an infestation of rats. They leave and at the end the last hours of Blazes Sandy and Arthur begin to playover again.Study Score. Duration c. 1h 25mins.

Recorded by greats such as Louis Armstrong Billie Holiday and Frank Sinatra this bluesy standard is a great tribute to a great city! Ideal for a tribute concert!Available separately: SATB SAB and SSA. Instrumental ePak hasparts Bb Trumpet Bb Clarinet Trombone Banjo/Guitar Bass and Drums. ShowTrax CD also available. Performance Time: Approx. 3:55

Alternative indie rockers American Authors climbed the charts in 14 countries with this irrepressibly upbeat anthem that has youthful enthusiasm to spare. The plucky banjo riff and street-percussion rhythms are instantly recognizable, and a singable hook offers squeaky-clean pop lyrics. Our SSA voicing easily adapts for 2-part choirs by incorporating a small group of singers on a repetitive one-bar signature phrase. / Choeur TBB