SKU: BT.DHP-1043551-140

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252.

SKU: BT.DHP-1135455-010

English-German-French-Dutch.

Having already set to music two poems by Hermann Hesse (Stufen and Besinnung), Jacob de Haan has now made a musical arrangement of this famous poem by Kurt Tucholsky. It deals with life in the city, brief encounters, loneliness,people’s yearnings and the all-consuming lack of time. Jacob de Haan’s work can be performed either with a male or female voice, and the use of a microphone is recommended.

Na zijn toonzettingen van twee gedichten van Hermann Hesse (Stufen en Besinnung) heeft Jacob de Haan nu dit bekende Duitse gedicht van Kurt Tucholsky muzikaal verklankt. Het beschrijft de eenzaamheid in de stad, de verlangens van mensenen het allesoverheersende gebrek aan tijd. De zangpartij kan worden uitgevoerd door een vrouwenstem maar ook door een mannenstem, het gebruik van een microfoon is aan te bevelen.

Nach Stufen und Besinnung von Hermann Hesse vertonte Jacob de Haan nun das Gedicht Augen in der Großstadt von Kurt Tucholsky. Es handelt vom Leben in der Stadt, kurzen Augenblicken der Begegnung, Einsamkeit, den Sehnsüchten derMenschen und der alles beherrschenden Zeitnot. Jacob de Haans Werk kann sowohl mit einer Frauen- als auch mit einer Männerstimme aufgeführt werden, wobei die Verwendung eines Mikrophons zu empfehlen ist.

Le poème Augen in der Grostadt (Les yeux dans la grande ville), de Kurt Tucholsky, date de 1930. Il parle de la vie citadine et de brèves rencontres, et décrit la solitude de la ville. Ayant déj mis en musique deux poèmes de Hermann Hesse,Stufen (Marches) et Besinnung (Contemplation), Jacob de Haan nous offre maintenant une version musicale du poème bien connu de Kurt Tucholsky. L’œuvre peut être interprétée avec une chanteuse ou un chanteur, et l’emploi d’un micro estrecommandé.

Il poema Augen in der Großstadt di Kurt Tucholsky risale al 1930. Evoca la vita della citt , le storie degli abitanti fatte di brevi incontri, di solitudine, di aspirazioni e di delusioni. Dopo aver tradotto in musica due poemi di HermannHesse - Stufen e Besinnung - Jacob de Haan ci offre una versione musicale del noto poema di Kurt Tucholsky. Il brano può essere interpretato da una o un cantante (consigliato l’utilizzo di un microfono).