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| Anthony Powers: String
Quartet No. 4: String
Quartet: Parts
String Quartet: 2 violins, viola,
cello
Oxford University Press
Commissioned by Cardiff University School of Music and dedicated to their reside...(+)
Commissioned by Cardiff University School of Music and dedicated to their resident string quartet this work is in one unbroken span that is formed from four linked movements. The work features sharply contrasting musical characters creating Powers' typically oppositional and argumentative style.
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| William Mathias: String
Quartet No. 1: String
Quartet: Score and Parts
String Quartet: 2 violins, viola,
cello
Oxford University Press
This single-movement quartet was commissioned by the Cardiff University Quartet ...(+)
This single-movement quartet was commissioned by the Cardiff University Quartet on 25 April 1968. It was dedicated to Mathias' colleague and composer Alun Hoddinott and his wife Rhiannon.
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| William Mathias: String
Quartet No. 2: String
Quartet: Score and Parts
String Quartet: 2 violins, viola,
cello
Oxford University Press
William Mathias String Quartet No. 2 for string quartet.
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| Walton: String Quartet:
String Quartet: Parts
String Quartet: 2 violins, viola,
cello
Oxford University Press
Performing edition of Walton's first String Quartet based on the edition publis...(+)
Performing edition of Walton's first String Quartet based on the edition published in the Walton Edition Chamber Music volume. Following the addition of a second movement the final version of the quartet was premiered in 1923 at the Royal College of Music in London by the McCullagh String Quartet.
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| Michael Finnissy: Second
String Quartet: String
Quartet: Parts
String Quartet: 2 violins, viola,
cello
Oxford University Press
Finnissy's Second String Quartet was written for the Kreutzer String Quartet. It...(+)
Finnissy's Second String Quartet was written for the Kreutzer String Quartet. It is based on a Haydn quartet and traces of the older work can be discerned within Finnissy's distinctive musical style. Set of parts - no score is available for this work.
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| Martin Butler: String
Quartet: String Quartet:
Parts
String Quartet: 2 violins, viola,
cello
Oxford University Press
Martin Butler's String Quartet First performed at the 1984 Cheltenham Festival ...(+)
Martin Butler's String Quartet First performed at the 1984 Cheltenham Festival by the Brodsky String Quartet.
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| Rebecca Clarke: Two
movements for string
quartet: String Quartet:
Score and
String Quartet: 2 violins, viola,
cello
Oxford University Press
Score and parts-Rebecca Clarke worked in the string quartet medium over virtuall...(+)
Score and parts-Rebecca Clarke worked in the string quartet medium over virtually the whole of her long life either as a performer a composer or a teacher. The two movements published here are Clarke's only known 'pure' music (music that 'means only itself' as she put it) for string quartet.
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| William Walton Hugh
MacDonald: Two String
Quartets: String Quartet:
Study Score
String Quartet: 2 violins, viola,
cello
Oxford University Press
A study score of Walton's String Quartet (1922) and String Quartet in A minor o...(+)
A study score of Walton's String Quartet (1922) and String Quartet in A minor off-printed from the William Walton Edition Chamber Music volume.
Pre-shipment lead time: In Stock |
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| Michael Berkeley: String
Quartet No. 2: String
Quartet: Score
String Quartet: 2 violins, viola,
cello
Oxford University Press
Berkeley's second string quartet uses a free random presentation of thematic ma...(+)
Berkeley's second string quartet uses a free random presentation of thematic material. There is a sharp contrast between the tight and rhythmic central section and the final passage which dispenses with barlines altogether providing a fascinating journey through interrelated and continuous sections.
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| Michael Berkeley: String
Quartet No. 2: String
Quartet: Parts
String Quartet: 2 violins, viola,
cello
Oxford University Press
Berkeley's second string quartet uses a free random presentation of thematic ma...(+)
Berkeley's second string quartet uses a free random presentation of thematic material. There is a sharp contrast between the tight and rhythmic central section and the final passage which dispenses with barlines altogether providing a fascinating journey through interrelated and continuous sections.
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