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You've Selected:
Soli, Mixted choir and accompaniment
Barenreiter
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
Orchestra (1609)
Piano solo (1255)
Divers (1214)
Soli, Mixted choir and accompa… (1122)
String Quartet: 2 violins, vio… (1012)
Organ (974)
Choral SATB (734)
Piano and Orchestra (454)
Violin and Piano (417)
Orchestra, Violin (270)
Piano, Voice (266)
Violin (252)
Soli (SATB), Choeur Mixte (SAT… (178)
Piano Trio: piano, violin, cel… (174)
Partition de Poche (172)
4 Parties Mixtes (147)
Choral (143)
Cello (126)
Cello, Piano (120)
Chant (114)
Guitar (113)
Opera (113)
Cello, Orchestra (109)
Choral TTBB (108)
Orchestre (104)
2 Pianos, 4 hands (104)
1 Piano, 4 hands (98)
Flute and Piano (98)
Keyboard (96)
String Orchestra (93)
Viola (84)
Piano Quintet: piano, 2 violin… (79)
Solistes (SATB), Choeur Mixte … (75)
Harpsichord (71)
Flute, Orchestra (67)
Flute (65)
Woodwind Quintet: flute, oboe,… (65)
High voice, Piano (65)
Viola, Piano (64)
Medium voice, Piano (62)
String Trio: violin, viola, ce… (55)
Choral 3-part (50)
Clavecin Et Instruments A Cord… (49)
Soli and Orchestra (48)
Piano Quartet: piano, violin, … (47)
Chamber Orchestra (46)
Horn and Orchestra (45)
Violon, Instruments à Cordes … (44)
5 Parties Mixtes (42)
2 Choeurs Mixtes (SATB Et SATB… (41)
Clarinet and Piano (41)
Soli (ATB), Choeur Mixte (SATB… (40)
Soprano voice, Piano (39)
Soprano, Choeur Mixte (SATB), … (39)
Flute, Basso continuo (36)
Orgue Et Orchestre (35)
Harpsichord and Strings (34)
Soli (STB), Choeur Mixte (SATB… (33)
6 Parties Mixtes (33)
Conducteur (32)
2 Violins (duet) (31)
Violin, Cello (duet) (30)
Voice, Organ (30)
Voice and Orchestra (30)
2 Flutes (duet) (29)
Violin, Basso continuo (28)
Low voice, Piano (28)
2 Cellos (duet) (27)
2 Recorders (duet) (27)
Clarinet, Orchestra (27)
Choral, Orchestra (27)
Choral SSATB (26)
2 Guitars (duet) (26)
String Trio: 2 violins, cello (26)
Recorder Quartet (25)
3 Parties Similaires (25)
Trio (25)
Flute and Guitar (25)
Oboe (24)
Soli (T (Evangelist), B (Jesus… (24)
String Quintet: 2 violins, vio… (24)
Baritone voice, Piano (24)
Tenor voice, Piano (24)
Soli (STB), Choeur Mixte (SSAT… (23)
Soli (SSATB), Choeur Mixte (SS… (23)
Voice solo (23)
Double Bass (23)
Conducteur et Poche (23)
2 Violins and Basso (22)
Guitare (22)
Violon, Instruments A Cordes E… (22)
4 Parties Mixtes, Instruments … (20)
Easy Piano (20)
Soli (SAB), Choeur Mixte (SATB… (20)
Soli (AT), Choeur Mixte (SATB)… (20)
French Horn and Piano (20)
Orchestre Et Orgue (19)
Solo instrument and Organ (19)
Choeur Mixte (SATB), Instrumen… (19)
Flute Quartet: Flute, Violin, … (19)
Gemischter Chor (SATB) und Orc… (18)
Soli (SAB), Choeur Mixte (SATB… (18)
4 Parties Mixtes Et Orchestre (18)
Choral SSAATTBB (18)
Accordion (18)
String quintet (18)
Brass Quintet: 2 trumpets, hor… (17)
Choeur Mixte (SATB), Orchestre… (17)
Cordes Et Basse Continue (17)
Soli (SATB, Soprano Aussi Chor… (17)
Harp, Orchestra (16)
Soli (SATB), Choeur Mixte (SAT… (16)
Soli (SB), Choeur Mixte (SATB)… (16)
Clarinet (16)
4 Voix D'Hommes (16)
Piano ou Clavecin et Instrumen… (16)
2 Petits Choeurs Mixtes A 4 Vo… (16)
Ensemble Instrumental Et Petit… (16)
Piano et Orchestre (16)
Choral SSAA (16)
Soli (ATB), Choeur Mixte (SATB… (15)
Quatuor (15)
Flute, Violin, Violoncello and… (15)
Choeur Mixte (SATB) Et Instrum… (15)
Quatuor De Flûtes A Bec (Quat… (15)
Gemischter Chor (SSATB/SSATB/S… (15)
Soli (T (Evangelist), B (Jesus… (15)
Violoncello, Basso continuo (14)
3 Violons, Instruments à Cord… (14)
Oboe and Orchestra (14)
SB, 4 Parties Mixtes et Orches… (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Flûte Traversière, Violon, I… (14)
Descant (Soprano) Recorder (14)
Violin, Viola and Orchestra (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Flute, Violin, Keyboard (basso… (14)
2 Choeurs Mixtes Et Orchestre … (14)
Violin, Viola (duet) (14)
Soli (AB), Choeur Mixte (SATB)… (14)
Harp (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
Basse, Choeur Mixte (SATB) Et … (13)
Soprano, 4 Parties Mixtes 2 Tr… (13)
Cello, String Bass (duet) (13)
Choeur Mixte (SATB), Soli Et O… (13)
Orgue (Clavecin) (13)
Soli (STB), Choeur Mixte (SATB… (13)
Voix Haute(s) Et Piano (13)
Soli (SATB), Choeur Mixte (SAT… (13)
4 Parties Mixtes, 2 Trompettes… (13)
Bassoon, Orchestra (13)
Violin, Organ (13)
3 Guitars (trio) (13)
Violon II (13)
Viola, Organ (13)
Violon I (13)
Soli (SSTB) Et Orchestre Choeu… (12)
Pocket, Study conductor (12)
Quintette (12)
Soli (SATB), Choeur Mixte (SAT… (12)
Choeur De Chapelle, 4 Parties … (12)
Orchester (12)
String Quintet : 2 Violins, Vi… (12)
Choeur Mixte (SATB, Partie(s) … (12)
Trumpet (12)
2 Sopranos, Choeur Mixte (SATB… (12)
Treble (Alto) Recorder, Basso … (12)
Soli (SSAATB), Choeur Mixte (S… (12)
Soprano, Trompette, 2 Violons,… (12)
2 Petits Choeurs A 4 Voix Et B… (12)
Violon 2 (12)
Recorder, Piano (12)
Trombone (11)
Clarinette (Clarinette De Bass… (11)
Medium Voice (11)
Clavecin ou Piano et Instrumen… (11)
Clarinette, 2 Violons, Viole e… (11)
Gemischter Chor (SSAATBB) und … (11)
SATBasse (2 Grands Choeurs Mix… (11)
Solistes (SATB), Choeur Mixte … (10)
S, A, A, T, B, Choeur Mixte A … (10)
Orchestre de Jeunes (10)
2 Choeurs Mixtes à 4 Voix (10)
Organ, Piano (duet) (10)
Solistes (STB), Choeur Mixte (… (10)
All Instruments (10)
Choeur Mixte (SATB), Orchestre… (10)
String Trio: 2 violins, viola (10)
Solistes, Choeur Mixte (SATB),… (10)
Violon, Viole et Violoncelle (10)
Flute, Clarinet (duet) (10)
Basse, Choeur Mixte (SATB), Ha… (10)
Violon, Viole Et Orchestre (10)
Concert band, Choral (10)
2 Flûtes Traversières, Instr… (10)
Soli (STB), Choeur Mixte (SSAT… (10)
Clavecin, 2 Flûtes A Bec Et I… (10)
Choeur Mixteor (SATB), Orchest… (10)
Organ, Voice (10)
2 Parties Similaires (10)
Choeur De Femmes A 1 A 5 Voix,… (10)
2 Recorders, Basso continuo (t… (10)
Clavecin (10)
Solo Instrument (Violon I, Vio… (9)
ATB S, S, T, T, Choeur Mixte (… (9)
Viole et Orchestre (9)
Choral 2-part (9)
Oboe, Piano (duet) (9)
Orgue, 2 Trompettes et 3 Tromb… (9)
2 Choeurs Mixtes à 4 Voix et … (9)
2 Violons, Instruments A Corde… (9)
SATB, 4 Parties Mixtes et Inst… (9)
Bassoon, Piano (duet) (9)
Voice, Clarinet, Piano (9)
2 Violons et Viole (9)
Choeur Mixte A 5 Voix (9)
2 Violons Et Orchestre (9)
Flute, Violin and Violoncello (9)
Choeur De Chapelle, Choeur Mix… (9)
Bassoon (9)
Cordes, Basse Continue, Partie… (9)
Vocal duet (9)
Clarinette, Viola and Piano (t… (9)
5 Parties Mixtes, Instruments … (9)
4 Guitars (Quartet) (9)
Choeur Mixte (SSATB) et Basse … (9)
Trumpet, Piano (9)
Octuor (8)
French horn (8)
Quintette à Cordes (8)
Violon 1 (8)
Clarinette Basse, Trombone, Pi… (8)
Choeur Mixte (SAB/STB) (8)
Hautbois, Instruments à Corde… (8)
Choeur Mixte (Voix SAM), Flût… (8)
Soli (SSATB), Choeur Mixte (SA… (8)
S, A, (T, B Du Choeur), Choeur… (8)
Ensemble A Vent (8)
Hautbois, Violon, Instruments … (8)
Flûte Traversière, Hautbois,… (8)
S, S, A, T, B, 5 Parties Mixte… (8)
Voix Hautes (8)
Treble (Alto) Recorder (8)
Musique de chambre (8)
Choeur Mixte à 5 Voix (8)
2 Clarinets (duet) (8)
3 Violons, Alto et Violoncelle… (8)
Horn, Violin, 2 Violas and Cel… (8)
S, A, T, B Du Choeur Ad Libitu… (8)
Recorder (8)
4 Parties Mixtes (Ou 3 Parties… (8)
6 Ã 8 Parties Mixtes et Basse… (8)
Choeur Mixte (SATB, Partie(s) … (8)
Soli (STB) Et Orchestre (8)
Soli (SATB), Gemischter Chor (… (8)
4 Guitares ou Ensemble de Guit… (8)
Trio avec Piano (8)
Descent (Soprano) Recorder, Pi… (8)
4 Parties Mixtes, 2 Violons, 2… (8)
Soprano ou Ténor, Soprano ou … (8)
Hohe Stimme, Melodie-Instrume… (8)
S, T, 4 Parties Mixtes Instrum… (8)
Choeur Mixte (SSATB) Et Instru… (8)
Voix, Instruments (8)
Soli (SSATTBB), Choeur Mixte (… (8)
Double bass, Piano (duet) (8)
Flûte Traversière, Clarinett… (7)
S, A, T, B, Choeur Mixte A 4 V… (7)
Harpsychord (7)
Cordes Et Orgue (7)
5 Parties Mixtes, 2 Trompettes… (7)
Piano, Violon Et Violoncelle (7)
2 Pianos et Orchestre (7)
Cordes et Basse Continue (2 Fl… (7)
Soprano, Choeur Mixte à 4 Voi… (7)
Choeur Mixte (SATB), 2 Cors, 2… (7)
3 Parties Mixtes, Flûte A Bec… (7)
Choeur Mixte (SATB), Choeur De… (7)
Ténor, Basse (A, B), Solistes… (7)
Clarinette, Basson, Cor, 2 Vio… (7)
SATB, 4 Parties Mixtes, 3 Clar… (7)
Piano (Ou Clavecin) Et Orchest… (7)
Choeur Mixte (SATB), Instrumen… (7)
2 Hautbois, Basson, 2 Cors, In… (7)
Soli (SATB), Choeur Mixte (SAT… (7)
Clarinet, Cello, Piano (trio) (7)
Baryton, Choeur De Garçons A … (7)
Choeur Mixte (SATB, Partie(s) … (7)
SB, 5 Parties Mixtes, Instrume… (7)
1 Voix, Quatuor Pour Flûtes A… (7)
Mezzo-Soprano voice, Piano (7)
S, S, Basse (Chorale Ou En Sol… (7)
Flûte Traversière, Violon et… (7)
Flexible Instrumentation (7)
4 Parties Similaires Et Orches… (7)
Soli, Choeur Mixte (SATB), Ins… (7)
3 Hautbois, Basson, Instrument… (7)
Organ, Trumpet (duet) (7)
2 Trompettes, Batterie Et Orch… (7)
6 Instruments à Cordes et Bas… (7)
Trompette Et Orchestre (7)
Soli (SATB), Chor (SATB/SATB) … (7)
T, B, Hautbois, Instruments A … (7)
Soli (SB) Et Orchestre (7)
3 Parties Similaires, Flûte A… (7)
2 Choeurs Mixtes A 4 Voix, Ens… (7)
Drums (7)
Choeur Mixte (SATB), Flûte A … (7)
4 Parties Mixtes, 2 Trompettes… (7)
Choeur Mixte (SAB), Flûte A B… (7)
Violon 1, Violon 2, Alto, Viol… (7)
Oboe, Basso continuo (7)
Streichorchester (7)
Violin, Clarinet, Piano (trio)… (6)
2 Violas (duet) (6)
Violon, Clavecin Obligatoire E… (6)
Clavecin, Hautbois Obligatoire… (6)
Hautbois, Basson, Violon, Viol… (6)
Clavier et Piano (6)
Flute Trio: 3 flutes (6)
Soli (SATB), Chor (SATB) und K… (6)
Klavier und Orchester (6)
Choeur Mixte (ATB) Ou Choeur D… (6)
2 Petits Choeurs à 4 Voix, 2 … (6)
Soli (du Choeur), 1 Voix D'Enf… (6)
Soli, Gemischter Chor 1 & 2, … (6)
String Quintet: 2 violins, 2 v… (6)
Percussion (6)
Saxophone and Orchestra (6)
4 Flûtes à Bec (Instruments … (6)
4 Parties Mixtes, Choeur De Pa… (6)
3 A 5 Parties Mixtes (6)
Solistes (SATB) . Choeur Mixte… (6)
2 Flûtes Traversières, 2 Hau… (6)
Flute Quartet: 4 flutes (6)
2 Flutes, Violoncello (6)
4 Parties Mixtes, 2 Violons et… (6)
Orgue (Piano) (6)
Alto, Cordes Et Basse Continue… (6)
Viole, Instruments A Cordes Et… (6)
Kammerorchester (6)
Hautbois D'Amour (Hautbois), I… (6)
Soli (SATB), Gemischter Chor (… (6)
Violin, Cello, Organ (6)
Choral, Organ (6)
2 Maîtres De Chapelle Du Choe… (6)
Choeur Mixte A 3 Voix, 2 Violo… (6)
Soprano, Orchestre et Orgue (6)
2 Flûtes A Bec, Hautbois, Vio… (6)
Cordes (Aussi Chorale) (6)
4 A 6 Parties Mixtes (2 Guitar… (6)
Hautbois, Trompette, Instrumen… (6)
Tuba (6)
Flute, Cello, Piano (trio) (6)
Choeur Mixte A 4 Voix, 2 Violo… (6)
Soli (SATB), Choeur Mixte (SAT… (6)
Hautbois, Clarinette, 4 Violon… (6)
2 Choeurs Mixtes (SATB Et SATB… (6)
3 Parties Mixtes (SSB, Aussi E… (6)
Gemischter Chor (SATB/CantoATB… (6)
Instruments A Vent (6)
Soli (SAT), Choeur Mixte (SATB… (6)
Alto, 4 Parties Mixtes Orchest… (6)
S, S, A, T, Basse (Aussi Chora… (6)
3 Parties Mixtes, 2 Violons Et… (6)
Choeur Mixte (SATB), Flûte A … (6)
Clavecin et Instruments à Cor… (6)
Soli (SATB), 2 Choeurs Mixtes … (6)
4 Voix (Ténor, Flûte à Bec … (6)
Choeur De Femmes A 3 Voix (Cho… (6)
6 Pianos Et Orchestre (6)
Piano (Ou Clavecin) Et Orchest… (6)
Flûte Traversière et Instrum… (6)
3 Recorders (trio) (6)
3 Instruments à Cordes/4 Inst… (6)
SingSt, Klavier (6)
4 Parties Mixtes, Flûte Trave… (6)
Gesang (6)
Violin, Horn and Piano (6)
Soprano voice, Orchestra (6)
Petit Orchestre (6)
Stationery (6)
Choeur Mixte (SATB), 2 Trompet… (5)
Blechbläser (5)
Voix Hautes (Original) et Pian… (5)
2 A 4 Parties (5)
Voix Haute(s) Ou Moyenne(s), 1… (5)
2 Violons ou Flûte Traversiè… (5)
Organ and Brass Quartet (5)
Solistes (SAAATTTTBBB), Choeur… (5)
2 Flûtes Traversières, Instr… (5)
Soprano, Violon I, Violon II e… (5)
Soprano, Choeur Mixte (SSATB, … (5)
Choeur Mixte (SATB), 2 Hautboi… (5)
Maître De Chapelle (Tenor Et … (5)
2 Hautbois (Ou 2 Flûtes A Bec… (5)
Choeur Mixte (SATB) Et Basse C… (5)
2 Flûtes Traversières, 2 Hau… (5)
Quintette (2 Violons, Viole et… (5)
Choeur Mixte et Orchestre (5)
Flûte Traversière, 2 Hautboi… (5)
3 Parties Mixtes (5)
Instrument (5)
Trompette et Orchestre de Cham… (5)
5 Parties Mixtes, Instruments … (5)
Flûte Traversière, 2 Hautboi… (5)
Soli (SATB), Chor (SATB) und O… (5)
Flûte à Bec Alto, Instrument… (5)
Soli (SSATTB), Choeur Mixte (S… (5)
3 Clarinets (trio) (5)
4 Parties Mixtes et Orgue (5)
S, S Basse (Aussi Chorale), 2 … (5)
4 A 6 Parties Mixtes (5)
Choral SSAATBB, Organ (5)
Choeur Mixte (SAB) (2 Violons … (5)
3 Guitares ou plus (5)
Descant (Soprano) Recorder, Ba… (5)
Solistes, Choeur Mixte, et Orc… (5)
3 Instruments Mélodiques et B… (5)
2 Choeurs Mixtes (SATB et SATB… (5)
Viole (5)
Singstimme (5)
Concert band (5)
Saxophone (5)
Triangle et Orchestre à Corde… (4)
Baryton, Choeur Mixte (SATB), … (4)
Voix Haute(s), 5 Parties Mixte… (4)
2 Violons, Instruments à Cord… (4)
3 Choeurs d'Hommes (TTBB) (4)
S, T, 2 Violons Et Violoncelle… (4)
Guitar, String Quartet (4)
Violoncelle (Partie Séparée)… (4)
Viol et Basse Continue (4)
S, SATB, B, (2 Grands Choeurs … (4)
Clarinette et Instruments à C… (4)
2 Violons ou Clarinette et Vio… (4)
Flûte Traversière, Accesoire… (4)
Organ, Percussion (4)
2 Violons, Violoncelle (ou Alt… (4)
S, A, T, T, B, 5 Parties Mixte… (4)
Flûte Traversière Alto (Gran… (4)
Organ and Orchestra (4)
Flûte Traversière, Hautbois … (4)
Low voice, Organ (4)
Soprano, Flûte Traversière, … (4)
Klavierauszug - Sopran solo, … (4)
Choeur Mixte (SATB), Hautbois … (4)
Lute (4)
Flûte Traversière, Orchestre… (4)
4 Parties Mixtes, Instruments … (4)
Flûte Traversière ou Violon)… (4)
4 A 10 Parties Mixtes (4)
Violon, Viole ou Violon et Bas… (4)
Solistes (SSATTB), Choeur Mixt… (4)
Flûte Traversière Alto, 2 Fl… (4)
Violoncelle, Contrebasse, Bass… (4)
1 ou 2 Flûtes à Bec Soprano (4)
Hautbois, 2 Cors et Instrument… (4)
2 Violons ou Flûte Traversiè… (4)
Contrebasse (Partie séparée)… (4)
Wind ensemble (4)
2 Violins, Piano (4)
Flûte à Bec Soprano, Flûte … (4)
Musique de Chambre et Piano (4)
2 Choeurs Mixtes à 4 Voix (SS… (4)
Flûte Traversière ou Violon)… (4)
Choeur Mixte A 2 A 8 Voix Et O… (4)
Flûte à Bec Alto, Flûte à … (4)
Soli (ATB), Chor (SSATB) und O… (4)
Piano et Quatuor à Cordes (4)
2 Flutes, Piano (4)
Solistes, SATB et Orchestre (4)
Vocal (4)
Alto, 2 Violons et Basse Conti… (4)
Hautbois D'Amour et Orchestre … (4)
Flûte à Bec Soprano, Flûte … (4)
Baryton, Choeur Mixte (SATB), … (4)
Piccolo, Piano (4)
Low voice (4)
Violon Solo, Violoncelle Solo,… (4)
Horn und Orchester (4)
4 Ã 5 Parties Mixtes (4)
Violon, Violoncelle et Contreb… (4)
2 Gemischter Choren, Orcheste… (4)
Alto Saxophone and Piano (4)
Soli (SAATTBB), Choeur Mixte (… (4)
Flûte Traversière (Ou Flûte… (4)
Flûte à Bec Soprano, Flûte … (4)
S, B, 2 Violons Et Basse Conti… (4)
2 Violons, Violoncelle et Bass… (4)
Flûte Traversière Hautbois, … (4)
Violoncelle et Orchestre de Ch… (4)
Soprano, Choeur Mixte (SATB) E… (4)
S, S, B, 3 Parties Mixtes, 2 V… (4)
Hautbois, Clarinette et Basson… (4)
Soli , Choeur Mixte (SATB) Et … (4)
Soli Et Sonates En Trio pour I… (4)
Solostimmen (SSB) auch Chor (… (4)
Flûte Traversière, Violon, V… (4)
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Wolfgang Amadeus Mozart: Dixit Et Magnificat: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Written in Salzburg in 1774 the Dixit Et Magnificat in C major K.193 is scored ...
(+)
Written in Salzburg in 1774 the Dixit Et Magnificat in C major K.193 is scored for SATB soloists Mixed Choir (SATB) Trumpet (2) Trombone (3) Kettledrum Strings (without Viola) Organ. Full score performance material (BA5340) and vocal score (BA5340-90) based on the Urtext New Mozart Edition is available for sale.
7.00 GBP - Sold by Musicroom UK
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3 sellers
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Claudio Monteverdi: Vespro Della Beata Vergine 'Marienvesper': Vocal Ensemble:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
2 Solo Sopranos 2 Solo Altos 3 Solo Tenors 2 Solo Basses Mixed Choir and Orc...
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2 Solo Sopranos 2 Solo Altos 3 Solo Tenors 2 Solo Basses Mixed Choir and Orchestra-Scholarly-critical Urtext edition orientated towards performance practice.Detailed critical commentary (Eng) in the full score.Movements 10 13 and 14 are included in their original high clef in the appendix of the full score.These movements are also available with Piano reduction as print-on-demand.Claudio Monteverdi?s ?Vespro della Beata Vergine? is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas under thedirection of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led for instance to a divergent evaluation of the ?Lauda Jerusalem? oriented towards performance practice with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.Full score & performance material available for sale.
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Ludwig van Beethoven: Mass In C Op.86: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Barenreiter
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score ...
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Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven???s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work???s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work???s genesis and a detailed critical commentary.
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Ludwig van Beethoven: Mass In C Op.86: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
Barenreiter
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score ...
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Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven???s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work???s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work???s genesis and a detailed critical commentary.
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Georg Friedrich Händel: Alessandro: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Oratorio in three parts-In quite characteristic fashion for the times Handel&rs...
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Oratorio in three parts-In quite characteristic fashion for the times Handel’s opera “Alessandro” looks at various episodes in the life and rule of Alexander the Great (356 323 BC). This legendary warrior and military commander conquered large parts of the world before meeting an untimely end at the age of 32. A central conflict in Handel’s opera is Alessandro being in love with two women Lisaura and Rossane who compete for his favour. In addition his claim to be of divine parentage is underlined occasioning him to demand the subservience of his followers which meets with vigorous disapproval.Handel composed “Alessandro” for the Royal Academyof Music to a libretto by Paolo Antonio Rolli in the 1725/26 season. The work was premiered at the King’s Theatre in London on 5 May 1726. “Alessandro” was the first of five operas for the Royal Academy operas which saw Handel compose for three of the most famous singers of his time: Francesco Bernardi (called Senesino) Francesca Cuzzoni and Faustina Bordoni.Ortensio Mauro’s libretto “La superbia d’Alessandro ” which was performed for the first time in Hanover in 1690 in a musical setting by Agostino Steffani and staged again in the city the following year under the title “Il zelo di Leonato” but with numerous alterations served as the source text for Handel’s “Alessandro”. One of the main aspects Rolli had to consider when preparing the libretto for the London performances was to keep the roles of the famous singers of the Royal Academy well balanced yet at the same time to engineer a musical contest between the prima donnas Cuzzoni and Bordoni (Lisaura and Rossane) as well. From a business point of view it made good sense for such rivalry would surely increase public interest in the opera.It is no longer possible to ascertain which changes Handel made during the following performance series of the 1727/28 season. For the performance series of 1732/33 Handel made substantial revisions to the opera: six numbers were deleted in their entirety the finale in part as well and the recitatives were made much shorter with the parts of Cleone and Leonato omitted
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Franz Joseph Haydn: Missa In Tempore Belli: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Mass in Time of War-Haydn was in England in 1795 when he received word from hi...
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Mass in Time of War-Haydn was in England in 1795 when he received word from his new Prince Nicolaus II Esterházy that the Esterházy orchestra was to be reformed and Haydn was to serve again as active Capellmeister.Prince Nicolaus II demanded little from his Capellmeister except the usual routine of administration; but Haydn was to compose every year a new Mass for the name day of the Princess Josepha Maria which was celebrated the Sunday afterwards in the Bergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen?s Day (26 December) 1796. The writer of these notes examined when preparingthis edition the music archives of the church and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion and thus also the work which Haydn had just finished and performed in Eisenstadt.Urtext from Joseph Haydn WerkeFull score parts (BA4652) vocal score (BA4652-90) and study score format 22.5 x 16.5cm (TP94) available for sale
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Georg Friedrich Händel: Acis And Galatea HWV 49b 2nd Version: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
Serenade in three parts-Handel set the myth about the love of the shepherd Acis ...
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Serenade in three parts-Handel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid’s Metamorphoses a total of three times: in the cantata Aci Galatea e Polifemo HWV 72 (1708) the masque Acis and Galatea HWV 49a (1718) and finally the pasticcio-like serenata Acis and Galatea HWV 49b (1732) of which the original version is now made available in its complete form for the first time.A particular charm is provided by the use of two languages in the serenata. The work was originally conceived in English as was required for the first performance. However Handel’s Italian singers were criticised for their poor command of English so in the end many numbers were sung in Italian. The extensive appendix to the vocal score includes the additional arias and newly composed movements for the versions used in the 1734 and 1736 performances. Performance material available for hireUrtext edition based on the Halle Handel EditionEnglish and Italian original text with singable German translation Extensive foreword in two languages (Ger/Eng)Clear straightforward piano reduction
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Felix Mendelssohn Bartholdy: Elijah Op.70: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Oratorio-Immediately after completing ?St. Paul? in 1836 Mendelssohn mulled ove...
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Oratorio-Immediately after completing ?St. Paul? in 1836 Mendelssohn mulled over the idea of composing a further oratorio. However a whole decade elapsed before the composition of ?Elijah? which takes as its theme the story of the Biblical prophet from the 1st Book of Kings. When he received the invitation to write a major work for the Birmingham Music Festival Mendelssohn finally embarked on work on the oratorio. ?Elijah? was premiered in 1846 in Birmingham with great success and has enjoyed great popularity ever since.Following the first performance Mendelssohn undertook a revision of the oratorio inwhich whole numbers were removed and new ones substituted. This is the version which was first heard in 1847 in London and which is still performed today.To mark the Mendelssohn anniversary year 2009 the Mendelssohn specialist Douglass Seaton Professor at Florida State University prepared a critical new edition of the oratorio. The edition reflects the latest research findings and includes both English and German singing texts.A critical commentary completes the new edition.- One of Mendelssohn?s most popular works in an edition reflecting the latest editorial knowledge.- Bärenreiter-Urtext including numbers from the original version for the first time.- English and German singing texts.- Critical Commentary (Eng).- Full score performance material (BA9070) and vocal score (BA9070-90) available for sale.
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Johann Sebastian Bach: Cantata BWV 4 Christ Lag In Todes Banden: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Cantata for Easter Sunday-Christ lag in Todes Banden (Christ lay by death enshro...
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Cantata for Easter Sunday-Christ lag in Todes Banden (Christ lay by death enshrouded / Christ lay in grim death's prison ) BWV 4Cantata for Easter SundayUrtext of the New Bach Edition.Original German text with English singing translation.Idiomatic and easy-to-play Piano reduction.Performance material (BA10004) vocal score (BA10004-90) & study score (TP1004) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprisingconsidering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Gioachino Rossini: Petite Messe Solennelle: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He com...
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The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the ?Stabat mater? the mass is one of the composer?s most important sacred works.The unusual instrumentation with two Pianos and Harmonium is entirely in keeping with the Neapolitan Keyboard tradition of the 18th century which was cultivated in France in Rossini?s day. It forms a distinct contrast to the style of large-scale sacred compositionsas written by for example Liszt and Bruckner. Rossini explained that he wrote the later Orchestral version of the work dating from 1867 out of concern that if he did not do this other composers might orchestrate the mass too heavily in later arrangements.The Piano reduction by Andreas Köhs is extremely idiomatic and largely preserves the charming character of the unusual instrumentation.- Based on the Urtext of the series ?Works of Gioachino Rossini?.- Foreword in two languages (Eng/Ger).- With a separate Harmonium part and one part for Pianos I and II.
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Johann Sebastian Bach: Cantata BWV 45 Es Ist Dir Gesagt: Mixed Choir: Vocal
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Tr...
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Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 31 Der Himmel Lacht!: Mixed Choir: Vocal
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Der Himmel lacht! Die Erde jubilieret BWV 31 (The Heavens laugh the earth exult...
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Der Himmel lacht! Die Erde jubilieret BWV 31 (The Heavens laugh the earth exults in gladness) BWV 31Cantata for the 1st Easter DayPerformance material (BA10031) vocal score (BA10031-90) & study score (TP1031) available for saleThe text by Salomon Franck who was the librettist of some of Bach's the best-known cantatas is closely linked to the account of Easter and recalls the jubilation at the resurrection of Jesus.Our editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardlysurprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Gioachino Rossini: Petite Messe Solennelle: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He com...
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The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the ?Stabat mater? the mass is one of the composer?s most important sacred works.The unusual instrumentation with two Pianos and Harmonium is entirely in keeping with the Neapolitan Keyboard tradition of the 18th century which was cultivated in France in Rossini?s day. It forms a distinct contrast to the style of large-scale sacred compositionsas written by for example Liszt and Bruckner. Rossini explained that he wrote the later Orchestral version of the work dating from 1867 out of concern that if he did not do this other composers might orchestrate the mass too heavily in later arrangements.The Piano reduction by Andreas Köhs is extremely idiomatic and largely preserves the charming character of the unusual instrumentation.- Based on the Urtext of the series ?Works of Gioachino Rossini?.- Foreword in two languages (Eng/Ger).- With a separate Harmonium part and one part for Pianos I and II.
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Franz Liszt: Christus: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Oratorio on passages from the Holy Bible and the Catholic liturgy. Franz Liszt&r...
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Oratorio on passages from the Holy Bible and the Catholic liturgy. Franz Liszt’s “Christus” is an attempt to capture in music the life of Christ from his birth to his Passion and Resurrection thereby following in the tradition of Handel’s biblical oratorios. Despite the familiar subject matter Liszt was concerned less with depicting Jesus’s deeds than with producing an object of meditation. To this end he employed a full array of musical devices to create a work abounding in sharp contrasts: symphonic textures alongside simple hymns modal harmonies alongside bold chromaticism and varied combinations of voices and instrumentsalongside purely instrumental groupings. David Friddle’s new edition is the first to publish the original text of “Christus” on the basis of all available sources. His extensive introduction also sheds light on the performance practices of Liszt’s day. Our vocal score contains a German translation of the original Latin as a guide. - First Urtext edition of this work. - Straightforward easy-to-play piano reduction. - Duration: approx. 175 minutes. - Full score (BA7680) and vocal score (BA7680-90) for sale; performance material (BA7680-72) for hire.
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Johann Sebastian Bach: Cantata BWV 6 Bleib Bei Uns: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Bleib Bei Uns Denn Es Will Abend Werden BWV 6Cantata for Easter Monday- Full sc...
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Bleib Bei Uns Denn Es Will Abend Werden BWV 6Cantata for Easter Monday- Full score & performance material (BA10006) vocal score (BA10006-90) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such ascouncil inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...
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Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
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Wolfgang Amadeus Mozart: Requiem K.626: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
How practical! Mozart's 'Requiem' is now appearing in this handy soft-cover and...
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How practical! Mozart's 'Requiem' is now appearing in this handy soft-cover and affordable full score to complement the substantial linen-bound complete edition volume.The tried and tested musical text of the 'Requiem' remains the same whilst the Foreword has been revised and supplemented by an English translation.- The tried-and-tested content of the complete edition volume now in a soft-cover score- Foreword in German and now also in English
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Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...
(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
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Georg Philipp Telemann: Gelobet Seist Du Jesu Christ: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Cantata for the Second Day of Christmas-Telemann composed ?Gelobet Seist Du Jes...
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Cantata for the Second Day of Christmas-Telemann composed ?Gelobet Seist Du Jesu Christ? (TvWV 1:612) for his cantata cycle of 1710 11. Although scored without Brass Instruments or Timpani the brilliant festive mood of the second day of Christmas prevails.The opening chorale and the final chorus form a frame for the four solo arias of the main section (ATB). Here too the choral numbers may be and usually are taken one to a part. The vocal score appears with a singing translation in English and suggested alternatives for the German text.- Urtext based on the latest findings of scholarship.- Straightforward and easy-to-play Piano reduction.- Duration:approx. 15 minutes.- Singing translation in English.- Full score (BA7676) and performance material (BA7676) available for sale.
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Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...
(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
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Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...
(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
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Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...
(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
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