This series of national organ music collections showcases music from England France Germany and Italy. Each book contains 50 representative pieces especially suitable for Service use. The collections are compiled by ColinMawby.Adagio from Organ Sonata No. 1 - MendelssohnAria - HandelAria semplice - Karg-ElertCantilena - RheinbergerFughetta - PachelbelFughetta in C - BuxtehudeFugue from Organ Sonata No. 6 -MendelssohnFugue in A minor - J. S. BachFugue in C - FrobergerFugue in C - PachelbelFugue in E minor - J. S. BachGagliarda - Karg-ElertMelodia monastica - Karg-ElertPastoral from Sonata No. 3 -RheinbergerPostludio - RinckPostludio festivo - Karg-ElertPraeludium in D minor - J. S. BachPreface - HessePrelude in E minor - J. S. BachPrelude in F - Adolf HessePrelude in F - Georg MuffatPreludein G - Gustav MerkelPreludio - RinckSketch for pedal piano (Op. 58) - SchumannSonatina - FinkTrio - RheinbergerVersetto - MuffatChorale preludesAch Gott und Herr - J. S.BachAllein Gott in der Höh sei Ehr - RegerAuf meinen lieben Gott - J. S. BachAus tiefer Not - RegerChriste du Lamm Gottes - J. S. BachChrist lag in Todesbanden - J. S. BachEine feste Burg - RegerEs istein Ros entsprungen - BrahmsGod?s eternal grace unbounded - Karg-ElertGott durch deine Güte - J. S. BachHerr Jesu Christ - WaltherHerzlich thut mich verlangen - WaltherI?ll ever love thee Strength and Stay -Karg-ElertMachs mit mir Gott - WaltherNach einer Prüfung - Karg-ElertNun danket alle Gott - RegerNun lasst uns Gott - PachelbelO wie selig - BrahmsSchmücke dich O liebe Seele - Brahms

Spiral Bound-The authors' new approach to learning two playing techniques offers a systematic method for mastering the modern legato technique needed for organ music composed after 1750 as well as an articulated technique for earlier works. The authors also present useful information on accompanying anthems and solos and on adapting piano and orchestral accompaniments to the organ.

The ten works in Eric H Thiman's A Collection of Organ Music include Trumpet Tune and Air A Simple Air Chorale Intermezzo March for a Pageant A Country Tune A Christmas Pastorale On an Irish Air Elegia and Sortie. Many of the pieces fall within the abilities of moderately accomplished musicians.Eric Thiman was a 20th century composer teacher and Organist who was also an advocate of amateur music-making. He was a prolific composer of church music and Piano and Organ works and his craftsmanship and gift for melody were much admired. He was director of music at the City Temple in London. As an educator he was a professor at the Royal Academy of Music and he wrote manybooks on harmony counterpoint and musical form.

These 30 pieces were written by Herbert Howells as exercises and piano sight-reading tests. They are however much more than visual traps for the unwary. They are at times graceful surprising and touching and they are allinventive miniatures which represent a collection characteristic of the composer.Like the occasional pieces written for examination purposes by Ravel and Debussy these studies have a unique value. Adaptedslightly by Alan Ridout to make useful manuals-only pieces for organ this compilation is a must have for developing organ players or those experienced players who are looking for something a little different.

Johann Pachelbel's Organ Works In 2 Volumes - Vol. 1 for Organ (Clavichord Harpsichord Piano).

Melody (Melodi) for Organ solo was composed by Carl Nielsen in 1929. The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12      

A prolific editor and arranger for the organ Best also composed church music carols glees piano music orchestral pieces as well as works for the organ. Major works for the 'King of Instruments' include 'Four Concert Fantasias' of which 'Fantasia on a Welsh March' is number two in the set. Based on the Welsh tune 'Men of Harlech' it subjects the march to virtuosic treatment that makes demands on both player and instrument. It is a fine work and worthy of inclusion in any recital programme.

The Four Quiet Voluntaries include a sprightly allegretto a lyrical air a lilting pastorale and variation and a theme on an Irish air. They fall within the abilities of moderately accomplished musicians.Eric Thiman was a 20th century composer teacher and Organist who was also an advocate of amateur music-making. He was a prolific composer of church music and Piano and Organ works and his craftsmanship and gift for melody were much admired. He was director of music at the City Temple in London. As an educator he was a professor at the Royal Academy of Music and he wrote many books on harmony counterpoint and musical form.

This volume contains all 71 of the German composer's works for organ including 25 toccatas 8 fantasias 6 canzonas 18 capriccios and 14 ricercares. The music recalls Froberger's teacher the Italian composer Girolamo Frescobaldi offering grand visions of the late Baroque. Since the scores do not include pedal indications they are also appropriate for the piano or harpsichord.Reprint of works from Denkmäler der Tonkunst in Österreich Artaria Vienna.

The composer’s craftsmanship is evident in this sarabande-like arrangement of Crimond the tune the Anglican church often uses for ‘The Lord’s My Shepherd’. Eric H. Thiman was a 20th century composer teacher and Organist who was also an advocate of amateur music-making. He was a prolific composer of church music and Piano and Organ works and his craftsmanship and gift for melody were much admired. He was director of music at the City Temple in London. As an educator he was a professor at the Royal Academy of Music and he wrote many books on harmony counterpoint and musical form.

Born in 1946 Giles Swayne started composing at an early age and in his teens was helped by the advice and encouragement of his cousin Elizabeth Maconchy whilst studying the piano with Gordon Green. After leaving school he attended Guido Agosti's piano classes at the 1964 Accademia Chigiana summer school in Siena and that autumn went up to Trinity College Cambridge where he studied the piano with Phyllis Hepburn-Lee and composition with Nicholas Maw. In 1968 he won a composition scholarship to the Royal Academy of Music.