Par MOZART WOLFGANG AMADEUS. Tonalité : C-Dur - Blumenthaler, Volker (Arr. ) - KV 262/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2

Great Credo Mass-The Missa K.257 bears the non-authentic dating 1776 and was presumably composed at the end of 1776 or in the first half of 1777. Like K.262 (246a) it is designated in Leopold Mozart?s handwriting as a Missa longa on the cover page of an early composite manuscript containing the five masses in C major. K.257 is listed there as the last work. The designation ?Missa longa? was intended to point out that this was an extensive full-scale mass. Normally it would have been called a Missa solemnis but Mozart for unknown reasons did not make use of this customary nomenclature.The name ?Credo Mass? is taken from the acclamations of ?Credo? that constantly interrupt thelike-named movement. The Mass is remarkable for its density of invention within the narrowest of confines. Further its instrumental accompaniment has an almost chamber-music quality that emerges time and again into almost symphonic proportions. Urtext of the ?New Mozart Edition? Straightforward piano reduction in the vocal score Ideal for church services and concert performances Full score & performance material (BA4859) and vocal score (BA4859-90) for saleArrangement for soloists choir & organ (BA7520) for sale

Par ROSSINI GIOACHINO. Die 'Messa di Rimini', 1809 für die Kathedrale in Rimini geschrieben, zählt neben der 'Petite Messe solennelle', dem 'Stabat Mater' und der 'Messa di Gloria' zu Rossinis umfangreichen Beiträgen zur Musica sacra. Sie besteht aus großangelegten Chorsätzen und Arien für jeden der vier Solisten; Ensembles begegnen dagegen nur zweimal, im 'Domine Deus' [Duett] und im 'Et in terra pax' [Quartett]. Eine melodienreiche und klangschöne, eher kammermusikalische Komposition, noch ohne die für Rossini später so typischen ausladenden Koloraturen und 'Crescendowalzen'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2

Par ROSSINI GIOACHINO. Die 'Messa di Rimini', 1809 für die Kathedrale in Rimini geschrieben, zählt neben der 'Petite Messe solennelle', dem 'Stabat Mater' und der 'Messa di Gloria' zu Rossinis umfangreichen Beiträgen zur Musica sacra. Sie besteht aus großangelegten Chorsätzen und Arien für jeden der vier Solisten; Ensembles begegnen dagegen nur zweimal, im 'Domine Deus' [Duett] und im 'Et in terra pax' [Quartett]. Eine melodienreiche und klangschöne, eher kammermusikalische Komposition, noch ohne die für Rossini später so typischen ausladenden Koloraturen und 'Crescendowalzen'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2

Par ROSSINI GIOACHINO. Die 'Messa di Rimini', 1809 für die Kathedrale in Rimini geschrieben, zählt neben der 'Petite Messe solennelle', dem 'Stabat Mater' und der 'Messa di Gloria' zu Rossinis umfangreichen Beiträgen zur Musica sacra. Sie besteht aus großangelegten Chorsätzen und Arien für jeden der vier Solisten; Ensembles begegnen dagegen nur zweimal, im 'Domine Deus' [Duett] und im 'Et in terra pax' [Quartett]. Eine melodienreiche und klangschöne, eher kammermusikalische Komposition, noch ohne die für Rossini später so typischen ausladenden Koloraturen und 'Crescendowalzen'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2

Par ROSSINI GIOACHINO. Die 'Messa di Rimini', 1809 für die Kathedrale in Rimini geschrieben, zählt neben der 'Petite Messe solennelle', dem 'Stabat Mater' und der 'Messa di Gloria' zu Rossinis umfangreichen Beiträgen zur Musica sacra. Sie besteht aus großangelegten Chorsätzen und Arien für jeden der vier Solisten; Ensembles begegnen dagegen nur zweimal, im 'Domine Deus' [Duett] und im 'Et in terra pax' [Quartett]. Eine melodienreiche und klangschöne, eher kammermusikalische Komposition, noch ohne die für Rossini später so typischen ausladenden Koloraturen und 'Crescendowalzen'. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2

Sparrow Mass-Mozart?s ?Missa in C major? (K.220) nicknamed the ?Sparrow Mass? for its frequently recurring characteristic motifs in the violins has retained a firm place in the choral repertoire to the present day.The ?Sparrow Mass? is one of the most significant pieces of church music from Mozart?s years in Salzburg.Thanks to its clarity and largely homophonic texture it remains even today a work that is easily mastered in church and concert hall performances.Urtext of the New Mozart EditionIdeal for church services and concert performancesFull score & performance material (BA5343) and vocal score (BA5343-90)for saleArrangement for soloists choir & organ (BA7522) for saleArrangement for soloists and female choir (BA5693) avaailable for sale

Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett

Mozart?s ?Missa in C major? (K.220) nicknamed the ?Sparrow Mass? for its frequently recurring characteristic motifs in the violins has retained a firm place in the choral repertoire to the present day.The ?Sparrow Mass? is one of the most significant pieces of church music from Mozart?s years in Salzburg.Thanks to its clarity and largely homophonic texture it remains even today a work that is easily mastered in church and concert hall performances.Urtext of the New Mozart EditionIdeal for church services and concert performancesFull score & performance material (BA5343) and vocal score (BA5343-90)for saleArrangement for soloists choir & organ (BA7522) for saleArrangement for soloists and female choir (BA5693) avaailable for sale

Par EBERLIN JOHANN ERNST. Gattungen: Messen, lateinisch, Missa brevis, lateinisch - Reihen bei Carus: Salzburger Kirchenmusik - Langue : Latin / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

Par EBERLIN JOHANN ERNST. Gattungen: Messen, lateinisch, Missa brevis, lateinisch - Reihen bei Carus: Salzburger Kirchenmusik - Langue : Latin / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

Par EBERLIN JOHANN ERNST. Gattungen: Messen, lateinisch, Missa brevis, lateinisch - Reihen bei Carus: Salzburger Kirchenmusik - Langue : Latin / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin

Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.