Toccata, Adagio e Fuga per quartetto di clarinetti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-17/ Répertoire / 4 Clarinettes

Le compositeur Pascal Proust puise à volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d?oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a écrit 14 Easy Clarinet Quartets pour clarinettistes ayant environ 2 à 3 années de pratique dans un style musical accessible et coloré. De ce fait ces quatuors sont des pièces idéales pour tout examen ou audition de jeunes ensembles de clarinettes.

Par CURTIS MIKE. Bulgarian Bat Bite was written in 2003 as a commission by the Quartetto Italiano di Clarinetti. It is an adaption and expansion of the composer´s 1992 duet, Khyberian Catfit, which is included in his 10 Klezmer Duos, published by Advance Music of Germany. The Duo‘s name referred to the antics of the family cat, Khyber, without alluding to the Balkan influences upon the composers following a summer, 1992, klezmer tour to Eastern Europe. The name “Bulgarian Bat Bite” properly conveys the influence. The transition to half-clarinets (mouthpiece inserted into the lower joint) in the middle section, discovered in the composer’s lengthy exploration of free jazz, creates non-datonic scales more associated with folk instruments and ecstatic dance. / Niveau : Avancé / score and parts / Recueil / 4 Clarinettes (3 Clarinettes en Sib et Bass Clarin

3 Original Pieces for Clarinet Quartet. Three works with quotations from well-known composers are contained in this tongue-in-cheek collection. Otto M. Schwarz has produced an outstanding recording of these works with members of the Slovak Philharmonic, which is available on all streaming and download platforms. 1. THE AMADEUS WATCH: Wolfgang Amadeus Mozart?s own watch ? if he had one ? ticks away. The ticking carries us back in time with a piece that stylistically imitates the music of the 18th century in melody, harmony and rhythm. 2. COMPOSERS DINNER IN HEAVEN: At the music publisher De Haske, a composers? dinner was an integral part of trade fairs or meetings. The dinner was very popular among anyone who sat at it, not least of all because it offered one the opportunity to chat informally.? Based on such a meeting, Otto M. Schwarz has a composed a work that describes an imaginary dinner of great classical masters on a cloud in the sky. Guess which composers are present by the references in the form of musical quotations and stylistic devices! 3. SCHERZO FOR CLARINET QUARTET: The work, in 12/8 time, moves in a rapid furioso. Underscored by a continues eighth note rhythm, the work creates in the listener the sensation of a frantic rollercoaster ride. The theme moves throughout all the parts and, following a chromatically moving chord sequence, ends in a dramatic crescendo.

conducteur et parties séparées Compositeur : Ferenc Farkas Instrumentation : 4 Cl

For Clarinet Quartet-The American composer George Gershwin (1898-1937) wrote the energetic song I Got Rhythm with lyrics by his brother Ira Gershwin in 1930 for the musical Girl Crazy. The story of Girl Crazy takes place in the theatre world of the 1930s. The Gaiety Theater in Deadrock Nevada is practically bankrupt but the rich banker’s son Bobby Child turns things around. His passion for the theatre leads to the customary love vicissitudes and comical intricacies - and a new successful show. I Got Rhythm now a jazz standard has been performed over the years by numerous famous and not-so-famous artists. The chord scheme has become so well-known that it hasbeen named rhythm changes and is often used by jazz musicians.

for Clarinet Quartet. Par GERSHWIN GEORGE / CURTIS MIKE (Arr.). American composer and woodwind performer Mike Curtis is equally comfortable in classical, jazz, and ethnic settings. He has toured the world as a klezmer clarinetist, played bassoon with symphonies and opera companies, and recorded on sax with jazz greats Charlie Rouse and Anthony Braxton. His compositions show the influence of those experiences and more. The Adagio (2nd movement) from George Gershwin's Concerto in F for Piano and Orchestra. / Date parution : 2022-11-29/ Répertoire / 4 Clarinettes

for Clarinet Ensemble. Par YASINITSKY GREGORY W.. / Jazz / Recueil / 4 Clarinettes en Sib

 BECS and ONGLES est une pièce assez courte, spécialement conçue pour être jouée par des musiciens ayant 1 à 6 années de pratique instrumentale, La version initiale a été imaginée pour quatuor de flûtes à bec, piano et congas, Deux autres versions ont ensuite été écrites, Toutes deux conservent le piano et les congas mais proposent deux autres formations 'quatuor' - une version à quatre clarinettes sib ou bien une version à quatre saxophones (1 soprano, 2 altos, 1 ténor),Becs and Ongles a été joué pour la première fois avec des flûtes à bec le 29 mars 2009 à la Vieille école de Voulx (Seine et Marne) / 4 Clarinettes

Solo and Chamber Works-Signs Games and Messages are series for solo instruments and small chamber ensembles. Each of the three notions refers to an essential factor in Kurtág's music. Signs ties in with the composer's period of study in Paris as a young man when he could not compose merely put graphic signs on the paper. (Additionally the word points to inspiration gained from the art of Klee and Michaux.) Games links with his nine-volume series for the piano with that title. Messages conveys the very personal content of these works in that these short pieces are actually diary notes and missives to musicians and friends important to Kurtág.The collection - like his earlierfive series for stringed instruments - does not form a coherent cycle. The pieces can be played individually or in various orders or among pieces from Signs Games and Messages written for other instruments.

This unique series allows you to form a jazz quartet with three players, playing either the same instrument or playing any combination of flute, clarinet, alto saxophone or trumpet. The CD contains accompaniments from a tight jazz backing band, which makes playing in a swing style easy.

Cette partition QUATRE A QUATRE de Damase Jean-Michel a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB4376. Cette oeuvre d'une durée de 00:10:00 est idéale pour les musiciens pratiquant Musique de Chambre. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / 4 Clarinettes Et Quatuors De Clarinettes / Partition

Four Groovy Clarinet Quartets-Groove Quartets s?inscrit dans la lignée des recueils Swing Quartets et Jazz Quartets. Dans ce recueil de quatuors Bert Lochs nous conduit vers un univers musical essentiellement groove. Chaque pièce est enregistrée dans une version intégrale quatre versions combo + trois voix et une version avec l?accompagnement seul.Les parties d'accompagnement (Combo Jazz : Conducteur + Partie Lead Piano Guitare Guitare Basse et Percussion) sont disponibles séparément : Groove Quartets - Parties d'Accompagnement (Combo)

Playable with or without rhythm section. Completely notated rhythm section parts, including piano voicings and bass lines. Fully notated jazz solos. Compatible with the saxophone edition. / flute/clarinet, clarinet, clarinet/alto-clarinet, bass clarinet + piano, bass, percussion ad lib

James Rae's eminently successful tutor Introducing the Clarinet was the first of its kind providing the complete beginner with material in popular styles yet allowing for a sound musical development along traditional lines. Now complementing the tutor James Rae has produced these three volumes to introduce the beginner clarinettist to ensemble playing. The parts are of the same technical level and are written with hints and tips along the way to familiarize the beginner with a new set of considerations and become a good team player.Each of the volumes contains:• easy pieces introducing the various aspects of music making with others• all parts are inthe low register• especially suited to group teaching• ideal material for concerts and examinations