This book is a thoughtful collection of transcriptions by Marcel Grandjany for intermediate/advanced (Grade 6-8) harpists. Fingerings are included as well as an explanation of musical signs at the beginning of thebook. Music For The Harp includes transcriptions of 7 Baroque masterpieces – Aria (Kirchhoff) Pavana Et Bransles (Francisque) Prelude (Handel) Riguadon (Kirchhoff) Sarabande (Handel) The King’s Hunt (Bull) Toccata (Handel).Marcel Grandjany was a French-born American harpist and composer. At seventeen he made his debut with theConcerts Lamoureux Orchestra and gave his first solo recital winning immediate acclaim. He appeared with Maurice Ravel in Paris in 1913. His London debut was in 1922 and his New York debut in 1924. In the second half of the 20thcentury he was mainly involved with the founding of the American Harp Society.

Triple Concerto for Mezzo Saxophone Violoncello Harp and Orchestra by Anders Koppel was composed in 2009.

of the concerto for flute, harp and orchestra KV 299. Par MOZART WOLFGANG AMADEUS. In the unparalleled series ‚Cadenza‘, Schott Musik International presents cadences of well-known instrumental concertos of classical and Romantic music, composed by major composers and soloists of our time. The cadences of Mozart‘s Concerto for flute, harp and orchestra in C major KV 299 were created by Nino Rota. It is not known when and for which occasion Rota wrote these cadences. But the two soloists, on the other hand, to whom he dedicated the cadences are quite well-known: the harpist, Clelia Gatti Aldronandi and the famous flutist Severino Gazzelloni. Rota‘s brilliant neoclassicism is perfect for the virtuoso dialogue between the two solo instruments on the themes of the concerto./ Répertoire / Flûte Traversière et Harpe

The full score for Highgrove Suite by Patrick Hawes. Commissioned by HRH The Prince of Wales in 2009 this 31 minute piece is arranged for Solo Harp and Strings. Commissioned to commemorate his 30 years of living at Highgrove House Prince Charles saw Highgrove Suite premiered at Covent Garden on his sixtieth birthday by the royal harpist Claire Jones and the Philharmonia Orchestra.

Piano reduction with solo part-In 1947 Aaron Copland accepted a commission from Benny Goodman ‘The King Of Swing’ for a piece for solo Clarinet and Orchestra. Copland always wary of repeating himself welcomed the challenge of composing a Clarinet concerto – ‘it might stimulate some fresh ideas’. He knew from the start that a bow to jazz was called for and he hoped also to demonstrate the lyrical qualities of the Clarinet. Dedicated to Goodman the Concerto for Clarinet was finished by the end of 1948. Clarinettists were soon welcoming this new virtuoso piece and it has since become a standard in the Orchestral repertoire.The concerto consists of two movements played back-to-back connected by a Clarinet cadenza. The dreamy and melodic first movement is followed by a free rondo dominated by melodic Latin American jazz themes and is resolved in the end with an elaborate coda in C major that finishes off with a Clarinet glissando – or 'smear' in jazz lingo. Originally written for Clarinet and String Orchestra with Harp and Piano in this edition Concerto for Clarinet is arranged for Clarinet with Piano accompaniment by the composer. Along the published version with the changes requested by Benny Goodman ossias from the original 1948 manuscript are included as well. Comes with a separate insert of the Clarinet score.

Jörgen Jersild's Concerto For Harp And Orchestra is available here for Harp and Piano accompaniment.

Pour Soprano Quintette Vent Et Harpe. Par CANTELOUBE JOSEPH / ALLEN. French composer, Joseph Canteloube (1879-1957) is best known for his Cinq Chants D'Auvergne. Composed between 1923 and 1930 for Soprano and Orchestra, Chris Allen 's arrangement of the popular work for Soprano, Wind Quintet and Harp enforces the composition's favour. The Cinq Chants D'Auvergne are a collection of five folksongs from the Auvergne region of France. Composed in the local language of Occitan, the best known of the five songs is the second, Baï lèro, which to this day, remains frequently performed and recorded. Famous Sopranos who have recorded Canteloube 's much loved work include, Madeleine Grey, Dawn Upshaw, Sarah Brightman and Barbara Streisand. For all Wind Quintets, Sopranos and Harpists seeking exciting ensemble repertoire, Canteloube 's Cinq Chants D'Auvergne ensures a sublime performance for both performers and audiences alike./ Répertoire / Soprano, Quintette à Vent et Harpe

Pour Soprano Quintette Vent Et Harpe-French composer Joseph Canteloube (1879-1957) is best known for his Cinq Chants D'Auvergne. Composed between 1923 and 1930 for Soprano and Orchestra Chris Allen's arrangement of the popular work for Soprano Wind Quintet and Harp enforces the composition's favour. The Cinq Chants D'Auvergne are a collection of five folksongs from the Auvergne region of France. Composed in the local language of Occitan the best known of the five songs is the second Baïlèro which to this day remains frequently performed and recorded. Famous Sopranos who have recordedCanteloube's much loved work include Madeleine Grey Dawn Upshaw Sarah Brightman and Barbara Streisand. For all Wind Quintets Sopranos and Harpists seeking exciting ensemble repertoire Canteloube's Cinq Chants D'Auvergne ensures a sublime performance for both performers and audiences alike.