SKU: HL.1458135

Interstellar Audio Machines. Guitar Pedal. Hal Leonard #IAMOHV2.0. Published by Hal Leonard (HL.1458135).

The Octonaut Hyperdrive transparent overdrive delivers expressive dynamic response through detailed engineering and craftmanship. Each Octonaut Hyperdrive features germanium diodes rigorously tested for optimum tone, an IC3 that converts voltages giving the player more headroom, a gain pot that expertly blends the clipping & clean stages, a selectable true/buffered bypass operation, and a refined circuit design for ultra-consistent performance from pedal to pedal. Pair this little guy with any guitar rig and the resultant tone will lead to massive planetary destruction!

Guitar - intermediate to advanced

SKU: M7.GHE-805

Guitar Solos. Composed by Fernando Sor. Edited by Erik Stenstadvold. This edition: Saddle-wire stitching. Sheet music. New Critical Edition. 72 pages. MDS (Music Distribution Services) #GHE 805. Published by MDS (Music Distribution Services) (M7.GHE-805).

ISBN 9783890448053. English.

This new critical edition by leading guitar researcher Erik Stenstadvold contains thematic indexes, comprehensive critical commentaries based on sound and transparent editorial practice, copious historical notes, publishing history, and some previously unpublished repertoire. It has been thoroughly researched and is produced to the highest standards.

Guitar

SKU: GI.G-11042G

From The Lyric Gospel Acclamations. Composed by Tony Alonso S.J. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. GIA Publications #11042G. Published by GIA Publications (GI.G-11042G).

Text Source: Lectionary for Mass

Guitar

SKU: GI.G-11032G

Composed by Emorja Roberson. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. GIA Publications #11032G. Published by GIA Publications (GI.G-11032G).

Guitar

SKU: UT.CH-387

Composed by Ferdinando Carulli. Edited by Romolo Calandruccio. Classical. Score. Ut Orpheus #CH 387. Published by Ut Orpheus (UT.CH-387).

ISBN 9790215328235. 9 x 12 inches.

Opus 114 is certainly one of Carulli�??s most important didactic works, so much so that the author himself made a point of writing in the second edition of his famous Method op. 27 (1819): The student, when moving on to the second part, must continue to practise on the easy pieces which are to be found in opus nos. 50, 15, 35, 36, 93, 7 and above all in opus 114. He maintained this indication also in later editions of the Method itself, unlike what he did with other collections of studies which were no longer recommended.
The purpose of op. 114, in particular of the preludes, is clearly explained by the author himself in the preface of op. 265: I have already offered preludes in my opus nos. 71 and 114 to people, but they serve to study and learn to play all sorts of difficult passages, to practise modulating, and learn to improvise on the guitar. Carulli seems to want to provide his students with a large handbook of formulas typical of his musical writing and he does so by making use of the keys which, in his opinion, are most congenial to the guitar. In his Method he points out: Each instrument has its favourite keys: the guitar can be played in all keys, but the best ones are: A major and minor, D major and minor, E major and minor, C, G, F. The others are difficult; [�?�]. However, some of the difficult ones are included but only in the fourth part. Of course, the easiness of a key essentially depends on the possibility of extensive use of the open strings, especially in the low notes, ensuring the accompaniment on the main degrees.
This edition has some unique features. First of all, it is the first complete modern edition of Carulli�??s op. 114; it presents an important critical apparatus in which the Carullian technique is presented and analysed; finally, Carulli's original fingering is indicated in the score (including that of the thumb of the left hand) and the missing one was obtained from the comparison of his other fingerings present in other works. All this allows an easy and complete reading both for those who perform the pieces following the nineteenth-century performance practice with a historical instrument, and for those who play a modern instrument.

Guitar

SKU: UT.CH-385

Composed by John W. Duarte. Edited by Isabel Siewers. Classical. Score. Ut Orpheus #CH 385. Published by Ut Orpheus (UT.CH-385).

ISBN 9790215328174. 9 x 12 inches.

The Sonatina del Sur (Sonatina of the South) was commissioned by Isabel Siewers�?? mother as a 34th birthday present for her daughter. Its music pays token, rather than imitative, homage to South American music. Thus the sonata form first movement, whose brief development section accounts for the work�??s �??diminutive�?? title, merely hints at syncopations that are as common in South America as they are in Europe. The Canción de cuna (Cradle Song) is unusual in the fact that it is played entirely in natural harmonics �?? no string touches a fret from start to finish, a compositional challenge I had long planned to face. The third movement was originally titled Milonga, but when the dedicatee said that, although it has a South American air over it, and the rhythm is right, it was not really like a milonga, it was renamed! Perhaps, though, it captures a little of the happy and lightness-of-touch character of its eponym. The Danza negra, another common South American genre, is energetic, with a variety of percussive gestures that demand extreme agility on the part of the performer.

SKU: HL.1364411

Effects. Guitar Pedal. Duration 160 seconds. Line 6 #99-060-3000. Published by Line 6 (HL.1364411).

UPC: 614252336215. 6.5x7.5x3.0 inches.

POD® Express Guitar is an ultra-portable amp and effects processor that enables you to take your tones wherever you choose. Simple controls make it easy to use, while models derived from the award-winning HX® family of processors ensure exceptional sound quality and authentic feel. POD® Express Guitar gives you seven amps, seven cabs, and 17 distortion, modulation, reverb and delay effects – including a looper – and it may be powered by three AA batteries (included) or an optional 9-volt power supply. Additional features include stereo outputs, tap tempo, a tuner, a noise gate, a headphone output, and a USB-C audio interface with re-amping capabilities. Add an optional expression pedal for volume control, or up to two footswitches to select presets or turn effects on and off. Wherever you play music – take POD® Express Guitar! • Ultra-portable design lets guitarists take it anywhere • Simple controls make it easy to quickly dial in tones • HX-quality models for exceptional sound and feel • 7 Amps, 7 cabs, and 17 effects, including a looper • Powered by 3 AA batteries or an optional 9-volt power supply • Stereo Main outputs and stereo headphone output • USB-C audio interface for recording, monitoring, re-amping • Connect an optional expression pedal or 2 external footswitches.

SKU: HL.1458136

Interstellar Audio Machines. Guitar Pedal. Hal Leonard #IAMFFV2.0. Published by Hal Leonard (HL.1458136).

The Fuzzsquatch Fuzzdrive will make your rig roar! This hulking humanoid harnesses the unique power of operational amplifiers (op-amps) to craft its signature sustained distortion. Featuring expansive tone-shaping capabilities and a character all its own, the Fuzzsquatch promises to transport you to a realm of colossal fuzz tone nirvana! The Fuzzsquatch Fuzzdrive is a recreation of the Electro-Harmonix Big Muff Pi, first released in 1969. Originally marketed as a “harmonic distortion sustain,” it has been lumped together with fuzz effects, although it's a very different animal than classic fuzz effects like a Fuzz Face or a Tone Bender. The circuitry of the Fuzzsquatch Fuzzdrive differs from the traditional transistor-based Big Muff circuit in that it uses operational amplifiers (op-amps) to achieve its signature sustaining sound. With widely-sweeping tone controls and a character all its own, the Fuzzsquatch Fuzzdrive will surely be a formidable addition to your sonic arsenal.

SKU: HL.1364415

Guitar Amps. Guitar/Bass Amplifier. Duration 160 seconds. Line 6 #99-014-0805. Published by Line 6 (HL.1364415).

Catalyst® CX 200 is a dual-channel 2x12 combo amplifier that performs like a traditional guitar amp – while providing the increased versatility of a modern amp. The flagship of the Catalyst CX family of three guitar amplifiers, the 200-watt Catalyst CX 200 is capable of holding its own on nearly any stage, while also sporting studio-friendly features such as a USB audio interface. The sturdily constructed Catalyst CX 200 amplifier offers 12 Amp Voicings – ranging from pristine clean to modern high-gain – derived from the Helix® amp and effects processor. Each Amp Voicing is matched with a custom Boost type, and there are also 24 HX®-quality effects spanning four effects categories. Additional features include a Tap/Tuner button, an XLR line output, an effects loop, a Power Amp input for using the Catalyst CX as a powered speaker, MIDI functionality, a 2-channel USB recording interface, and power output options. The free Catalyst Edit app for desktop and mobile devices provides deep editing capabilities. Add an optional LFS2 footswitch for even more flexibility, and an optional cover to protect your combo. • 200-Watt, dual-channel 2x12 combo amp (with optional LFS2 footswitch) • 12 Amp Voicings derived from Helix processors • Dedicated Boost circuit with boost types optimized for each amp • 24 Effects derived from Helix processors • Tap Tempo/Tuner button • XLR line output for pro connection to P.A. or recording devices • Effects loop and Power Amp input for integrating external devices • 2-Channel audio interface, MIDI, and Mac®/iOs®/PC/Android™ connectivity via USB • MIDI In via DIN connector • Free Catalyst Edit app for desktop and mobile devices.

Guitar and piano - Advanced

SKU: DY.DO-1517

Composed by Dusan Bogdanovic. Score. Les Editions Doberman-Yppan #DO 1517. Published by Les Editions Doberman-Yppan (DY.DO-1517).

ISBN 9782897962975.

Guitar - late intermediate

SKU: BT.DHP-0991836-401

Composed by Annette Kruisbrink. Annette Kruisbrink Library. Educational Tool. Book Only. Composed 1999. 12 pages. De Haske Publications #DHP 0991836-401. Published by De Haske Publications (BT.DHP-0991836-401).

ISBN 9789043107129. English-German-French-Dutch.

An attractive modern suite for intermediate level guitarists.

Die Ausgaben der ANNETTE KRUISBRINK LIBRARY sind die Empfehlung für alle, die stets auf der Suche nach guter, abwechslungsreicher Spiel- und Übungsliteratur für Konzertgitarre im mittleren bis gehobenen Schwierigkeitsgrad sind. In dieser speziellen Reihe gibt die studierte (und mehrfach preisgekrönte) Gitarristin, Komponistin und Dozentin Annette Kruisbrink ihre Erfahrungen und ihr Können in eigenen Kompositionen an andere Gitarristen weiter.Don't Give Up und Prelude & Fughetta sind die beiden Kompositionen in dieser Ausgabe von Annette Kruisbrink überschrieben.

Guitar

SKU: BT.DHP-0991845-401

Composed by Traditional. Arranged by Aaike Jordans. Educational Tool. Book Only. Composed 1999. 36 pages. De Haske Publications #DHP 0991845-401. Published by De Haske Publications (BT.DHP-0991845-401).

ISBN 9789043107099. Dutch.

De methode Ik speel gitaar! is geschikt voor gitaristen vanaf 9 10 jaar. Elk deel bevat veel bekende liedjes in verschillende stijlen, zoals klassiek, pop, blues en volksmuziek. In tegenstelling tot andere methoden wordtin Ik speel gitaar! naast het spelen van melodieën aandacht besteed aan het spelen van akkoorden. Met het vele oefenmateriaal, de leuke invulspelletjes en gehooroefeningen zorgt deze methode ervoor dat de leerling vlot notenen akkoorden leert lezen, maar vooral ook gitaar leert spelen!