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Organ
VIOLONCELLO - CELLO
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4 Saxophones (Soprano, Alto, T… (32)
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Choral SSAATTBB (32)
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2 Cellos, Piano (30)
Choral SSAA (30)
Organ and Brass Band (30)
Harmonica (29)
Alto Saxophone (29)
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Easy Piano (28)
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Clarinet and Piano (25)
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2 Cornets et Piano ou Orgue (24)
Organ, Voice (24)
Cello, Piano (24)
Jazz Ensemble (23)
Music Theory (23)
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Travaux Pour Choeurs (21)
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Banjo (21)
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Biography (17)
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Ukulele (16)
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2 Organs (duet) (15)
SB, 4 Parties Mixtes et Orches… (14)
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Bass guitar (14)
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Opera (14)
Organ and Brass Quartet (13)
2 Cornets et 2 Tubas (13)
Alto Saxophone and Piano (13)
Accordion (13)
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Harpsichord and Strings (13)
Orgue Et Orchestre (13)
Double Bass (13)
2 Trompettes ou Cornets et Tub… (12)
Solistes (SATB), Choeur Mixte … (12)
Mandolin (12)
2 Violons, Alto, 2 Hautbois, 2… (12)
High voice, Piano (12)
Flûte Traversière, Violon et… (12)
Soprano voice, Piano (12)
B Flat, E Flat, C and Bass cle… (12)
Ensemble (12)
Orgue ou Clavecin ou Harmonium… (12)
Chant (12)
C Instruments (12)
Saxophone Quartet: 4 saxophone… (11)
Violin, Cello, Organ (11)
SATBasse (2 Grands Choeurs Mix… (11)
Tenor Saxophone (11)
Clavecin (11)
Viola, Piano (11)
Orgue Et Instruments Divers (11)
2 Cellos (duet) (10)
Mezzo-Soprano voice, Piano (10)
Organ, Strings (10)
2 French horns (duet) (10)
Paroisse, Choeur SATB, 2 Tromp… (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
French Horn and Piano (9)
Orchestre Et Orgue (9)
2 Violons, Alto, Violoncelle o… (9)
Solistes SATB, Choeur SATB, Fl… (9)
3 Clarinets (trio) (9)
Orgue, 2 Trompettes et 3 Tromb… (9)
Choeur SATB, 2 Flûtes Travers… (9)
Saxophone Alto et Ténor (9)
2 Hautbois, 3 Violons, Alto, V… (9)
Organ, Percussion (9)
Orchestre: Choeur SSA, Flûte … (9)
Choral, Orchestra (9)
Recorder (9)
Trompette ou Cornet et Trombon… (8)
Solistes SATB, Choeur SATB/SAT… (8)
Choeur SATB, 2 Cors, Violon So… (8)
Flute, Clarinet (duet) (8)
3 Saxophones (Alto, Ténor) (8)
Solistes SS, 2 Altos, 2 Violon… (8)
Trompette ou Cornet et Tuba (8)
Flute and Guitar (8)
Trombone and Piano (8)
Quintette à Cordes (8)
Solistes SATTBarB, Choeur SATB… (8)
Petit Orchestre: Récitant, So… (8)
Orgue (Ou Harpe), 2 Flûtes Tr… (8)
School Ensemble (8)
Bassoon, Piano (duet) (8)
Partition de Poche (8)
Choral Soprano solo, SATB, Key… (8)
Soprano, Choeur Mixte à 4 Voi… (7)
Ensemble De Contrebasse (7)
Quatuor de Cuivres, Orgue et V… (7)
Soli (STB), Gemischter Chor (S… (7)
Soli (SATB), Choeur Mixte (SAT… (7)
Choeur Mixte (SATB), Instrumen… (7)
Solistes SATB, Choeur SATB, Or… (7)
Bombard and Organ (7)
2 Saxophones Alto (7)
Flûte Traversière et Orgue (7)
Tenor voice, Piano (7)
Percussion (7)
Conducteur (7)
Medium voice, Piano (7)
Accessoire (7)
Quintette (6)
Soli (SATB), Chor (SATB) und K… (6)
2 Saxophones (duet) (6)
Concert Band/Harmonie (6)
Orchester (6)
Orgue et Brass Band (6)
3 Trombones et Piano ou Clavie… (6)
Violin, Viola (duet) (6)
Dulcimer (6)
Clarinet, Organ (6)
2 Sopranos, Choeur Mixte (SATB… (6)
Harmonium (6)
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Violin, Basso continuo (6)
Orgue et Fanfare (6)
3 Violons, Alto, Violoncelle o… (6)
2 Trompettes et Trombone (6)
Violin, Viola and Orchestra (6)
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Low voice, Organ (6)
Orgue et Concert Band ou Harmo… (6)
2 Pianos, 4 hands (6)
Concert band, Choral (6)
CD (6)
:: (6)
Saxophone and Piano (6)
Horn and Organ (5)
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Clavecin, 2 Flûtes A Bec Et I… (5)
Violon, Viole Et Orchestre (5)
Soli (SATB), Chor (SATB) und O… (5)
2 Cors en Mib (5)
Choral SSAATBB, Organ (5)
2 Recorders (duet) (5)
Pocket, Study conductor (5)
3 Violons, Alto, Violoncelle o… (5)
Organ, Mixed Choir and Orchest… (5)
Accordion ensemble (5)
Medium voice, Organ (5)
Bb Instruments (5)
2 Violons, Alto, Violoncelle o… (5)
High voice, Organ (5)
Chant et Orgue (5)
Clarinette en Bb [Violon] et O… (4)
S, A, A, T, B, Choeur Mixte A … (4)
Violon, Clarinette Basse et Pi… (4)
2 Saxophones Ténor (4)
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Low voice, Piano (4)
Bass Clef Instruments (4)
Vocal duet, Piano (4)
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2 Trompettes, Cor et Trombone (4)
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Clarinette, Violon, Violoncell… (4)
Violes de Gambe et Orgue (4)
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Harp, Orchestra (4)
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Soprano voice (4)
Flûte Traversière, Clarinett… (4)
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Alto Et Orgue (4)
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Soprano et Orgue (4)
Flexible Instrumentation (4)
Dobro (4)
Choeur Mixte a Cappella (SATB)… (4)
Grand Orgue (4)
Baritone voice, Piano (3)
Trompette I (3)
Low voice (3)
Carte Postale (3)
2 Orgues (3)
Concert Band ou Harmonie et Tu… (3)
Trombone Solo (3)
ORG/TBN::Organ, Trombone (3)
3 Cornets et Piano ou Orgue (3)
CHAM::Musique De Chambre (3)
ORG/BRASS ENS::Orgue, Ensemble… (3)
Orchestre De Chambre (3)
S, A, 3 Parties Mixtes, 2 Trom… (3)
Ensemble De Cuivres Et Orgue (3)
Choral Tenor solo, SATB, Keybo… (3)
Orgue (3)
Guitar and String Quintet (3)
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Tenor voice (3)
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Orgue à 4 Mains (3)
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Children choir (2)
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Orgue (Harmonium) (2)
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Violoncello, Basso continuo (2)
Choeur SA Et Piano (2)
Choeur SSA Et Orgue (2)
Darbouka (2)
2 Hautbois, 2 Clarinettes, 2 C… (2)
SOP/BAR/ENS::Soprano, Baritone… (2)
Music Courses : Practice books… (2)
4 Trombones, Orgue et Voix (2)
Choeur Mixte et Orgue, Concert… (2)
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Piano Accompaniment (2)
High voice (2)
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Children choir, Piano (2)
Orgue, Cuivres et Percussion (2)
2 Ou 4 Voix Mixtes Et Piano (O… (2)
4 Voix Mixtes Et Orgue (2)
Partition de Choeur/Voix Elev… (2)
3 Violons, 2 Altos Et Violonce… (2)
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2 Trompettes En Do Ou Sib Et O… (2)
Orff-Instruments (2)
Alto voice, Piano (2)
Littérature Musicale (2)
1 ou 2 Violoncelles (2)
Saxophone Alto et Piano ou Org… (2)
Solistes TTBB, Choeur TTBB, Vi… (2)
Saxophone et Piano ou Orgue (2)
Parties Supplémentaires (2)
2 Trompettes et 3 Trombones (2)
Petit Ensemble Contemporain (2)
Musical dictation (2)
3 Ou 4 Violons Et Violoncelle … (2)
Pennywhistle (2)
2 Choeurs et 2 Orgues (2)
Guitare Flatpick et Plectre (2)
String Trio: 2 violins, viola (2)
Orgue et Concert Band/Harmonie… (2)
Clavecin / Orgue (2)
Chant La De Voix (2)
Chamber Music (2)
SABou SATB avec Orgue ou Clavi… (2)
Eb Instruments (2)
Drum set and Piano (2)
Choeur Mixte a Cappella (2)
Viola da Gamba (2)
WIND 5TET::Quintette · Vent (2)
Treble (Alto) Recorder (2)
ORG/PERC::Organ, Percussion (2)
CHAM/VLN/FLT::Musique De Chamb… (2)
Clavier Numérique (2)
Soli (SMsATB), Chor (SATB) un… (2)
Cello Ensemble (2)
Marimba and Organ (2)
Choeur STB, Alto Solo et Orgue… (2)
Tuba or Euphonium or Saxhorn (2)
Ensemble A Vent (2)
Soprano (2)
Horn and Orchestra (2)
Piano and Orchestra (2)
2 Guitars (duet) (2)
Cornet and Piano (2)
Orgel (Cembalo) mit Streichin… (2)
SA ou TB et Piano ou Orgue (2)
4 Trombones et Piano ou Orgue (2)
Band Scores (2)
Trumpet, Orchestra (2)
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4 Cornets (2)
Clavecin et Orgue (2)
4 Voix Mixtes Et Accompagnemen… (2)
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Solistes TTB, Choeur TTB et Or… (2)
2 Clarinets (duet) (2)
Choeur SATB et Orchestre (2)
UNIS/ORGA::Unison Voice, Organ… (2)
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Trombone or Euphonium (2)
2 Pianos et Instruments Divers… (2)
Clarinette Bb (2)
Partie Orgue (2)
Exemplaire Complet (2)
Choeur et ensemble vocal (2)
Ensemble Flexible (2)
Choeur SATB et Basse Continue (2)
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Matériel D'Orchestre (2)
Trumpet, Trombone (duet) (2)
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Mixed Choir and Organ (2)
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Voix Mixtes (2)
UNIS/MENSVOICES/ORGA::Unison V… (2)
Recorder Ensemble (2)
Ensemble Mixte (2)
Trompette II (2)
Partie Séparée (2)
Concert Band ou Harmonie et Op… (2)
Chœur d'Hommes [TTBB/TTBB] et… (2)
Choral SSATBB (2)
Melody line, Piano (2)
Orgue À 4 Mains (2)
Choeur Mixte et Orchestre (2)
Soprano (Ou Tenor) Et Piano (O… (2)
3 Parties Voix Aigües (SSA) e… (2)
Orgue ou Clavecin (2)
12 Parties de Choeur a Cappell… (2)
2PTCHOIR/SATB/2PF::2-Part Choi… (2)
Instruments A Vent (2)
Choeur et Instruments Divers (2)
SAM et Piano (2)
Solostimme und Basso continuo… (2)
Choir, 2 Trumpets, Horn, Trom… (2)
Flûte Et Orgue (2)
Opéra (2)
Voix Mixtes et Orgue (2)
Clavecin, Pianoforte, Orgue (1)
Orgue, 2 Hautbois, Basson, 2 V… (1)
Trompettes Et Autres Instrumen… (1)
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S Solo, SATB et Orgue (1)
SA/PFA::SA, Piano Accompanimen… (1)
Chœur à 4 parties de Voix Eg… (1)
Orgel (Cembalo, Klavier) (1)
3 Trompettes En Do, Carillon, … (1)
Soprano ou Alto solo, Cordes … (1)
Soli, Gemischter Chor 1 & 2, … (1)
2 Flûtes Traversières et Bas… (1)
Chanson (1)
Choeur Mixte (SAB), 2 Trompett… (1)
Instruments à Cordes et Orgue… (1)
Trompette (en Ut ou Sib), Tro… (1)
Instruments Divers dont L'Alto… (1)
SCORE/ORCH::Partitions/Orchest… (1)
HARM/EGTR/BGTR/HND/ACDN::Harmo… (1)
Guitare Et Clavecin (1)
Manuels/ DVD Technique (1)
2 Parties Voix Aigues (SA) Et … (1)
4 Trompettes, 2 Cors, 2 Trombo… (1)
Trompette en Do / C et Orgue (1)
Orgue et Clavier (1)
Orgue, Quintette A Cordes Et T… (1)
Xylophone (ou marimba) (1)
Chœur Mixte, Orgue, et Ensemb… (1)
9 Orgues (8 Orgues Positifs Et… (1)
Treble Voices and Piano (or Or… (1)
Instruments à Vent (1)
Trompette en Do et Orgue (1)
Orgue Méthode (1)
Solistes, SSATTB et Piano (1)
Soprano et Petit Ensemble (1)
Choeur Mixte Et Orgue (1)
Soprano et Ensemble (1)
PF/ORCH::Piano, Orchestre (1)
Sopran solo, Alt solo, Tenor … (1)
Tenor (Ou Soprano) Et Orgue (1)
SSATB et Orgue (1)
Trompe de Chasse (1)
Chœur Mixte SATB ou Solistes … (1)
2 Barytons, SATB, Orgue Acc (D… (1)
3 Voix, Orgue et Clavecin (1)
Soli, Choeur Mixte Et Orgue (1)
Percussion Quartet (1)
4 Trompettes et Orgue (1)
Orgel (Pauke ad libitum) (1)
Dessus Et Basse Continue, Dess… (1)
Choeur, Orgue, 2 Trompettes, C… (1)
Saxophone Ténor ou Soprano et… (1)
Conducteur Et Choeur (Orgue) (1)
4 Voix Mixtes Sans Accompagnem… (1)
1 ou 2 Voix (Soprano), Basse … (1)
Descant (Soprano) Recorder (1)
Voix à L'Unisson et Orgue ou … (1)
SOP/SATB/ORGA::Soprano/SATB/Or… (1)
Saxophone Baryton (1)
Hautbois et Orgue (1)
Orgue et Instrument (1)
Petit Orgue (1)
3 à 11 instruments en clé d… (1)
Flute ensemble (1)
Unisson et Piano ou Orgue (1)
ENS::Ensemble (1)
3 Voix Et Orgue (1)
2 Trompettes et Orgue (1)
Solistes SATB, Choeur SATB, Or… (1)
Voix D'Homme Et Ensemble (1)
Soloists (ST), Mixed Choir (S… (1)
5 Voix de Femmes (1)
Cor En Fa Et Orgue Ou Piano (1)
ORGA::Organ Accompaniment (1)
Piano Quintet: piano, violin, … (1)
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Soli, gemischter Chor, 2 Klav… (1)
Harmonie / Improvisation (1)
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Tout Instrument (1)
Ensemble de Cuivres graves (1)
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8 Saxophones (Ss,Aa,Tt,B) Et H… (1)
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4 Voix Et 3 Altos (1)
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Grand Orchestre (1)
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Violon, Cordes, Clavecin et Or… (1)
6 Cors Et Orgue (1)
Women's Choir (SS) and Organ (1)
7 Musiciens et Vidéo (1)
Soliste bzw. FrauenChoeur avec… (1)
Didgeridoo (1)
TSAX/ACDN::Saxophone Tenor, Ac… (1)
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2 voix soprano, 2 voix tenor,… (1)
Solistes, Choeur, 2 Flûtes Tr… (1)
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Variété (1)
Violon I (1)
Orgue Et Narrateurs (1)
Cor Anglais Et Orgue (1)
Streicher (1)
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Trauermusik
Cello, Organ
Schott
Since the last movement of this piece, which is perhaps the most beautiful of Hi...
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Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauermusik' can now be performed in churches as well.Versions of 'Trauermusik' for viola or violin or violoncello with piano have been available for quite some time. Now, organists too can include this famous and moving music in their repertoire. / Violoncelle Et Orgue
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Salve Regina (SCHROEDER HERMANN)
Cello, Organ
[Sheet music]
Schott
Cantilena Choralis. Par SCHROEDER HERMANN. Ce peu de travail était composé à ...
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Cantilena Choralis. Par SCHROEDER HERMANN. Ce peu de travail était composé à la suggestion de l'organiste belge Jef Anseeuw, qui a effectué la première mondiale à la Kerk Heilig-Hart à Izegem sur 25 septembre 1982 avec Lieven Vanderwalle sur le violoncelle. La pièce commence avec une paraphrase du motif initial ' Salve Regina ', ce qui est intonated par le violoncelle dans le registre faible. Le violoncelle joue ensuite la mélodie entière de la chanson. L'accompagnement de l'orgue décent est limitée à quelques intermèdes courts dans lequel des motifs de la mélodie grégorienne, comme dans un prélude choral classique, sont jouées à l'avance de manière imitative. La composition lyrique, méditative est idéale pour les services ou les concerts et peut être combinée comme un morceau d'introduction à la composition de l'orgue à grande échelle 'Salve Regina' de l'antienne Schröder' Marianische' (ED 4538)./ Répertoire / Violoncelle et Orgue
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Meditation
Cello, Organ
Schott
Comme c'est le cas avec 'Trauermusik', il existe maintenant une version d'orgue ...
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Comme c'est le cas avec 'Trauermusik', il existe maintenant une version d'orgue de son travail de soeur. Heribert Breuer, directeur de choeur et professeur à Berlin, organisé le score pour l'orgue, ouvrant ainsi de nouvelles possibilités pour ce morceau expressif. Il est parfaitement adapté pour les concerts dans les églises et peut être effectuée sans grande difficulté. / Violoncelle Et Orgue
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Snapshots For Flûte, Clarinet, Violin, Cello And Piano (HAYES MORGAN)
Flûte Traversière Clarinette, Violon, Violoncelle
[Sheet music]
Stainer and Bell
For Flute, Clarinet, Violin, Cello and Piano. Par HAYES MORGAN. Wind and Brass/ ...
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For Flute, Clarinet, Violin, Cello and Piano. Par HAYES MORGAN. Wind and Brass/ Répertoire / Flûte Traversière Clarinette, Violon, Violoncelle
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Trio For Violin, Bass Clarinet And Piano (HAYES MORGAN)
Violon, Clarinette Basse et Piano
[Sheet music]
Stainer and Bell
Par HAYES MORGAN. Strings/ Répertoire / Violon, Clarinette Basse et Piano
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Dances On A Ground. Score And Parts (HAYES MORGAN)
String Quartet: 2 violins, viola, cello
[Sheet music]
Stainer and Bell
Par HAYES MORGAN. Strings/ Répertoire / Quatuor à Cordes
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Shatner's Bassoon. Score And Parts (HAYES MORGAN)
Clarinette, Trompette, Trombone, Piano, Alto et Ba
[Sheet music]
Stainer and Bell
Par HAYES MORGAN. / Répertoire / Clarinette, Trompette, Trombone, Piano, Alto e...
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Par HAYES MORGAN. / Répertoire / Clarinette, Trompette, Trombone, Piano, Alto et Ba
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3 Buoys For Violin, Viola And Piano (HAYES MORGAN)
Violon, Alto et Piano
[Sheet music]
Stainer and Bell
Par HAYES MORGAN. Strings/ Répertoire / Violon, Alto et Piano
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Tomaso Albinoni: Adagio In Sol Min. Per Archi E Organo: Cello
Cello, Piano
Ricordi
Adagio In Sol Min. Per Archi E Organo
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Glyn Perrin: Sigma Lambda: Organ: Instrumental Work
String Quartet: 2 violins, viola, cello
[Sheet music]
University Of York Music Press
Solo Organ.Published in 2007.Score.
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Sofia Gubaidulina: In Croce Fur Violoncello Und Orgel: Cello
Cello, Organ
Sikorski
Cello Organ. Gubaidulina S
22.99 GBP - Sold by Musicroom UK
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Fantasia-Suites. Set 1. Violin, Bass Viol And Organ (LAWES WILLIAM)
Violon, Viole de Gambe et Orgue
[Sheet music]
Stainer and Bell
Set 1 - Violin, Bass Viol and Organ. Par LAWES WILLIAM. Strings/ Répertoire / V...
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Set 1 - Violin, Bass Viol and Organ. Par LAWES WILLIAM. Strings/ Répertoire / Violon, Viole de Gambe et Orgue
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Kaija Saariaho: Offrande: Cello and Accomp.: Score & Parts
Cello, Organ
Chester
Kaija Saariaho?s Offrande was written as a wedding gift for Marianna Karttunen e...
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Kaija Saariaho?s Offrande was written as a wedding gift for Marianna Karttunen et Nicolas Saint-Bris in 2014. The first public performance took place on 13 February 2017 at La Maison de la Radio France, Paris, as part of the Festival Présences, dedicated to the composer?s music, and was given by Anssi Karttunen, violoncello and Olivier Latry, organ.
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Morganstern Daniel - Practice For Performance - Cello
Cello
[Book]
-
Easy
Mel Bay
Media Type : Book Level : Beginning-Intermediate Musical Genre : All Styles Numb...
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Media Type : Book Level : Beginning-Intermediate Musical Genre : All Styles Number of pages : 40 Practice for Performance provides a rare and intimate view into a very thoughtful and successful performer's personal toolkit. Set in the context of his own personal history of growth as a performer, cellist Daniel Morganstern (principal cellist for the Lyric Opera of Chicago and the American Ballet Theatre at the Metropolitan Opera House in New York) displays rare honesty in discussing the problems that faced him at various point of his career, and the ways to solve them. The discoveries sensibly unfold in a fascinating account of experiences with many notable artists whose comments and examples shaped the author's thinking. These ideas are not to be found in any other treatise on the subject of musical preparation. The examples in this book, both musical and non-musical, offer a foundation to help evoke instinctive musical responses in the mechanical processes of playing the cello, and have been advantageously applied to other instruments as well, including voice.
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Daniel Morganstern: Practice For Performance: Reference
Cello
Mel Bay
Practice For Performance provides a rare and intimate view into a very thoughtfu...
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Practice For Performance provides a rare and intimate view into a very thoughtful and successful performer's personal toolkit.Set in the context of his own personal history of growth as a performer cellist Daniel Morganstern (principal cellist for the Lyric Opera of Chicago and the American Ballet Theatre at the Metropolitan Opera House in New York) displays rare honesty in discussing the problems that faced him at variouspoint of his career and the ways to solve them.The discoveries sensibly unfold in a fascinating account of experiences with many notable artists whose comments and examples shaped the author's thinking. These ideas are notto be found in any other treatise on the subject of musical preparation. The examples in this book both musical and non-musical offer a foundation to help evoke instinctive musical responses in the mechanical processes ofplaying the Cello and have been advantageously applied to other instruments as well including Voice.
7.99 GBP - Sold by Musicroom UK
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Christopher Tambling: Tunes You Know Cello - Book 1: Cello: Instrumental Album
Cello
Kevin Mayhew
These fifteen well-known pieces have been imaginatively arranged by the ever-pop...
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These fifteen well-known pieces have been imaginatively arranged by the ever-popular Chris Tambling for cellists of grade 1 to 2 standard with Piano accompaniment.Christopher Tambling (b.1964) studiedthe Organ with Malcolm McKelvey at Christ's Hospital Horsham Sussex. He went on to gain Organ scholarships to Cantebury Cathedral and St Peter's College Oxford where he studied with Geoffrey Webber and David Sanger and wasOrganist of Pusey House. He started his teaching career at Sedbergh School in Cumbria where he was Organist from 1986 to 1989: he then became Director of Music at Glenalmond College near Perth in Scotland also taking on rolesof Perth City Organist and Conductor of Perth City Orchestra.Tunes You Know Book 1 (Cello) includes Amazing grace Ave Maria Can Can from 'Orpheus in Underworld' Cocklesand Mussels Early One Morning Hallelu! Hornpipe form 'Water Music' Jupiter from 'The Planets' Largo from 'New World' Symphony Marche Militaire Waly Waly Prelude form 'Te Deum' Spring from 'The Four Seasons' The Entertainer and When the Saints Go Marching In.
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Christopher Tambling: Tunes You Know Cello - Book 2: Cello: Instrumental Album
Cello
Kevin Mayhew
These fifteen well-known pieces have been imaginatively arranged by the ever-pop...
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These fifteen well-known pieces have been imaginatively arranged by the ever-popular Chris Tambling for cellists of grade 1 to 2 standard with Piano accompaniment.Christopher Tambling (b.1964) studiedthe Organ with Malcolm McKelvey at Christ's Hospital Horsham Sussex. He went on to gain Organ scholarships to Cantebury Cathedral and St Peter's College Oxford where he studied with Geoffrey Webber and David Sanger and wasOrganist of Pusey House. He started his teaching career at Sedbergh School in Cumbria where he was Organist from 1986 to 1989: he then became Director of Music at Glenalmond College near Perth in Scotland also taking on rolesof Perth City Organist and Conductor of Perth City Orchestra.Tunes You Know Book 2 (Cello) includes Autumn from ‘The Four Seasons’ Ave Verum Corpus Daisy Daisy Give MeJoy In My Heart Greensleeves Land Of Hope And Glory Morning Has Broken Ode To Joy From ‘Choral Symphony’ Skye Boat Song Swing low Sweet Chariot To Sylvia Trumpet Minuet Panis Angelicus Pavan and Widdecombe Fair.
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Peter Maxwell Davies: A Sad Paven For These Distracted Tymes (Parts): String
String Quartet: 2 violins, viola, cello
[Sheet music]
Chester
This work was a test piece for the International string Quartet competition in 2...
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This work was a test piece for the International string Quartet competition in 2005 Premio Paulo Borciani It was inspired by a keyboard piece of the same name A Sad Paven for these Distracted Tymes by Thomas Tomkins(1572-1656). Tomkins had a long association with Worcester Cathedral where he was organist - appointed magister choristarum in 1596 - and lived within the precincts until shortly before his death. At the same time he wasorganist of the Chapel Royal. When the city of Worcester surrendered to Cromwell's parliamentary forces in 1646 Tomkins had to watch the hasty dismantling of his cathedral organ and the abolition of all choral services. Thesewere the 'distracted tymes' of the 'sad paven' which he wrote in enforced retirement at Worcester.
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Peter Maxwell Davies: A Sad Paven For These Distracted Tymes: String Quartet:
String Quartet: 2 violins, viola, cello
[Sheet music]
Chester
This work was a test piece for the International string Quartet competition in 2...
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This work was a test piece for the International string Quartet competition in 2005 Premio Paulo Borciani It was inspired by a keyboard piece of the same name A Sad Paven for these Distracted Tymes by Thomas Tomkins(1572-1656). Tomkins had a long association with Worcester Cathedral where he was organist - appointed magister choristarum in 1596 - and lived within the precincts until shortly before his death. At the same time he wasorganist of the Chapel Royal. When the city of Worcester surrendered to Cromwell's parliamentary forces in 1646 Tomkins had to watch the hasty dismantling of his cathedral organ and the abolition of all choral services. Thesewere the 'distracted tymes' of the 'sad paven' which he wrote in enforced retirement at Worcester.
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String Quartet no. 1 (STEFANI JAN)
String Quartet: 2 violins, viola, cello
in E flat major. Par STEFANI JAN. Composition was completed at the beginning of ...
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in E flat major. Par STEFANI JAN. Composition was completed at the beginning of 1825, in stylistic terms it falls between Classicism and Romanticism. The straddling of stylistic epochs is evident in the four-movement design of the quartet, which refers do Classical solutions established during the previous centrury also in other genres. Nethertheles, it is worth drawing attention to the third movement, the minuet, which represented something of a testing ground for contrasting tradition with progress, history with the present, and formal with frivolous, which these popular dances may have symbolised. Stylistic hanges heading towards Romanticism are evident also in the way the work's melodic layer is organise. The Józef Stefani's advanced compositional skills prove his crucial contribution to the evolution of the string quartet on Polish soil. And the catchy melodic phases - for which Stefani ceirtanly had a gift - will stir the emotions of a many listener. / Date parution : 2023-06-01/ Répertoire / Quatuor à Cordes
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O Salutaris Hostia (MANTOVANI BRUNO)
Français
Cello Ensemble
Lemoine, Henry
Par MANTOVANI BRUNO. O salutaris hostia est le titre d'une hymne chrétienne com...
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Par MANTOVANI BRUNO. O salutaris hostia est le titre d'une hymne chrétienne composée par Saint Thomas d'Aquin. Cette hymne a inspiré nombre de compositeurs de la renaissance dont Josquin des Prés, Thomas Tallis et un de mes musiciens favoris, Pierre de la Rue, qui vécut à la lisière entre les 15e et 16e siècles. Le 'O salutaris hostia' de ce dernier est une courte pièce à quatre voix à laquelle j'ai appliqué, chose inédite chez moi, des principes d'écriture automatique. J'ai tout d'abord étiré le 'squelette harmonique' de l'oeuvre originale sur 7 minutes et 30 secondes (ce qui multiplie la durée totale par 5 par rapport à l'original) puis j'ai défini une liste d'une vingtaine de modes de jeux. Ensuite, j'ai appliqué ces modes de jeux à l'harmonie existante en organisant des transitions progressives d'une configuration à une autre. De ce fait, malgré l'activité instrumentale permanente et la transformation perpétuelle de la texture, un sentiment de temps étiré et de contemplation s'installe par la régularité du propos. Je me suis souvent inspiré de modèles du passé pour écrire des oeuvres (Gesualdo, Schubert, Schumann) mais c'est la première fois que le modèle est aussi prégnant malgré les traitements qui lui sont appliqués. / Contemporain / Répertoire / 7 Violoncelles
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Quatuor A Cordes #2 Crescent Scratches
String Quartet: 2 violins, viola, cello
Jobert
Mon deuxième quatuor à cordes, Crescent Scratches, s'inscrit dans la continuit...
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Mon deuxième quatuor à cordes, Crescent Scratches, s'inscrit dans la continuité du premier, Scratches, sans toutefois recourir au dispositif électronique qui, dans le premier quatuor, me permettait d'amplifier les timbres et de transformer le son en temps réel.Le terme de 'crescent scratch' provient des techniques de jeu développées par les DJ sur leurs platines vinyles ('scratch' ou 'scratching') que l'on retrouve dans le hip-hop et les musiques industrielles.Crescent Scratches est conçu à partir de deux principales idées : le glissando saturé (fréquemment pulsé), assimilable au 'scratch', provoqué par l'aller-retour du disque sur la platine, et la notion de boucle qui consiste à reproduire une même séquence, variée ou non. J'ai conçu des boucles et agi sur leur vitesse d'exécution, sur leur superposition en strates et leur traitement par caractéristiques de timbre. Cela finit par rendre quasiment imperceptible le retour des boucles - un phénomène qui m'a particulièrement intéressé dans cette composition. La boucle se meut en micro-élément, moteur d'une intense activité dans une macrostructure, cette macrostructure elle-même étant dès lors perçue comme une masse totalement saturée en évènements.La continuité entre ces deux quatuors se situe pour moi du côté du timbre et plus précisément dans la notation des différentes positions et pressions d'archet engendrant une large palette de sonorités saturées créant comme une aura autour du son des instruments. L'idée de 'scratch' comme onomatopée décrivant une rayure, une éraflure, une rupture ou une déchirure reste également au centre du propos de Crescent Scratches.Au-delà de l'électronique, l'endroit où se décèle la différence entre ces deux quatuors est dans la structuration de la forme et la gestion des événements. Crescent Scratches s'organise en un bloc d'une grande densité dans le traitement simultané des quatre instruments qui s'unissent là où, dans Scratches, j'articulais la forme en une succession de moments en solo, duo, trio et tutti.Yann Robin / Quatuor A Cordes
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Julie Lyonn Lieberman: Techniques for the Contemporary String Player: Violin
Violin
[DVD]
-
Easy
Hal Leonard
Parts I & II on DVD-Whether you want to learn a new style be ready for anything...
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Parts I & II on DVD-Whether you want to learn a new style be ready for anything that comes up in a jam session or meet the demands of new orchestral scores with ease this DVD will help you develop the necessary right and left-hand skills. Julie Lyonn Liebermann has examined he technical demands of all the modern alternative styles (such as blues swing rock Celtic Cajun Flamenco and more) and organises the most essential skills the fundamentals that you’ll need to progress all onto one insightful DVD with both parts One and Two of her method guide. In part one: The Bow Hand Four essential bow control techniques ten approaches torhythmizing the bow contemporary techniques you can use to navigate the bow so that each note speaks! Part Two: The Left Hand Basic Set-up Thumb Hinge Trampoline Fingers Chromatic Motion Vibrato Ornaments (such as trills slides grace notes turns jazz embellishments and more) Double Stops (Unisons octaves and chords) Playing on chord changes Walking bass lines Slap and more. Overall an interesting insightful comprehensive and enjoyable guide to contemporary string playing on this great value and brilliant DVD guide.
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Passalega (KOLBUSZ ALEKSANDRA) (KOLBUSZ ALEKSANDRA)
String Quartet: 2 violins, viola, cello
PWM (Polskie Wydawnictwo Muzyczne)
Par KOLBUSZ ALEKSANDRA. Long before writing Passalega, I harboured the idea of c...
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Par KOLBUSZ ALEKSANDRA. Long before writing Passalega, I harboured the idea of creating some form of organically homogeneous chain of musical tensions evolving ever more distinctly into a musical utterance, although still indeterminate in terms of pitch. The tissues forming the chain of those tensions were of relatively simple design, yet in spite of this ? or perhaps because of it ? they were incredibly well suited to generating the expressive narrative that accompanied me throughout that entire pre-composition period. After recognising the character of the musical potential in that material, I considered it to be similar to Baroque rhetoric in terms of the refined clarity and smoothness of the gestures. Inspired by this, I sought to articulate this material in the fullest possible way by tracing a chain of swelling tensions, referring to a homogeneously polyphonic string quartet. / Date parution : 2022-12-12/ Répertoire / Quatuor à Cordes
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Esa-Pekka Salonen: YTA III: Cello: Instrumental Work
Cello
[Partitions]
Chester
Esa-Pekka Salonen's YTA III for solo Cello. This work was written for Anssi Kart...
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Esa-Pekka Salonen's YTA III for solo Cello. This work was written for Anssi Karttunen who gave the first performance at the Musiikin aika Festival Viitasaari Finland on 23rd July1987.'I began to work on the YTA series in 1982. The first piece was for solo alto flute the second for pianoand the third for cello. The title ‘Yta’ is a Swedish word meaning ‘surface’. I wanted to writeverydemanding virtuoso music where the surface is extremely busy but the formal process partly hiddenbehind the frenetic stream of fast gestures is considerably slower.I tried to imagine what happens to the famous moth thatcircles around a lamp in Skryabin’s Versla flamme after the wings have finally touched the flame. A series of gestures is introduced in thebeginning. Each gesture undergoes an individual development culminating in spasms beforedyingaway. YTA III is a study of the death of an organism; the music is violent and ugly.' - Esa-Pekka Salonen
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X'Three for violoncello (KOSKELIN OLLI) (KOSKELIN OLLI)
Cello
[Sheet music]
Fennica Gehrman
Par KOSKELIN OLLI. X'Three (2003/2021) by Olli Koskelin is the third piece of a ...
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Par KOSKELIN OLLI. X'Three (2003/2021) by Olli Koskelin is the third piece of a solo cello suite consisting of seven compositions. Each of the seven pieces can be performed individually or detached with other X'-compositions. Different works are yet to be performed chronologically. The X'-works are composed by using the same material viewed from many different angles. Their structure can be seen as a film starting several times from the beginning and from the same settings always looked from a new perspective. In some compositions of the X'-suite seemingly random fragments are joined together organically in other works of the suite. The story, tale, or plot of the music and the gestures and figures of it trans-form in a new context but remain identifiable. Olli Koskelin's (born 16 April 1955) compositional output reflects a wide range of interests. The vast area covered by his style encompasses the neo-impressionism of the piano work Courbures (1989) to the post-expressionist echoes of his Music for String Quartet (1981) as well as the breakneck virtuosity of his clarinet piece Exalte (1985/1991) and the rich romantic textures of his orchestral piece ... like a planet silently breathing... (1993). He often uses the overtone series like the French spectral composers and avoids dramatic culmination. Soft harmonics, tranquil arching melodies, a leisurely rhythmical pulse and a coherence of mood are in evidence in his later works as in Uurre (1997) for chamber ensemble, Miniatures (1997) for string quartet and Circles within for 19 solo strings. / Date parution : 2023-01-24/ Recueil / Violoncelle
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Suite (RHEINBERGER JOSEF GABRIEL)
Violon Solo, Violoncelle Solo, 2 Violons, Alto, Vi
[Sheet music]
Carus Verlag
Tonalité : C-Moll - Op.: 149 -. Par RHEINBERGER JOSEF GABRIEL. The field of sac...
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Tonalité : C-Moll - Op.: 149 -. Par RHEINBERGER JOSEF GABRIEL. The field of sacred chamber music, apart from vocal music and the solo-organ repertoire, often lives in the shadows. Thus the reprint of this valuable trio is all the more welcome. The organ has the same role here as the piano in a piano trio! [Württembergische Blätter für Kirchenmusik May 1993, p. 192]/ Répertoire / Violon Solo, Violoncelle Solo, 2 Violons, Alto, Vi
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Johann Sebastian Bach: Concerto For Violoncello String And BC A Minor: Cello:
Cello, Piano
-
Intermediate
Barenreiter
Johann Sebastian Bach’s famous concerto for Organ BWV 593 is an arrangeme...
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Johann Sebastian Bach’s famous concerto for Organ BWV 593 is an arrangement of Antonio Vivaldi’s concerto Op.3 No.8 from L’Estro Armonico for two solo Violins Strings and Basso Continuo. This edition in turn is an arrangement of this Organ concerto and has been scored for Violoncello solo Strings and Basso Continuo. It was commissioned for the renowned cellist Sol Gabetta who premiered it at the 2013 Bachwoche in Ansbach - a famous music festival in southern Germany. The composer and arranger Joachim F. W. Schneider provides an idiomatic arrangement and cellists will welcome this addition to their repertoire.Idiomatic arrangement forcellists.
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Suite (RHEINBERGER JOSEF GABRIEL)
Violon Solo, Violoncelle Solo, 2 Violons, Alto, Vi
[Sheet music]
Carus Verlag
Tonalité : C-Moll - Op.: 149 -. Par RHEINBERGER JOSEF GABRIEL. The field of sac...
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Tonalité : C-Moll - Op.: 149 -. Par RHEINBERGER JOSEF GABRIEL. The field of sacred chamber music, apart from vocal music and the solo-organ repertoire, often lives in the shadows. Thus the reprint of this valuable trio is all the more welcome. The organ has the same role here as the piano in a piano trio! [Württembergische Blätter für Kirchenmusik May 1993, p. 192]/ Répertoire / Violon Solo, Violoncelle Solo, 2 Violons, Alto, Vi
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Suite (RHEINBERGER JOSEF GABRIEL)
Violon Solo, Violoncelle Solo, 2 Violons, Alto, Vi
[Sheet music]
Carus Verlag
Tonalité : C-Moll - Op.: 149 -. Par RHEINBERGER JOSEF GABRIEL. The field of sac...
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Tonalité : C-Moll - Op.: 149 -. Par RHEINBERGER JOSEF GABRIEL. The field of sacred chamber music, apart from vocal music and the solo-organ repertoire, often lives in the shadows. Thus the reprint of this valuable trio is all the more welcome. The organ has the same role here as the piano in a piano trio! [Württembergische Blätter für Kirchenmusik May 1993, p. 192]/ Répertoire / Violon Solo, Violoncelle Solo, 2 Violons, Alto, Vi
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