Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). As a symphonic composer, Bruckner wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie

Er was eens ... Singspiel for narrator actors (ad lib.) children's choir and concert band-Full Score and Study Score of this work are available for sale.A set of individual parts are for rental only not for sale.Prices and conditions are available on request.Please contact: Hal Leonard Europe Distribution BV - RentaldepartmentE-Mail: rental@halleonardeurope.nl In this musical drama composed in honour of the 150th anniversary of the death of Jacob Grimm in 2013 song and spoken word continually alternatewith one another. The orchestra also plays an important role giving the entire work great variety in terms of content but also in terms of sound. Es war einmal… (Once Upon a Time) can be performed in concert and also creates an opportunityfor a partially staged production.

A thoroughly gripping melody of Irish descent constitutes the basis on which this exceedingly beautiful little piece of music rests. Down by the Salley Gardens is a guaranteed heartbreaker on your next concert. Since the lyrics of this Irish traditional are also supplied with the set a combination of band with solo voice or even choir is a definite possibility. The Arranger: Leafing through a song-book containing traditionals etc. I was immediately struck by this song and its exceptionally beautiful and atmospheric melody. I simply had to do something with it. Een meeslepende traditional van Ierse komaf staat aan de basis van dit wonderschone werkje. Down bythe Salley Gardens belooft een hartenbreker te worden op uw eerstvolgende concert. De tekst van deze Ierse traditional wordt meegeleverd en daarmee is een combinatie met zang ook zeer goed mogelijk. De arrangeur: Bladerend door een liedboek met traditionals enz. was ik meteen getroffen door dit nummer en zijn uitzonderlijk mooie en sfeervolle melodie. Ik moest gewoon iets mee doen.

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie

Par DE MEIJ JOHAN. Songs from the Lowlands est une collection de chansons des XVIe et XVIIe siècles de mon pays natal, La Hollande, anciennement connus sous le nom des Pays Bas. Ce sont tour à tour des chansons patriotiques d?Adriaen Valerius du temps où notre pays était occupé par l?Espagne, des chansons d?amour coquines et une chanson à boire, Peeckel-Haringh. Songs from the Lowlands a été écrit pour le concert d?adieu de mon cher ami Jim Yarnell, qui était le chef de l?orchestre d?harmonie avec The American School of The Hague depuis quatre décennies. Jim a dirigé la première lors de son dernier concert, le 8 avril 2022, et jouit maintenant d?une retraite bien méritée. Songs from the Lowlands se prête une interprétation instrumentale ou avec chorale (SATB). / Date parution : 2022-09-20/ Répertoire / Concert Band/Harmonie et Choir

Par DE MEIJ JOHAN. Songs from the Lowlands est une collection de chansons des XVIe et XVIIe siècles de mon pays natal, La Hollande, anciennement connus sous le nom des Pays Bas. Ce sont tour à tour des chansons patriotiques d?Adriaen Valerius du temps où notre pays était occupé par l?Espagne, des chansons d?amour coquines et une chanson à boire, Peeckel-Haringh. Songs from the Lowlands a été écrit pour le concert d?adieu de mon cher ami Jim Yarnell, qui était le chef de l?orchestre d?harmonie avec The American School of The Hague depuis quatre décennies. Jim a dirigé la première lors de son dernier concert, le 8 avril 2022, et jouit maintenant d?une retraite bien méritée. Songs from the Lowlands se prête une interprétation instrumentale ou avec chorale (SATB). / Date parution : 2022-09-20/ Répertoire / Concert Band/Harmonie et Choir

for Concert Band Mixed Choir and Organ (optional)-Cette messe latine pour chorale et orchestre d?harmonie fut composée en l?honneur du jour de fête de la Sainte Cécile la patronne des musiciens. Pour cette raison beaucoup d?ensembles ont des concerts annuels dédiés à la Sainte Cécile ce qui futla source d?inspiration pour ce morceau. Le style festif optimiste mais aussi réconfortant de cette ?uvre convient parfaitement au caractère du jour de fête de la Sainte Cécile. Après Missa Brevis Missa Katharina et The GospelMass Missa Santa Cecilia est la quatrième messe écrite par le compositeur néerlandais Jacob de Haan.Partitions pour ch?ur disponibles séparément.

Score-Morton Gould's Fiesta from Centennial Symphony. Score/parts for Concert Band.'Commissioned by the University of Texas at Austin in honour of its centennial in 1983 Centennial Symphony waswritten for the University of Texas 'Longhorns Bands ' Glen Richter Director for performance in the spring of 1983. I composed and scored it during the latter part of 1982 and completed the work in January1983.The intent is a festive display piece a 'Band Gala.' Throughout the work there are references to the regional background' Mexican French cowboy etc..There are also variants on 'The Eyes of Texas' and 'TheYellow Rose of Texas.' Although scored for a standard concert band Fiesta uses offstage Trumpets as antiphonal choirs.' - Morton Gould

with Opt. Choir and Strings-Featuring an original descant along with the patriotic favorite My Country 'Tis of Thee this arrangement for band and optional choir provides a fresh and effective setting. Optional string pak also available.

This spectacular setting for band and optional choir and strings highlights Irving Berlin's most beloved holiday songs. Perfect for a holiday concert finale! Includes: Happy Holiday Snow I've Got My Love to Keep Me Warm CountYour Blessings Instead of Sheep and of course White Christmas.

frei nach Worten aus Franz von Assisi's Sonnengesang for Soprano Solo Mixed Choir and Concert Band-L??uvre pr?sent?e ici Laudate pour soprano solo ch?ur mixte et orchestre d?harmonie est inspir?e du Cantique du fr?re Soleil (Il Cantico di Frate Sole) ?crit par Fran?ois d?Assise peu avant sa mort. Dans cette pri?re saint Fran?ois fait l??loge du soleil de la lune des ?toiles et de l?ensemble de la cr?ation et les immortalise dans son texte. Thomas Doss a mis en musique les premiers mots de chaque strophe dans cette composition moderniste de style pop ; ? Laudato si mi signore ?. Un ajout impressionnant au r?pertoire d?orchestre d?harmonie et de chant !

(with opt. Choir)-Four Christmas favorites combine to create a sparkling showcase for holiday programs. Perform with band alone or with chorus and strings for a fabulous concert finale! Includes: Deck the Hall Ding Dong! Merrily on High I SawThree Ships and We Wish You a Merry Christmas.