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Cello
VIOLA
Piano Trio: piano, violin, cello
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Brahms J. - Complete Piano Trios
Piano Trio: piano, violin, cello
Dover Publications
Trio No. 1 for Piano, Violin, and Cello in B Major, Op. 8, Original Version (185...
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Trio No. 1 for Piano, Violin, and Cello in B Major, Op. 8, Original Version (1854) Allegro con moto Scherzo: Allegro molto Adagio non troppo Finale: Allegro molto agitato Trio No. 1 for Piano, Violin, and Cello in B Major, Op. 8, Revised Version (1891) Allegro con brio Scherzo: Allegro molto Adagio Allegro Trio No. 2 for Piano, Violin, and Cello in C Major, Op. 87 Allegro Andante con moto Scherzo: Presto Finale: Allegro giocoso Trio No. 3 for Piano, Violin, and Cello in C Minor, Op. 101 Allegro energico Presto non assai Andante grazioso Allegro molto Trio for Piano, Violin, and Natural Horn [Waldhorn] (or Cello or Viola) in E-flat Major, Op. 40 Andante Scherzo: Allegro Adagio mesto Finale: Allegro con brio Trio for Piano, Clarinet (or Viola), and Cello in A Minor, Op. 114 Allegro Adagio Andante grazioso Allegro
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Simon Holt: Piano Trio - Los Ojos: Chamber Ensemble: Score and Parts
Piano Trio: piano, violin, cello
Chester
Score and parts for Simon Holt's Piano Trio: Los Ojos for Piano Violin and Cell...
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Score and parts for Simon Holt's Piano Trio: Los Ojos for Piano Violin and Cello.Piano Trio: Los Ojos was first performed on 25th November 2013 in the Amaryllis Fleming ConcertHall at the Royal College of Music London by Johannes Marm?n (Violin) Zo? Saubat (Cello) and Gwenaelle Rouger (Piano).I finished writing Piano trio: Los Ojos in early May 2007. It is approximately13 minutes long and has a three-movement structure of essentially two slow movements separated by a central fast section. The final slow movement is a variation of the opening movement ending with a ?toy? defined by ThomasMace(a contemporary of William Lawes) in his 1676 book Musicke?s Monument as ?a light-Squibbish Thing only fit for Fantastical and Easie-Light-Headed People; and are of any sort of Time?.The Machado poem behindthe piece Los Ojos (the eyes) is about a widower who has locked himself away but after a year begins to wonder about the colour of his beloved?s eyes. He is horrified that he can?t remember. One spring day he leaves the houseand just happens to glimpse a flash of eyes through a window and instantly recalls the colour; ??Como esos!?; ?Like those!?. The three movements have the titles: 1] su memoria y el espejo ?his memory and the mirror?; 2] ?Comoeran? ?How were they??; and 3] ?Como esos! ?Like those!?. - Simon Holt
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Helen Grime: The Brook Sings Loud: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
Chester
For Piano Trio.The Brook Sings Loud was commissioned by the Aberdeen Chamber Mus...
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For Piano Trio.The Brook Sings Loud was commissioned by the Aberdeen Chamber Music Club for the Kungsbacka Trio.'As this was one of the first pieces that the Club commissioned I thought it would be appropriatefor the piece to have some sort of Scottish theme or influence. I have always been interested in Pibroch (Piobaireachd) - classical bagpipe music that was prevalent from the sixteenth to the eighteenth centuries in the ScottishHighlands. I have not attempted to imitate the sound of the bagpipes; however I have been influenced by some of the techniques associated with this music.' HelenGrimeInstrumentation:ViolinCelloPiano
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Ludwig van Beethoven: Concerto For Piano Violin And Violoncello In C: Chamber
Piano Trio: piano, violin, cello
Barenreiter
In Beethoven?s Triple Concerto a piano trio provides the soloists a first in ...
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In Beethoven?s Triple Concerto a piano trio provides the soloists a first in the history of music. Beethoven?s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra but varies his treatment of the solo parts allowing each instrument to play alone with the orchestra (particularly the cello) using two solo instruments together in ever new combinations and finally bringing together all three instruments with the orchestra. Beethoven weaves a complex web the orchestral piano violin and cello voices interplaying and entwining and he produces a true masterpiece. Bärenreiter?s new Urtext edition ofBeethoven?s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions but with the assistance of three newly-discovered sources editor Jonathan Del Mar has cleaned up the text corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven?s day might have recognized with all necessary information for directing the piece included in the solo piano part. Piano reduction with separate parts for all three soloistsDraws on three new sourcesCorrection of many errors found in previous editions
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Ludwig van Beethoven: Concerto for Pianofort Violin Violoncello & Orch:
Piano Trio: piano, violin, cello
Barenreiter
C major-In Beethoven?s Triple Concerto a piano trio provides the soloists a f...
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C major-In Beethoven?s Triple Concerto a piano trio provides the soloists a first in the history of music. Beethoven?s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra but varies his treatment of the solo parts allowing each instrument to play alone with the orchestra (particularly the cello) using two solo instruments together in ever new combinations and finally bringing together all three instruments with the orchestra. Beethoven weaves a complex web the orchestral piano violin and cello voices interplaying and entwining and he produces a true masterpiece.Bärenreiter?s new Urtext edition of Beethoven?sTriple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions but with the assistance of three newly-discovered sources editor Jonathan Del Mar has cleaned up the text corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven?s day might have recognized with all necessary information for directing the piece included in the solo piano part.Piano reduction with separate parts for all three soloistsDraws on three new sourcesCorrection of many errors found in previous editions
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Wilfred Josephs: Trio of Trios op. 87: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
Boosey and Hawkes
A Trio of Trios was written for Josephs' two daughters who played the Cello and...
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A Trio of Trios was written for Josephs' two daughters who played the Cello and the Violin. Scored for Cello Violin and Piano.
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Beethoven L. (van) - Six Great Piano Trios In Full Score
Piano Trio: piano, violin, cello
Dover Publications
Here are six of the most studied, performed, and recorded trios for piano, violi...
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Here are six of the most studied, performed, and recorded trios for piano, violin, and cello. They include the popular trio in D Major, Op. 70, No. 1, which was named the Ghost trio by Beethoven's student, Carl Czerny, who thought the eerie second movement suggested the specter of Hamlet's father. Additional works include the trio in E-flat Major, Op. 1, No. 1; the trio in G Major, Op. 1, No. 2; the trio in C Minor, Op. 1, No. 3; the trio in E-flat Major, Op. 70, No. 2; and the trio in B-flat Major, Op. 97, also known as the Archduke trio. These works are reproduced from the authoritative Breitkopf and Härtel editions. Durable but inexpensive, this edition features a sturdy binding that allows pages to remain open on music stands for years of use and enjoyment. Reprinted from the definitive 19th-century Breitkopf
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Trio (HAILSTORK ADOLPHUS)
Piano Trio: piano, violin, cello
[Sheet music]
Hal Leonard
for Violin, Cello, and Piano Full Score. Par HAILSTORK ADOLPHUS. Trio was commis...
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for Violin, Cello, and Piano Full Score. Par HAILSTORK ADOLPHUS. Trio was commissioned by the Nova Trio of Norfolk, Virginia. The ethnic diversity of the group influenced the writing of the composition. The first movement is a lament commemorating the Jewish holocaust. The theme presented in the violin occurs in every movement. The second movement scherzo leads directly into the finale, a lively dance in an irregular (11/8) meter. Please note: this item will be printed at the time of ordering and will ship as soon as possible, usually within 2-3 weeks. / Date parution : 2022-04-01/ Répertoire / Violon, Violoncelle et Piano
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Felix Mendelssohn Bartholdy: Piano Trios No.1 - 2 Op.49 - 66: Piano Trio: Score
Piano Trio: piano, violin, cello
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Dover Publications
Full score for Violin Cello and Piano of Felix Mendelssohn's Piano Trio No.1 In...
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Full score for Violin Cello and Piano of Felix Mendelssohn's Piano Trio No.1 In D minor Op.49 and Piano Trio No.2 in C minor Op.66. Upon hearing the first trio Robert Schumann declared Mendelssohn is the Mozart of the nineteenth century! Written in the composer's famously flowing Romantic style these two works are staples of the repertoire and anchors of many chamber music series. Both appear here for the first time in a single and affordable study edition. Mendelssohn drew upon a variety of influences in his musical style - chiefly Bach Mozart and Beethoven. Like the other German composers of his generation Mendelssohn created works that mirror the era'stension between Classicism and Romanticism. These trios are universally regarded as among his finest works with marked contrasts ranging from slow movements to lively scherzos in the manner of his Songs Without Words.
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Robert Schumann: Piano Trios: Piano Trio: Instrumental Album
Piano Trio: piano, violin, cello
[Sheet music]
Peters
Three selected Piano Trios for Violin Cello and Piano composed by Robert Schum...
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Three selected Piano Trios for Violin Cello and Piano composed by Robert Schumann. Contains: Piano Trio in F Op.80 Piano Trio in D minor Op.63 and Piano Trio in G minor Op.110.
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Judith Weir: Piano Trio: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
[Sheet music]
Chester
Score and Parts.Commissioned by the Chamber Music Society of Lincoln Centre. Fi...
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Score and Parts.Commissioned by the Chamber Music Society of Lincoln Centre. First performance 19 May 1998 Merkin Concert Hall New York City.Quoting Weir: 'In my previous work I have often enjoyed inventing titles whichattempt to encapsulate the particular world of each composition but this fifteen minutes piece for violin cello and piano is simply entitled Piano Trio . What is the reason for this unusually abstract description? I thinkperhaps that in this piece the many external impressions which habitually make up my musical world have become too numerous and too personal to be pinned down in the space of few words that a composition title allows.The firstmovement began in my mind with impressions of Venice as relayed in Schubert's song Gondelfahrer; the crisp midnight air the dark choppy water the bells tolling the gondolier alone in emotional turmoil. Schubert's world is aplace where I can find constant inspiration and strength.The second movement recalls a time when I was called from a phone box in Africa. At one moment I was alone in my room the next (or so it seemed in my imagination)surrounded by light heat and sudden energy and activity. The movement is not however an evocation of African music; it takes the form of a scherzo and trio which collide with each other at the movement's conclusion.Thethird movement formed in my mind whilst I was reading some Gaelic poetry from the Hebridean island of Lewis on Scotland 's far flung Atlantic fringe. I was thinking of the bleached white beaches in that part of the world whereevery object lying on the sand - a washed-up bottle or a bird's skeleton - is a major event in a deserted landscape. The same might be said of this short set of musical variations where melodic fragments are laid out with plentyof space around them clear and plain for everyone to hear.
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Anton Stepanovich Arensky: Piano Trio No.1 In D Minor Op.32: Piano Trio: Score
Piano Trio: piano, violin, cello
Bosworth
Arensky's Piano Trio Op.32 was composed in memory of cellist Karl Davidov frien...
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Arensky's Piano Trio Op.32 was composed in memory of cellist Karl Davidov friend of both the composer and Tchaikovsky as well as director of the St. Petersburg Conservatory during Arensky's studies. The cello plays a prominent role in the trio at times matching or surpassing the violin in importance.
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