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Double bass, Piano (duet)
G. Henle
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Gioachino Rossini: Une Larme For Double Bass And Piano: Double Bass: Score
Double bass, Piano (duet)
G. Henle
In the late 1850s when Rossini was composing only for his own private pleasure ...
(+)
In the late 1850s when Rossini was composing only for his own private pleasure he wrote a little elegy for Double Bass and Piano that he entitled “Une Larme” (“a tear”). Its theme also servedas the basis for a larger-scale set of variations for Cello and Piano. The importance that Rossini ascribed to this short piece for Double Bass is demonstrated not least by the fact that he made a richly ornamented dedication copyof it in 1858. This hitherto little-known source is in Russia and has now been consulted for the first-ever time for a critical Urtext edition. As in Henle’s other Urtext editions for this instrument the Double Bassspecialist Tobias Glöckler has prepared a version in solo tuning and orchestral tuning and added fingerings and bowings to the solo part.
9.25 GBP - Sold by Musicroom UK
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Johann Baptist Vanhal: Kontrabasskonzert Es-dur: Double Bass: Score
Double bass, Piano (duet)
[Reduction]
G. Henle
Piano reduction-Following Dittersdorf (HN 759) and Hoffmeister (HN 721) Johann ...
(+)
Piano reduction-Following Dittersdorf (HN 759) and Hoffmeister (HN 721) Johann Baptist Vanhal and his sole Double-Bass concerto add a further highlight to the classical Bass literature in the Henle catalogue. The virtuosowork was transmitted only in a copy of a part owned by the famous Double-Bass player Johannes Sperger (1750 1812) and found in his estate which raises a few questions on account of the many later additions in the solo part(especially concerning the octave transpositions). In this Urtext edition Tobias Glöckler proposes a solution to this dilemma with a musical text that is outstandingly well-prepared for the performing artist. ThePiano reduction is printed in two keys (C and D major) which allows for performances in the solo and orchestral tuning or at will. Moreover an additional part written in fingering notation has been specially designed for usewith the 'Viennese tuning' customary in Vanhal's days. It allows players to use this resonant historical tuning immediately without tedious retraining.
27.75 GBP - Sold by Musicroom UK
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Camille Saint-Saëns: Elephant - The Carnival Of The Animals: Double Bass:
Double bass, Piano (duet)
[Score and Parts]
G. Henle
Camille Saint-Saens' Elephant is a delightful miniature from The Carnival Of The...
(+)
Camille Saint-Saens' Elephant is a delightful miniature from The Carnival Of The Animals and is one of the few works that are attractive to learners and accomplished players alike. Its many musical and technicalchallenges have earned it a permanent place in the teaching repertoire yet it offers soloists a welcome opportunity to demonstrate their prowess and espirit even in the low register.The ease with which a greatcomposer accurately and skilfully probes the idiosyncracies of this largest of string instruments for expressive purposes - a combination of features seldom encountered in the double bass repertoire - is truly impressive. All themore astonishing therefore that the Elephant although widely known is relatively rarely heard in the concert hall.This Urtext edition of the score has been edited with critical commentaries as well as fingeringand bowing of the double bass part by Tobias Glockler. The accompaniment is notated in E flat and F and so the double bass can perform using either solo tuning or orchestra tuning.
6.99 GBP - Sold by Musicroom UK
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Carl Ditters von Dittersdorf: Concert E-Dur (Krebs 172): Double Bass:
Double bass, Piano (duet)
[Reduction]
G. Henle
With this cornerstone of the Double Bass repertoire we continue a still young bu...
(+)
With this cornerstone of the Double Bass repertoire we continue a still young but important part of our catalogue. This musically-charming work full of technical trickery is with justification demanded time and again as atest piece or set piece for competitions. In order to accommodate the ?Viennese tuning? used at the time we also provide a solo part in fret notation. The Piano part in D major and E major (!) can be used to accompany the DoubleBass part either in its solo or orchestral version. As an alternative to the familiar cadenzas by Sperger editor Tobias Glöckler has added two further tuneful and stylistically-appropriate cadenzas of his own.
26.25 GBP - Sold by Musicroom UK
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Franz Anton Hoffmeister: Concert 1 ( Mit Obligater Violine ): Double Bass:
Double bass, Piano (duet)
[Reduction]
G. Henle
Ce concerto est devenu en raison de sa richesse d'invention de la qualité de ...
(+)
Ce concerto est devenu en raison de sa richesse d'invention de la qualité de sa technique d'écriture ainsi que de ses exigences sur les plans technique et musical l?une des oeuvres fréquemment requises pour les concours. L'édition répond tous les désirs : la partie de contrebasse est donnée pour l'instrument avec accord de solo et d'orchestre avec réduction pour piano en Ré majeur et en Ut majeur. En outre une deuxième partie en «notation par doigtés» spécialement conçue en fonction de l'«accord viennois» en usage l'époque de Hoffmeister permet l'instrumentiste de jouer directement sans réapprentissage fastidieux selon l'accord historique.?
21.75 GBP - Sold by Musicroom UK
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Vanhal J.b. - Kontrabasskonzert - Contrebasse and Piano
Double bass, Piano (duet)
G. Henle
Concerto pour contrebasse Editeur: Tobias Glöckler Réduction pour piano: Chri...
(+)
Concerto pour contrebasse Editeur: Tobias Glöckler Réduction pour piano: Christoph Sobanski Doigtés cb.: Tobias Glöckler Cadences: Tobias Glöckler Edition Urtext, réduction pour piano, reliure paperback réduction pour piano in Ut et Ré majeur Partie en accord viennois (La-ré-fa#-la) Après les concertos pour contrebasse de Dittersdorf (HN 759) et de Hoffmeister (HN 721), nous ajoutons à notre catalogue un nouveau sommet de la littérature classique pour l?instrument, l?unique Concerto pour contrebasse de Johann Baptist Vanhal. Cette oeuvre virtuose ne nous est parvenue que par une copie du matériel dans la succession du célèbre contrebassiste Johannes Sperger (1750?1812), laquelle soulève un certain nombre de questions du fait des nombreux ajouts que comporte la partie soliste (s?agissant notamment des indications de jeu à l?octave). Dans notre édition Urtext, Tobias Glöckler répond à ces questions avec un texte musical soigneusement préparé pour l?exécution. La réduction pour piano est présentée dans deux tonalités différentes (Ut et Ré majeur), ce qui permet de jouer le concerto avec l?accord de soliste ou l?accord d'orchestre. En outre, une voix supplémentaire en tablature, spécialement conçue pour l'«accord viennois» en usage à l'époque de Vanhal, permet à l'instrumentiste de jouer directement avec la sonorité puissante de l?accord historique, sans réapprentissage fastidieux.
31.70 EUR - Sold by Woodbrass
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