Music for Royal Occasions is an exciting volume of pieces written for coronations and other royal celebrations over the past five centuries. It includes long-standing favourites, such as Handel's Zadok the priest and Parry's I was glad - and works from earlier years, such an Henry Purcell's I was glad and the delightful Rejoice in the Lord alway . Many well-loved composers were commissioned to write motets for the coronation of Queen Elizabeth II, and several are published here, including George Dyson's stirring Confortare , William Harris's Let my prayer and Herbert Howells's Behold O God our defender . In addition, two pieces performed at the wedding oF the present Duke and Duchess of Cambridge are included: Paul Mealor's beautiful Ubi caritas , and Hubert Parry's epic anthem, Bless pair of sirens . Music for Royal Occasions provides a well-rounded concert programme in itself for choral societies or community choirs. The collection offers many useful and accessible pieces for church choirs, suitable for a wide variety of occasions. 'an inventive selection of festive music' - Jeremy Summerly, Choir and Organ / SATB

Noël! 3 is an exciting collection of Advent, Christmas and Epiphany music for mixed-voice choirs, from the easy to learn to the more challenging and unconventional. The contents range from the Baroque to the present: familiar settings of traditional and lesser-known carols through the ages to Howells, Berkeley and Warlock, and works by today's composers including Richard Rodney Bennett, Paul Mealor, John Tavener, Francis Pott and Richard Allain. Mixed-voice choirs of all levels will enjoy these new arrangements of favourite carols as well as stimulating original works for the Christmas season. / Choeur SATB Et Orgue (Ou Piano)

Par BLEZZARD JUDITH. Baroque Christmas Classics is an inspired volume bringing together well-known tunes such as In Dulci Jubilo and Resonet in Laudibus with superb lesser-known material from the 17th and 18th centuries by JS Bach, Eccard, Scheidt, Schutz and Schroeter. The Choral Programme Series is a well-established programming tool for many choirs as it offers a wealth of fresh material from many eras and in many styles. / Choral Music / Recueil / Voix Mixtes et Piano

These three a cappella movements each originate from different largescale compositions, some for fairly substantial forces. In these works, when the focus is turned on the essence of a statement, I have (probably out of pure instinct) permitted all adjuncts - such as subtle orchestral accompaniment, opulent percussion, soloists, electronics etc. - to fall silent and tried to express myself through pure choral singing. There is a saying originating from the Judeo-Christian tradition of thought: 'The last shirt has no pockets.' Perhaps this can also be applied within the field of music when one is attempting to penetrate to the essentials. Harald Weiss / Choeur Mixte A Cappella

Par SCHUBERT FRANZ. Deutsche Messe D872 is one of Schubert's most popular works. This new edition of the organ reduction is based on the latest research of Felix Loy (Edition Eulenburg). A practical edition which can also be used as choral score./ RĂ©pertoire / Choeur Mixte SATB et Orgue

Fill your performance space with the glory of a German Renaissance Christmas with selections from this outstanding collection! Mixed choruses from high school through professional will appreciate the clean well-edited editions. Works include: Es ist ein Ros' entsprungen (Praetorius) Dixit Maria (Hassler) Angelus ad pastores ait (Hassler) Psallite unigenito (Praetorius) Maria wallt zum Heiligtum (Eccard).

Dante/Requiem Mass-Paul Mealor's Paradise for SATB and Brass Band. Commissioned by Professor Nicholas Childs and the Black Dyke Band and supported using public funding by Arts Council England. The first performance was given at the Royal Northern College of Music Manchester on 27 January 2018 as part of the RNCM Festival of Brass by the Black Dyke Band with the Sheffield Philharmonic Chorus conducted by Darius Battiwalla. Duration: c. 16 minutes

Lythgoe, Len (Trad.). Par BACH JOHANN SEBASTIAN / HERMAN NIKOLAUS. Gattungen: Kirchenlieder, Sätze, Messen-Sätze - Reihen bei Carus: Chorsammlungen für gemischten Chor - Verwendung / Anlässe: Frieden und Gerechtigkeit, L Hautbois und Dank, Morgen, Mittag, Abend, Psalmvertonungen, Trauer, Tod - Verwendung / Kirchenjahr: Advent, Besondere Tage, Ende des Kirchenjahres, Epiphanias, Fastenzeit und Passion, Himmelfahrt, Jahreswende, Karwoche, Ostern und nachösterliche Freudenzeit, Pianoingsten, Trinitatis, Wei cor achten -/ Répertoire / Choeur Mixte

Par BORNEFELD HELMUT. Verwendung / Anlässe: Frieden und Gerechtigkeit, L Hautbois und Dank, Psalmvertonungen - Verwendung / Kirchenjahr: Advent, Besondere Tage, Ende des Kirchenjahres, Epiphanias, Fastenzeit und Passion, Jahreswende, Ostern und nachösterliche Freudenzeit, Pianoingsten, Trinitatis, Wei cor achten -/ Répertoire / Choeur Mixte

nach den Evangelien Lukas und Johannes. Par STURZENEGGER RICHARD. Nach Den Evangelien Lukas Und Johannes/ RĂ©pertoire / Choeur SSATB

Two Lorca Songs was commissioned in 1994 by the Central Bucks West Choir. Las Seis Cuerdas was inspired by the poem's haunting melancholy. Crotalo written for choral competition is meant to display choral virtuosity.

An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Ubi caritas et amor is a simple, reflective anthem for mixed-voice choir and organ. Brian Easdale was educated at Westminster Abbey Choir School and attended the Royal College of Music, where he won the Foli Scholarship for composition. He wrote his first opera, Rapunzel , when only 17, and went on to composer many other dramatic and orchestral works, including the chamber opera The Sleeping Children. The Missa Coventriensis is one of his larger choral works, composed for the consecration of Coventry Cathedral in 1962. Easdale is perhaps most famous for his film music, including Black Narcissus and The Red Shoes, for which he won an Academy Award for best original music score in 1948. 'Ubi Caritas is the work of a craftsman steeped, naturally, in the musical culture of the inter-war years. It commends itself in its quiet yet muscular and expansive response to the text. With minimal divisi, it is within the capability of a good church choir.' - Howard Layfield, Mastersinger / Choeur SATB Et Orgue

Par PARRY BEN. Ben Parry presents a trio of Christmas classics from the 60s, 70s and 80s. Two lively, light-hearted numbers, I'm Gonna Be Warm This Winter and I Wish It Could Be Christmas Every Day, are followed by Band Aid's compelling Do They Know It's Christmas? Arranged for accompanied SATB mixed voices. The Choral Programme Series is now a well-established programming tool for many choirs as it offers a wealth of fresh material from many eras and in many styles.  Please view sample pages below. / Choral Music / Répertoire / Voix Mixtes et Piano

Lythgoe, Len (Trad.). Par BACH JOHANN SEBASTIAN / HERMAN NIKOLAUS. Gattungen: Kirchenlieder, Sätze, Messen-Sätze - Reihen bei Carus: Chorsammlungen für gemischten Chor - Verwendung / Anlässe: Frieden und Gerechtigkeit, L Hautbois und Dank, Morgen, Mittag, Abend, Psalmvertonungen, Trauer, Tod - Verwendung / Kirchenjahr: Advent, Besondere Tage, Ende des Kirchenjahres, Epiphanias, Fastenzeit und Passion, Himmelfahrt, Jahreswende, Karwoche, Ostern und nachösterliche Freudenzeit, Pianoingsten, Trinitatis, Wei cor achten -/ Répertoire / Choeur Mixte