POD-Judith Weir's National Anthem With Leicester Fanfare is a work commissioned by Leicester Cathedral and first performed there at the Service of Reinterment of the Remains of King Richard III on 26th March2015. Scored for 4 Horns in F Unison Chorus and Organ Accompaniment a full performance lasts around 2 minutes. This is the Full Score. Note: this work was originally scored for Organ and four Horns in F.However the set of parts on sale includes alternatives for each of the Horn parts as follows: Horn 1 in F or E Flat Tenor Horn or Trombone Tenor Clef or Trombone/Euphonium/Baritone Treble ClefHorn 2 in F or Trombone Bass Clef or Trombone/Euphonium/Baritone Treble Clef Horn 3 in F or E Flat Tenor Horn or Trombone Tenor Clef or Trombone/Euphonium/Baritone Treble Clef Horn4 in F or Trombone Bass Clef or Trombone/Euphonium/Baritone Treble Clef

A Setting of America the Beautiful-This setting of 'America The Beautiful' was first performed on March 11 1967 in the Air Force Academy Chapel near Colorado Springs only a few miles from where in 1983 Katherine Lee Bates wrote the first lines of her now famous poem certainly the most beautiful and moving of all hymns to America. The occasion was a concert given by the choral and brass groups of the University of Colorado for the Music Educators National Conference Southwest Division.The setting is concieved as a unified dramatic whole using melodic motives from the Samuel A. Ward tune in the introduction and connecting sections. Each of the four stanzas is treated differently their powerful emotion and meaning culminating in the final affirmation and prayer of the last stanza which is sung in unison with descant and full accompaniment.The work may be performed with an Organ (or Piano accompaniment or with a group of instruments consisting of 3 Trumpets in Bb 4 Horns in F 3 Trombones Euphonium and Tuba.Instrumental parts available from the publisher.

Joseph Haydn's St. Anthony Chorale arranged for Wind Orchestra. Instrumentation: Descant Recorder Flute/Treble Recorder (I II) Oboe (I II) Clarinet in Eb Clarinet in Bb (I II III) Bass Clarinet Bassoon Trumpet/Cornet/Flugelhorn in Bb (I II) Horn in Eb (I II) Horn in F (I II) Trombone I/Baritone Trombone II/Euphonium/Tuba/Eb Bass Violin (I II) Viola Cello Bass.

Per Voce, Euphonium, Corno E Live Electronics. Par GERVASONI STEFANO. Italian / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Voix et Orchestre

Par FARKAS FERENC. “I wrote this Christmas cantata from Köröshegy at the request of the Council of the Komitat Somogy. When I visited the still unrenovated little church at Köröshegy about ten years ago I had no idea that this beautiful Gothic building would one day be the scene of the world première of one of my works. - The cantata is founded on four pillars: four organ soli which could be described as “ritornelli”, followed by four a cappella choruses with the same melody but different harmonizations. These are settings of the four verses of In Epiphaniam by Janus Pannonius, the most renowned Hungarian poet and humanist of the Renaissance. Between these pillars I have introduced movementsfor choir or for soloists based on Hungarian folk tunes and Christmas songs from Transylvania and the Komitat Somogy: songs of the shepherds, angels and wise men, and, after a pastorale for organ, a large scale mixed-voice chorus intoning Ez karácsony éjszakáján [Holy Night]. A narrator introduces the individual numbers with passages from the Christmas story. An organ postlude concludes the work. ” [Ferenc Farkas] This work may be performed in German, English, French or Hungarian language, accompanied by a chamber ensemble or a larger orchestra./ Répertoire / Petit Orchestre: Récitant, Solistes et Choeur SSAT

David Bednall's Tota Pulchra Es for SSATB unaccompanied. This simple and exquisite miniature keeps the text the fourth-century Latin Hymn to the Virgin Mary at the fore with instructions from the composer to accent the melodic lines according to word stress rather than position in the bar. The musical style is a fusion of old and new with plainchant-like melodies and tonality set against expressively dissonant contemporary harmonies. Tota pulchra est was recorded by The Epiphoni Consort on the CD David Bednall: Sudden Light (Delphian DCD34189)

Par FARKAS FERENC. “I wrote this Christmas cantata from Köröshegy at the request of the Council of the Komitat Somogy. When I visited the still unrenovated little church at Köröshegy about ten years ago I had no idea that this beautiful Gothic building would one day be the scene of the world première of one of my works. - The cantata is founded on four pillars: four organ soli which could be described as “ritornelli”, followed by four a cappella choruses with the same melody but different harmonizations. These are settings of the four verses of In Epiphaniam by Janus Pannonius, the most renowned Hungarian poet and humanist of the Renaissance. Between these pillars I have introduced movementsfor choir or for soloists based on Hungarian folk tunes and Christmas songs from Transylvania and the Komitat Somogy: songs of the shepherds, angels and wise men, and, after a pastorale for organ, a large scale mixed-voice chorus intoning Ez karácsony éjszakáján [Holy Night]. A narrator introduces the individual numbers with passages from the Christmas story. An organ postlude concludes the work. ” [Ferenc Farkas] This work may be performed in German, English, French or Hungarian language, accompanied by a chamber ensemble or a larger orchestra./ Répertoire / Petit Orchestre: Récitant, Solistes et Choeur SSAT

David Bednall's Pure Living Light for SATB and Organ. This radiant anthem explores the theme of light with luminescent harmonies a virtuosic Organ part and soaring Vocal lines. The text is by Dr Marcus Tomalin after Dante's Paradiso and Bednall's word painting is highly effective. A compelling climax as the singers tell of the 'pure living light shining' falls away to a powerful unaccompanied moment before the organ picks up a motif and develops it in a majestic interlude. This is a highly rewarding anthem for performer and audience alike. Pure Living Light was recorded by The Epiphoni Consort on theCD David Bednall: Sudden Light (Delphian DCD34189).

Par FARKAS FERENC. “I wrote this Christmas cantata from Köröshegy at the request of the Council of the Komitat Somogy. When I visited the still unrenovated little church at Köröshegy about ten years ago I had no idea that this beautiful Gothic building would one day be the scene of the world première of one of my works. - The cantata is founded on four pillars: four organ soli which could be described as “ritornelli”, followed by four a cappella choruses with the same melody but different harmonizations. These are settings of the four verses of In Epiphaniam by Janus Pannonius, the most renowned Hungarian poet and humanist of the Renaissance. Between these pillars I have introduced movementsfor choir or for soloists based on Hungarian folk tunes and Christmas songs from Transylvania and the Komitat Somogy: songs of the shepherds, angels and wise men, and, after a pastorale for organ, a large scale mixed-voice chorus intoning Ez karácsony éjszakáján [Holy Night]. A narrator introduces the individual numbers with passages from the Christmas story. An organ postlude concludes the work. ” [Ferenc Farkas] This work may be performed in German, English, French or Hungarian language, accompanied by a chamber ensemble or a larger orchestra./ Répertoire / Petit Orchestre: Récitant, Solistes et Choeur SSAT

For Baritone With Piano Accompaniment-Includes parts for Baritone in Bass Clef B flat Baritone in Bass Clef and B flat Baritone in Treble Clef.

Dritter Teil: Nr. 1-120, vierter Teil: Nr. 121-294. / Recueil / Voix, Instruments