Basses sur l'ensemble des notes étrangères - Textes-As one of the fundamentals in the study of harmony particularly for Baroque music Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass.Challan a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960 after a considerable amount of time working in the field. With Challan's experiences in mind 380 Figured Bass Exercises is very well-informed. The ninth volume provides 24 exercises in which the student can study the use of foreign notes within the context offigured bass. Challan's 380 Figured Bass Exercises is essential to all harmony studies given that the realisation of figured bass remains an important part of music education.

Classical French pianist Sylvainbe Billier is known for her contribution to music theory. Deciphering the art of the first interpretation is essential to all musicians seeking to understand the correct interpretation of all eras of Western classical music. Billier's Deciphering the art of the first interpretation begins by explaining the importance of interpretation. Practically the study book looks at using the eyes and ears to comprehend the score as well as elements of technique including intervals phrasing harmony articulation texture rhythm and fingering among other aspects. For all musicianswho wish to have a deep and correct understanding of the interpretation of music from each era Billier's Deciphering the art of the first interpretation is essential.

Volume 1-Christèle and Hevré Freycenon's Discover Music series provides an excellent start to the understanding of music theory. The first volume addresses the stave clefs note names note values time signatures rests repeat marks conducting instruments ledger lines and perfomance directions amongst many other aspects. Containing detailed instruction illustrations and exercises the Freycenon's first volume of Discover Music is an essential progressive theory guide to all beginner musicians.

What's The Time Mr Wolf? (Volume 3) is the third volume of a theory method for children aged from 6 years old written by Jo Gougat. To be used during the first year of learning this third volume includes the reading notes and rhythms some exercises and some small melodies. This third volume includes the lessons 21 to 30. Accompanied of two CDs it is highly pedagogic including explanations children''s melodies and illustrations. This method also requires the use of a carillon for the child to play and sing along the notes. What's The Time Mr Wolf? is a great method to teach musictheory to young children while simultaneously developing their musical ear.

Basses sur l'ensemble des notes étrangères - Réalisations-As one of the fundamentals in the study of harmony particularly for Baroque music Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960 after a considerable amount of time working in the field. With Challan's experiences in mind 380 Figured Bass Exercises is very well-informed. Part B of the ninth volume provides 24 exercises in which the student can study the use of foreign notes within the contextof figured bass. Challan's 380 Figured Bass Exercises is essential to all harmony studies given that the realisation of figured bass remains an important part of music education.

Introduction to Music Theory for Children (French text) Teachers' Book contains Pupils' Books No.1 No.2 and No.3

1600 Exercises - Intonation Rhythm And Tonality (Vol.1 - 1000 Exercises) is the first of a method in two volumes written by Jules Arnoud featuring 1000 exercises out of a set of 1600. This highly progressive method was written and tailored for music theory students starting from beginner level to help them acquire the basics of rhythm tonality and intonation. Its very first lesson is about discovering the different notes on the stave and each theme focuses on a special rhythm which gets introduced by a preparatory exercise before a lesson on the subject and more exercises for application. This first volume is followedby the second one which includes the last 600 exercises of the method.

Being a fascinatingly unique composer Olivier Messiaen pushed the conventions of composing to its very limits. The composer's music remains ever-popular and The Technique of my Musical Language provides the key and necessary knowledge into the study of his delightful music. Olivier Messiaen (1908-1992) was admitted to the Paris Conservatoire at the mere age of 11 where he won many prizes. As a passionate ornithologist as well as organist and composer many of Messiaen's works depict bird song. His music is rhythmically complex and harmonically and melodically distinct often using modes of limitedtransposition. It is for these reasons that the composer compiled The Technique of my Musical Language. The book contains text with musical examples describing unique elements of his music such as ametrical music his rhythmic notations and his modes of limited transposition among many others. For all fans of Messiaen The Technique of my Musical Language is essential to the understanding of the composer's much loved music.

Retards et Appogiatures - Réalisations-As one of the fundamentals in the study of harmony particularly for Baroque music Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960 after a considerable amount of time working in the field. With Challan's experiences in mind 380 Figured Bass Exercises is very well-informed. Part B of the seventh volume provides 30 exercises in which the student can study the realisation retards and appoggiaturasin the context of figured bass. Challan's 380 Figured Bass Exercises is essential to all harmony studies given that the realisation of figured bass remains an important part of music education.