Note-for-note Piano transcription book from Vol. 41 'Body And Soul' - featuring Dan Haerle. A rich sampling of Dan’s marvelous comping over selected choruses of 10 timeless standards. Includes: Misty What’s New Teach Me Tonight Body And Soul Alone Together That’s All Time After Time and more!Why you should consider this and other Aebersold Piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what's he doing there?' Now you'll know! Here as never before is an opportunity to see real jazz Piano voicings and comping over real songs in real live musical settings. These historic books contain note-for-note transcriptions exactly as recorded of the exciting piano accompaniment from the World Famous Aebersold Play-A-Long series. Not just for pianists there are many ways for all musicians to use these wonderful musical tools: Pianists: First listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next reading from the book play along with him imitating his style. Finally turn him off (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned you'll soon be improvising your own accompaniment!Non-Pianists: Horn players arrangers and vocalists can use these books like dictionaries to look up favorite voicings they've heard on a particular Play-A-Long track. Written clearly for two hands even the most novice pianist can play many sections of these books.Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students.

Incredible professional comping over the changes of landmark Miles Davis compositions by a noted master including: So What (slow) So What (fast) All Blues Blue In Green Nardis Eighty One Freddie Freeloader and more!!Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what’s he doing there?' Now you’ll know! Here as never before is an opportunity to see REAL jazz piano voicings and comping over REAL songs in REAL live musical settings. These historic books contain NOTE-FOR-NOTE transcriptions exactly as recorded of the exciting piano accompaniment from the World FamousAebersold Play-A-Long series. Not just for pianists there are many ways for ALL MUSICIANS to use these wonderful musical tools.Pianists: First listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next reading from the book play along with him imitating his style. Finally TURN HIM OFF (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned you’ll soon be improvising your own accompaniment!Non-Pianists: Horn players arrangers and vocalists can use these books like dictionaries to look up favorite voicings they’ve heard on a particular Play-A-Long track. Written clearly for two hands even the most novice pianist can play many sections of these books.Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students.

Every musician should have a basic understanding of how and why pianists voice chords in certain ways. This book, designed by a horn player, addresses and explains the basics of authentic, hip sounding chord voicings in simple, non-pianistic language. You’ll be comping on your own over Standards in a short period of time. Includes written voicings over many of the most popular Aebersold play-a-long tracks, so you can comp with bass and drums backing you up! No piano skills are required to use this book effectively. Play great jazz voicings today!

Playing Piano Is 1, Fun Book est une série tuteur clavier pour les débutants. Il est conçu pour répondre aux besoins de développement des enfants dans leur voyage à travers le monde merveilleux de la musique. Les mélodies sont spécialement composée par Alice Chua, et sont basés sur les personnages et les sujets des histoires classiques de Alice au pays des merveilles et De l'autre côté du miroir de Lewis Carroll. l'expérience littéraire est traduite dans la langue de la musique avec l'intention d'éveiller les goûts musicaux des enfants.Playing Piano Is Fun est une nouvelle approche développée par l'expérience pratique de l'auteur dérivée de l'interaction enseignant-élève. La taille grande musique police capte l'attention des élèves et leur permet de se concentrer. Pendant ce temps, les pages sont intentionnellement laissée sans photos pour encourager les élèves à exprimer davantage leur créativité en fournissant des exemples pour les chansons elles-mêmes. De nouveaux éléments sont introduits progressivement et sont intégrés progressivement. L'accompagnement de l'enseignant est encouragé à améliorer l'expérience musicale, ainsi inspirer et de motiver les élèves. Quelques suggestions pour la mise en valeur des éléments d'enseignement peut être trouvé à l'intérieur du capot avant. En plus de jouer du piano, l'approche unique de cette série comprend écoute, le chant, la transposition, l'harmonisation, l'improvisation et la composition à un stade précoce. / Piano

with Gary Stroutsos Flute-Blending the classic sounds of piano cello and upright bass with exotic native

Later Elementary Level-Description: This piece is a blues in ABA form with brief introduction and coda. The melody is built on a short melodic phrase: a riff. The bass part is a separate but related melodic phrase which becomes the important melody in the B section. Purpose: Introduction to the elements of the jazz styles of Duke Ellington Count Basie and Horace Silver: 1. Jazz inflection and phrasing 2. Varying riffs through simple variation and rhythmic displacement 3. Harmonic structure drawn from commonly used jazz harmonic patterns. Suggestions for Instruction: In m. 1-8 learn hands alone with special attention to double and grace notes. After learning one hand at a time it can be playedwith a teacher as a duet. In m. 12 RH double notes need special attention lifting the fifth finger on upper repeated notes while playing lower voices smoothly. In m. 13-20 learn to play the LH melody legato with RH chords detached. In m. 28-29 give special attention to rhythm and chord positions. Other Information After Blue Notes is memorized it will work well with rhythmic accompaniment or as a basis for improvisation. Key: F Major

You Can Teach Yourself Piano Chords combines regular music notation with visual illustrations to give a clear picture of how to voice basic piano chords.The first part of the book introduces the student to basic triadsand dominant seventh chords in all the inversions. After mastering this concept material such as Maj7th min7th diminished augmented and suspended chords are introduced followed by alternate bass note addition of the 9th andcommon chord progressions.Regardless of skill level the student will quickly be able to play an accompaniment by using only chord symbols. The appendix section will give the student a clear understanding in basic musictheory. When using this book as a lesson book it's very helpful to refer to the appendix section while chords are being learned. The book can be used both for lessons and reference. Includes access to online video.

This second volume in the Beautiful Etudes series contains 14 elementary-level pieces for the Piano by such noted composers as Czerny Gurlitt Köhler and Löschnorn.When pupils are assigned good-quality etudes their technique improves dramatically. This compilation concentrates on level-appropriate essentials such as shaping phrases with two and three voices playing a left hand melody with right hand chords extended hand positions melodic octaves Alberti bass descending scales and more. Each etude is prefaced with concise composer facts and helpful practice advice.

This adaptation is taken from the Bach's 92nd cantata and was originally written for bass voice and continuo. Das brausen von cen rauhen winde.