SKU: HL.14030484
SKU: HL.14035898
SKU: KJ.WB151F
A stirring tribute celebrating the life, thoughts, and beliefs of Herbert Hoover. Masterfully scored, the music provides a powerful and dramatic background setting for the inspiring narrative text.
SKU: HL.14005089
SKU: HL.14013845
9.75x14.25x0.049 inches.
This is a Cello/Piano reduction of the work for Cello and Orchestra.
SKU: HL.14014808
SKU: HL.14013859
SKU: HL.14015535
ISBN 9780711986220. 8.25x11.75x0.135 inches.
Howells wrote Penguinski for a visit made to the Royal College of Music in London on 10 May 1933. This score pays light and affectionate tribute to the considerable popularity of Stravinksy in London from the teens of the twentieth century. In Penguinski Howells creates a knockabout piece which shadowboxes Petrushka. Whilst underlining Howells's versatility, the score gives a colourful insight into the prevailing influences of the time, and is an intriguing example of how Stravinsky must have sounded to his English contemporaries.
SKU: HL.14023888
SKU: HL.14015559
ISBN 9798350121186. 8.0x12.0x0.088 inches.
SKU: KN.02592S
UPC: 822795025927.
Originally recorded in 1975 by Count Basie and titled because Basie loved to eat orange sherbert, this fresh setting features easy registers, strong jazz figures, and a bright, free-swinging style. A written or ad lib trumpet solo in the midsection and an ensemble shout before the final chord are highlights. Rhythm section parts are notated with chords cued, and a guitar chord chart by Jim Greeson is included. Duration 2:30.
SKU: CF.SPS78
ISBN 9781491152553. UPC: 680160910052. Key: Bb major.
Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.Festival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  .
SKU: CF.SPS78F
ISBN 9781491153239. UPC: 680160910731.
Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic.About the CompositionFestival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  .
SKU: CA.310010
ISBN 9790007150754. Key: F major. Language: German. Text: Herbert, Petrus. Text: Petrus Herbert.
SKU: CF.CY2118S
ISBN 9780825888809. UPC: 798408088804.
Most Americans became familiar with the Scottish folk song Auld Lang Syne because of Guy Mr. New Year's Eve Lombardo and his long-running New Year's Eve Party on CBS. But it was Victor Herbert who used the tune to magnificent effect in his Festival March a generation earlier. The March proved to be very popular and Herbert kept it for his own use for many years, only finally allowing its publication. A performance by Cleveland POPS is available on YouTube.
SKU: CF.CY2118
ISBN 9781491144619. UPC: 680160902118. 9 x 12 inches.
SKU: HL.49016734
ISBN 9783795705909. 5.5x8.75x1.11 inches. German.
The Berlin Philharmonic Orchestra has not only seen and carried its share of the eventful history of its home town. Being one of the world's most important concert orchestras, it has, in addition, become an excellent ambassador of culture.Herbert Haffner tells the story of the Berlin Philharmonic Orchestra - from their formation in 1882 out of the Bilsesche Kapelle (Bilse's Band) via the period of inflation, two World Wars, the Berlin Airlift and the German reunification until the present day. He does not conceal economic and personal crises, showing that the development of the orchestra mirrors the social and political circumstances of the time. The Philharmonic Orchestra is marked, almost as strong, by the continuous reorientation towards its principal conductors, from Hans von Bulow via Arthur Nikisch, Wilhelm Furtwangler, Herbert von Karajan, Claudio Abbado to Sir Simon Rattle.This is not just a book on music, but also an entertaining contribution to the cultural history of Germany in general and to the ever-changing city of Berlin in particular!
SKU: PR.111402790
UPC: 680160681327. 9 x 12 inches. Herbert Martin. Herbert Martin.
NOBODY KNOW is a concert aria based on a text by Herbert Martin, an American poet based in Dayton, Ohio. The work depicts a song from the other cross, a viewpoint of one of the thieves crucified with Christ on Good Friday, the thief who pleaded to be remembered by Christ.
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