Novello Ladies' Barbershop-A series of outstanding songs taken from the bestselling Close Harmony Ladies' Barbershop Songbook selected for their appropriateness for female singers arranged for close-harmony quartets or women's choirs.Nicholas Hare's beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two stave for easy piano rehearsal.

Novello Ladies' Barbershop- Can't Help Lovin' Dat Man was a song with music by Jerome Kern and lyrics by Oscar Hammerstein composed for the musical 'Showboat'. Associated with many of the greatest singers ever this beautiful work about forbidden love is a touching and heartbreaking ballad. Nicholas Hare's beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two staves for easy Piano rehearsal. The sound of a Ladies' Barbershop singing this smooth tune with romantic overtones and heart rendingundertones would be a memorable event for all involved. It's a fun song to sing and the bittersweet harmonies make it all the more emotional. A series of outstanding songs taken from the bestselling Close Harmony Ladies' Barbershop Songbook selected for their appropriateness for female singers arranged for close-harmony quartets or women's choirs.

A single voice states the opening phrase before it returns in ethereal 4-part women's harmony in this gorgeous setting of the mass text. Close harmonies and gentle motivic imitations throughout invite an intimate sense of wonder. Intricate divisi writing provides a satisfying challenge for advanced choirs. Highly recommended! / Choeur SSAA A Cappella

Gustav Holst Songs From The Princess Op.20 for female voices SSAA. Words written by Tennyson.Sweet and lowThe splendour fallsTears idle tearsO swallow swallowNow sleeps the crimson petal

This work will become a permanent fixture not only in church services, but also as grand opening piece of a sacred concert. The piece is not overly difficult and mostly in four parts while nevertheless bringing out the full sound of a women's choir. / Choeur SSAA A Cappella

We'll Meet Again is a bittersweet ballad originally sung by Dame Vera Lynn in 1939. Its optimism and hopefulness for love in the face of separation made it a famous song of the Second World War but it's universality still resonates with lovers today. Arranged for SSAA. A series of outstanding songs taken from the best-selling Close Harmony Ladies' Barbershop Songbook selected for their appropriateness for female singers arranged for close-harmony quartets or women's choirs. This beautiful tune is a masterful love song and it will sound simply stunning sung by a Ladies' Barbershop in this fantastic arrangement.The themes of love and loss are underlined by optimism meaning a choral performance of this would not leave a dry eye in the audience.Nicholas Hare’s beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two stave for easy Piano rehearsal.

Sobre 5 Poemas De Santa Teresa De Jesús POD-Yo Soy Para Mi Amado is a work for Unaccompanied Children's Choir (SSMezA) comprising five pieces based on the poems of the mystic Saint Teresa of Jesus. Composed for the occasion of the 500th anniversary of her birth in 2015 Salvador Carbó brings together traditional and contemporary aesthetics and acoustics.

Commissioned by the 2012 ACDA Women's Choir R and S Commissioning Consortium, the entire piece drives toward the last line of the Stacy Gnall poem 'big brother, I am catching up to you.? One long, rhythmic race, this selection will be a wonderful contrast to much of the repertoire often included in women's choral concerts. / Choeur SSAA A Cappella

A short work for unaccompanied SSSAA choir with music by John Tavener and words by W.B. Yeats. Includes piano accompaniment for rehearsal purpose only.

Walt Whitman's unabashed optimism exuberance and unwavering confidence in our deeper humanity is beautifully portrayed through music in Gjeilo's setting of excerpts of the ?Song Of The Universal? poem.For String Orchestra Piano and Choir this work will be a grand addition to your women's Choir repertoire. Duration: ca. 11:30.

An earnest soloist is accompanied by the soulful 'oo?s of an a cappella choir during the expressive introduction to this spirited original. Soon we take a turn as the piece bursts into an exciting, rhythmic, and polyphonic tour de force. Thrilling in all voicings! / Choeur SSAA A Cappella

Tipitin. Written by Mexico's first well-known female composer, María Grever, this vals Mexicano (Mexican waltz) makes a charming a cappella work for outstanding choirs. The textured setting offers well-conceived choral parts throughout, sometimes using lower voices to provide a dance-like underscore for the lilting melody. A full translation and pronunciation notes aid in the understanding and mastery of an entirely Spanish text, which recounts a story of new love. Feature an agile soprano on the jaunty descant near the end.

English Folk Song-Scored for treble choir (SSAA) with piano this is a very popular English folk song a true winner for your spring concert!

Ariana Grande's awesome chart-topper has an insistent beat electropop instrumentals and powerful vocals that your pop and show choir will love to sing!

This a cappella Shawnee Press Classic by composer Houston Bright has been a staple in choral libraries for many years. Suitable for developing voices and smaller choirs retaining the vocal finesse. Discover again this greatchoral work. Available separately: SSAB a cappella; SATB a cappela; SSAA a cappella; TTBB a cappella. Duration: ca. 2:17.