This Ojibway text, adapted by the composer, explores the beloved 'flower of the forest, Sky-treading bird of the prairie, wonderful fawn-eyed one.? Opening with a joyful fanfare-like exclamation of the word 'Awake' and ending as though in soaring flight, this is an excellent selection for advanced women's choir repertoire. / Choeur SSAA Et Piano

Studie Zu 'Tristan Und Isolde'. Par WAGNER RICHARD. The sophisticated choral arrangements by Clytus Gottwald have found a place in concert life throughout the world. Now Gottwald has arranged two of Richard Wagner’s Wesendonck Lieder, “Im Treibhaus” and “Träume”, for 16-voice choir a cappella. In his choral transcriptions Gottwald has transferred to traditional music the compositional techniques from new music which he developed during his long tenure as founder and director of the chamber choir Schola Cantorum. He makes audible the structures of the works he transcribes through the use of a finely differentiated sound. / Musique contemporaine / Répertoire / Choeur SSSSAAAATTTTBBBB et Piano (seulement Pour L

A demanding large-scale work for 16-part mixed a-cappella choir. Spherical sounds and changing harmonies are in contrast to expressive interjections. First prize at the International Composition Competition Musica Sacra Nova 2013. / Choeur SSSSAAAATTTTBBBB

By choosing to set this text, which speaks of charity and the love of God, for treble voices, Douglas Pew seeks to create images of celestial bodies and celestial spheres where this type of sacred love can exist in its full capacity. Using the full range of the mature voice, this will be a wonderful addition to your advanced women's choir literature. / Choeur SSSAAA A Cappella Et Soprano

Domenico Scarlatti’s 'Stabat Mater' for ten voices can be considered as a masterpiece in the choral literature. Its generous dimensions its unique spatial concept its irresistible dramatic sweep its lyrical sweetness all bound together with clear stylistic unity and superlative organization of the coloristically restricted resources places it in the company of the great musical architectural creations of the first part of the 18th century.