Par KUHLAU FRIEDRICH. A set of variations on The Last Rose of Summer by Friedrich Kuhlau, arranged for flute quartet by Cassie Lear. Kuhlau first composed this work for flute and piano in 1829. The Irish poet Thomas Moore wrote the poem 'The Last Rose of Summer' in 1805, using the traditional tune 'The Young Man's Dream,' first transcribed by Edward Bunting in 1792. The tune has since been used by many composers, including Beethoven, Mendelssohn, Britten, and countless others. / Date parution : 2022-11-29/ Répertoire / 4 Flûte Traversières

Born in 1970 Éric Ledeuil is a versatile musician working as a flautist composer conductor and teacher. All his expertise has combined to create the sublime Flute Quartet Sombres Rivages. Suitable for grade 6 and 7 standard flautists Sombres Rivages is made up of five sections; The Approach of a Vessel Ghost Choreography Short Lull Darkening and Diabolical Dance and Apotheosis. Sombres Rivages is an exciting and varied addition to the Flute Quartet repertoire. Ledeuil's Sombres Rivages is essential to intermediate to advanced flautists seeking to improve andexpand their ensemble repertoire.

The Kleine Nachtmusik composed in 1787 is certainly one of Mozart's most popular and best known works and is therefore a rewarding pieces for arrangements of all kinds. This edition has been scored for Flute Quartet.

as performed by Stevie Wonder. ?Isn't She Lovely? is a song by Stevie Wonder from his 1976 album, Songs in the Key of Life. The lyrics celebrate the birth of his daughter, Aisha Morris. Bert van Haagen arranged this beautiful song in an easy-to-play version for flute quartet.

Swingin' Christmas Quartets. The concept of the successful Swing Quartets, Jazz Quartets and Groove Quartets publications is now also available in a Christmas edition: Bert Lochs has arranged four traditional Christmas songs in a swing style with combo accompaniment. The Swingin' Christmas Quartets are available for trumpet, flute, clarinet and alto saxophone quartets, and all four versions can be combined to create whichever instrumentation you require. The online audio for each piece contains not only a demo version with a full line-up?and a pure playback version?but additionally four versions in which each of the four wind voices is omitted in turn, making them ideal for practice purposes.

Four Swinging Flute Quartets-Quatre quatuors swing à interpréter seul avec l?accompagnement sur compact disc ou avec un deux ou trois musiciens.Les parties d'accompagnement (Combo Jazz : Conducteur + Partie Lead Piano Guitare Guitare Basse et Percussion) sont disponibles séparément : Swing Quartets - Parties d'Accompagnement (Combo)

Disney Songs contient quatre mélodies extraites de célèbres productions des studios Disney. It?s a Small World (Que le monde est petit) est le thème de l?une des nombreuses attractions que l?on trouve dans les parcs Disney · The Bare Necessities (Il en faut peu pour être heureux) - bande originale du Livre de la jungle · One Last Shot extrait du film Pirates des Caraïbes · A Pirate?s Life (La vie d?un pirate), la quatrième et dernière mélodie est extraite du conte magique Peter Pan. A Pirate's Life (Peter Pan) It's A Small World (It's A Small World) [Sherman, Richard] [Sherman, Robert] One Last Shot (Pirates Of The Cribbean) [Badelt, Klaus] The Bare Necessities (The Jungle Book) [Gilkyson, Terry] Arrangeur : Roland Kernen Instrumentation : Flute Quartet with Piccolo Ad. Lib. Édition musicale : Hal Leonard Collection : Music Box Langue : ENG-D-F-NL Degré de difficulté : Moyen Type de produit : Score Parties Année d'édition : 2006 Dimension : 9 X 12 INCH Nombre de pages : 64 ISMN : 9790035079652 ISBN : 9789043128476 Numéro d'edition : 1376-06-070 DHE

Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided./ Répertoire / 4 Flûtes Traversières

Easy To Intermediate Arrangements. The present booklet contains a sheet music collection of pieces from the chorale literature of the Renaissance and the Romantic period and is intended for group instruction. Concerted vocal music is particularly well suited for the flute ensemble, since when playing the flute the melodic quality is - similar to singing - essentially based upon breathing. This enables the flutist to maintain a natural flow during his performance. Since there is very little original literature for the flute ensemble, a pedagogue is often required to draw on arrangements in which the lowest voices are frequently comprised of non-flute accompanying motifs. In chorale music, all voices are equally employed in a voice-leading manner. The phrasing slurs depend upon the text. The breathing signs in some cases only serve to clarify the musical line in general and are not to be used for strong breathing. The arrangements are created for flute ensembles with four voices. In each case the lowest voice can also be performed with an alto flute as an alternative. An according part is attached to the edition. Ideal for group teaching Choral music from the Renaissance and Romantic eras arranged for four flutes All parts are melodic and are musically equal Practice at home using the Play-Along CD which includes all parts / Niveau : Facile / Recueil / 4 Flûtes Traversières

Par ROZMAN ANZE. Anže Rozman's Waking of the Green Spring (Prebujanje zelene pomladi) draws together Impressionism and Minimalism as it paints an image of the titular spring erupting to life. The piece opens with the four flutes painting a mysterious running texture based in whole tones, swelling and fading in turns. The central slower section creates an almost reverent choral sound with large blocks of chords, building again into the opening textures but colored with more complex melodies and staccato runs. The work ends with a gentle spring dreamscape.Anže Rozman's Waking of the Green Spring (Prebujanje zelene pomladi) draws together Impressionism and Minimalism as it paints an image of the titular spring erupting to life. The piece opens with the four flutes painting a mysterious running texture based in whole tones, swelling and fading in turns. The central slower section creates an almost reverent choral sound with large blocks of chords, building again into the opening textures but colored with more complex melodies and staccato runs. The work ends with a gentle spring dreamscape./ Répertoire / 4 Flûtes Traversières