Timeless Cornish Melodies-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

Cool syncopation funky riffs and smooth stylish tunes - from dynamic to nostalgic Pam Wedgwood's series has it all. 'Really Easy Jazzin' About' is a vibrant collection of original pieces in a range of contemporary styles tailor-made for the absolute beginner. So take a break from the classics and get into the groove as you cruise from blues to rock to jazz.

Un moment divertissant dans ce merveilleux parc de Londres. Entre le calme de la verdure et les jeux des enfants ?. Le compositeur Pascal Proust puise à volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d?oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Green Park pour cornistes ayant environ 3 à 4 années de pratique dans un style musical accessible et coloré. De ce fait Green Park est la pièce idéale pour tout examen ou audition de jeunes musiciens.

Having won many prizes at the Paris Conservatoire during the 1920s and 1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza's compositions were well-received by audiences En Foret being no exception. This Bozza piece for French Horn and Piano masterfully combines a virtuosic Horn solo with impressionistic Piano accompaniment. The composer includes reminders of the Horn's hunting roots with frequent uses of call and response throughout. As a music educator PaulGriffiths has written of Bozza's compositions saying how 'his works reveal melodic fluency elegance of structure and a consistently sensitive concern of instrumental capabilities.'

You only need to be able to play a few notes on the Horn to tackle these 10 pieces! Specially composed for the elementary Horn player the pieces in this book vary from formal Classical melodies to fun and funky tunes. Each piece includes a simple Piano accompaniment so that you can practice and perform with your Piano-playing friends!

This useful book contains an interesting and melodious selections for students in the first few years of learning. The pieces have been selected according to what is appropriate for the instruments so each collection of tunes is different containing a mixture of well-known classics and traditional melodies.

This second book of solos is a direct continuation of the first. It takes students to a point where they can begin to tackle the standard sonata and concerto repertoire. The book is designed to cover many of the technical problems encountered by the intermediate horn player and later pieces introduce important techniques such as hand-stopping and the bass clef. As with book one many pieces are originally associated with the horn and notes at the back of the book give background information and tips for interpretation. Edited and arranged for Horn and Piano by Arthur Campbell.

Par PROUST PASCAL. / Niveau : fin cycle 1 / Date parution : 2023-06-01/ Répertoire / Cor et Piano

Par PROUST PASCAL. 7'30 / Niveau : Fin 2ème Cycle / Répertoire / Cor et Piano

Horn and Piano. Par SAINT-LEGER PASCAL. Les jeunes musiciens se régaleront avec cette pièce qui trouvera toute sa place dans un programme d'audition ou de concert. - Pascal SAINT-LEGER - Une pièce adaptée pour un examen de Cycle I 2e année - Formation : Musique de Chambre, Duo, Solo and Accompagnement Piano - Instrumentation : 1 Cor en Fa 1 Piano - Niveau de Difficulté : 2/6 - Facile - Durée : 2 mn 15 s - Style Musical : Classique, Pédagogique - Catégorie : Composition Originale - Compositeur : Pascal SAINT-LEGER - / Niveau : Facile / Classique, Pédagogique / Répertoire / Cor en Fa et Piano