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You've Selected:
Clavecin Et Instruments A Cordes
Barenreiter
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Orchestra (1609)
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Organ (974)
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Piano Trio: piano, violin, cel… (174)
Partition de Poche (172)
4 Parties Mixtes (147)
Choral (143)
Cello (126)
Cello, Piano (120)
Chant (114)
Guitar (113)
Opera (113)
Cello, Orchestra (109)
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2 Pianos, 4 hands (104)
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Keyboard (96)
String Orchestra (93)
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Piano Quintet: piano, 2 violin… (79)
Solistes (SATB), Choeur Mixte … (75)
Harpsichord (71)
Flute, Orchestra (67)
Flute (65)
Woodwind Quintet: flute, oboe,… (65)
High voice, Piano (65)
Viola, Piano (64)
Medium voice, Piano (62)
String Trio: violin, viola, ce… (55)
Choral 3-part (50)
Clavecin Et Instruments A Cord… (49)
Soli and Orchestra (48)
Piano Quartet: piano, violin, … (47)
Chamber Orchestra (46)
Horn and Orchestra (45)
Violon, Instruments ŕ Cordes e… (44)
5 Parties Mixtes (42)
2 Choeurs Mixtes (SATB Et SATB… (41)
Clarinet and Piano (41)
Soli (ATB), Choeur Mixte (SATB… (40)
Soprano, Choeur Mixte (SATB), … (39)
Soprano voice, Piano (39)
Flute, Basso continuo (36)
Orgue Et Orchestre (35)
Harpsichord and Strings (34)
Soli (STB), Choeur Mixte (SATB… (33)
6 Parties Mixtes (33)
Conducteur (32)
2 Violins (duet) (31)
Violin, Cello (duet) (30)
Voice, Organ (30)
Voice and Orchestra (30)
2 Flutes (duet) (29)
Violin, Basso continuo (28)
Low voice, Piano (28)
2 Cellos (duet) (27)
2 Recorders (duet) (27)
Clarinet, Orchestra (27)
Choral, Orchestra (27)
Choral SSATB (26)
2 Guitars (duet) (26)
String Trio: 2 violins, cello (26)
Recorder Quartet (25)
3 Parties Similaires (25)
Trio (25)
Flute and Guitar (25)
Oboe (24)
Soli (T (Evangelist), B (Jesus… (24)
String Quintet: 2 violins, vio… (24)
Baritone voice, Piano (24)
Tenor voice, Piano (24)
Soli (STB), Choeur Mixte (SSAT… (23)
Soli (SSATB), Choeur Mixte (SS… (23)
Voice solo (23)
Double Bass (23)
Conducteur et Poche (23)
2 Violins and Basso (22)
Guitare (22)
Violon, Instruments A Cordes E… (22)
4 Parties Mixtes, Instruments … (20)
Easy Piano (20)
Soli (SAB), Choeur Mixte (SATB… (20)
Soli (AT), Choeur Mixte (SATB)… (20)
French Horn and Piano (20)
Orchestre Et Orgue (19)
Solo instrument and Organ (19)
Choeur Mixte (SATB), Instrumen… (19)
Flute Quartet: Flute, Violin, … (19)
Gemischter Chor (SATB) und Orc… (18)
Soli (SAB), Choeur Mixte (SATB… (18)
4 Parties Mixtes Et Orchestre (18)
Choral SSAATTBB (18)
Accordion (18)
String quintet (18)
Brass Quintet: 2 trumpets, hor… (17)
Choeur Mixte (SATB), Orchestre… (17)
Cordes Et Basse Continue (17)
Soli (SATB, Soprano Aussi Chor… (17)
Harp, Orchestra (16)
Soli (SATB), Choeur Mixte (SAT… (16)
Soli (SB), Choeur Mixte (SATB)… (16)
Clarinet (16)
4 Voix D'Hommes (16)
Piano ou Clavecin et Instrumen… (16)
2 Petits Choeurs Mixtes A 4 Vo… (16)
Piano et Orchestre (16)
Choral SSAA (16)
Ensemble Instrumental et Petit… (16)
Soli (ATB), Choeur Mixte (SATB… (15)
Quatuor (15)
Flute, Violin, Violoncello and… (15)
Choeur Mixte (SATB) Et Instrum… (15)
Quatuor De Flűtes A Bec (Quatu… (15)
Gemischter Chor (SSATB/SSATB/S… (15)
Soli (T (Evangelist), B (Jesus… (15)
Violoncello, Basso continuo (14)
3 Violons, Instruments ŕ Corde… (14)
Oboe and Orchestra (14)
SB, 4 Parties Mixtes et Orches… (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Flűte Traversičre, Violon, Ins… (14)
Descant (Soprano) Recorder (14)
Violin, Viola and Orchestra (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Flute, Violin, Keyboard (basso… (14)
2 Choeurs Mixtes Et Orchestre … (14)
Violin, Viola (duet) (14)
Soli (AB), Choeur Mixte (SATB)… (14)
Harp (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
Basse, Choeur Mixte (SATB) Et … (13)
Soprano, 4 Parties Mixtes 2 Tr… (13)
Cello, String Bass (duet) (13)
Choeur Mixte (SATB), Soli Et O… (13)
Orgue (Clavecin) (13)
Soli (STB), Choeur Mixte (SATB… (13)
Voix Haute(s) Et Piano (13)
Soli (SATB), Choeur Mixte (SAT… (13)
4 Parties Mixtes, 2 Trompettes… (13)
Bassoon, Orchestra (13)
Violin, Organ (13)
3 Guitars (trio) (13)
Violon II (13)
Viola, Organ (13)
Violon I (13)
Soli (SSTB) Et Orchestre Choeu… (12)
Pocket, Study conductor (12)
Quintette (12)
Soli (SATB), Choeur Mixte (SAT… (12)
Choeur De Chapelle, 4 Parties … (12)
Orchester (12)
String Quintet : 2 Violins, Vi… (12)
Choeur Mixte (SATB, Partie(s) … (12)
Trumpet (12)
2 Sopranos, Choeur Mixte (SATB… (12)
Treble (Alto) Recorder, Basso … (12)
Soli (SSAATB), Choeur Mixte (S… (12)
Soprano, Trompette, 2 Violons,… (12)
2 Petits Choeurs A 4 Voix Et B… (12)
Violon 2 (12)
Recorder, Piano (12)
Trombone (11)
Clarinette (Clarinette De Bass… (11)
Medium Voice (11)
Clavecin ou Piano et Instrumen… (11)
Clarinette, 2 Violons, Viole e… (11)
Gemischter Chor (SSAATBB) und … (11)
SATBasse (2 Grands Choeurs Mix… (11)
Solistes (SATB), Choeur Mixte … (10)
S, A, A, T, B, Choeur Mixte A … (10)
Orchestre de Jeunes (10)
2 Choeurs Mixtes ŕ 4 Voix (10)
Organ, Piano (duet) (10)
Solistes (STB), Choeur Mixte (… (10)
All Instruments (10)
Choeur Mixte (SATB), Orchestre… (10)
String Trio: 2 violins, viola (10)
Solistes, Choeur Mixte (SATB),… (10)
Violon, Viole et Violoncelle (10)
Flute, Clarinet (duet) (10)
Basse, Choeur Mixte (SATB), Ha… (10)
Violon, Viole Et Orchestre (10)
Concert band, Choral (10)
2 Flűtes Traversičres, Instrum… (10)
Soli (STB), Choeur Mixte (SSAT… (10)
Clavecin, 2 Flűtes A Bec Et In… (10)
Choeur Mixteor (SATB), Orchest… (10)
Organ, Voice (10)
2 Parties Similaires (10)
Choeur De Femmes A 1 A 5 Voix,… (10)
2 Recorders, Basso continuo (t… (10)
Clavecin (10)
Solo Instrument (Violon I, Vio… (9)
ATB S, S, T, T, Choeur Mixte (… (9)
Viole et Orchestre (9)
Choral 2-part (9)
Oboe, Piano (duet) (9)
Orgue, 2 Trompettes et 3 Tromb… (9)
2 Choeurs Mixtes ŕ 4 Voix et B… (9)
2 Violons, Instruments A Corde… (9)
SATB, 4 Parties Mixtes et Inst… (9)
Bassoon, Piano (duet) (9)
Voice, Clarinet, Piano (9)
2 Violons et Viole (9)
Choeur Mixte A 5 Voix (9)
2 Violons Et Orchestre (9)
Flute, Violin and Violoncello (9)
Choeur De Chapelle, Choeur Mix… (9)
Bassoon (9)
Cordes, Basse Continue, Partie… (9)
Vocal duet (9)
Clarinette, Viola and Piano (t… (9)
5 Parties Mixtes, Instruments … (9)
4 Guitars (Quartet) (9)
Choeur Mixte (SSATB) et Basse … (9)
Trumpet, Piano (9)
Octuor (8)
French horn (8)
Quintette ŕ Cordes (8)
Violon 1 (8)
Clarinette Basse, Trombone, Pi… (8)
Choeur Mixte (SAB/STB) (8)
Hautbois, Instruments ŕ Cordes… (8)
Choeur Mixte (Voix SAM), Flűte… (8)
Soli (SSATB), Choeur Mixte (SA… (8)
S, A, (T, B Du Choeur), Choeur… (8)
Ensemble A Vent (8)
Hautbois, Violon, Instruments … (8)
Flűte Traversičre, Hautbois, C… (8)
S, S, A, T, B, 5 Parties Mixte… (8)
Voix Hautes (8)
Treble (Alto) Recorder (8)
Musique de chambre (8)
Choeur Mixte ŕ 5 Voix (8)
2 Clarinets (duet) (8)
3 Violons, Alto et Violoncelle… (8)
Horn, Violin, 2 Violas and Cel… (8)
S, A, T, B Du Choeur Ad Libitu… (8)
Recorder (8)
4 Parties Mixtes (Ou 3 Parties… (8)
6 ŕ 8 Parties Mixtes et Basse … (8)
Choeur Mixte (SATB, Partie(s) … (8)
Soli (STB) Et Orchestre (8)
Soli (SATB), Gemischter Chor (… (8)
4 Guitares ou Ensemble de Guit… (8)
Trio avec Piano (8)
Descent (Soprano) Recorder, Pi… (8)
4 Parties Mixtes, 2 Violons, 2… (8)
Soprano ou Ténor, Soprano ou T… (8)
Hohe Stimme, Melodie-Instrume… (8)
S, T, 4 Parties Mixtes Instrum… (8)
Choeur Mixte (SSATB) Et Instru… (8)
Voix, Instruments (8)
Soli (SSATTBB), Choeur Mixte (… (8)
Double bass, Piano (duet) (8)
Flűte Traversičre, Clarinette,… (7)
S, A, T, B, Choeur Mixte A 4 V… (7)
Harpsychord (7)
Cordes Et Orgue (7)
5 Parties Mixtes, 2 Trompettes… (7)
Piano, Violon Et Violoncelle (7)
2 Pianos et Orchestre (7)
Cordes et Basse Continue (2 Fl… (7)
Soprano, Choeur Mixte ŕ 4 Voix… (7)
Choeur Mixte (SATB), 2 Cors, 2… (7)
3 Parties Mixtes, Flűte A Bec … (7)
Choeur Mixte (SATB), Choeur De… (7)
Ténor, Basse (A, B), Solistes … (7)
Clarinette, Basson, Cor, 2 Vio… (7)
SATB, 4 Parties Mixtes, 3 Clar… (7)
Piano (Ou Clavecin) Et Orchest… (7)
Choeur Mixte (SATB), Instrumen… (7)
2 Hautbois, Basson, 2 Cors, In… (7)
Soli (SATB), Choeur Mixte (SAT… (7)
Clarinet, Cello, Piano (trio) (7)
Baryton, Choeur De Garçons A 2… (7)
Choeur Mixte (SATB, Partie(s) … (7)
SB, 5 Parties Mixtes, Instrume… (7)
1 Voix, Quatuor Pour Flűtes A … (7)
Mezzo-Soprano voice, Piano (7)
S, S, Basse (Chorale Ou En Sol… (7)
Flűte Traversičre, Violon et B… (7)
Flexible Instrumentation (7)
4 Parties Similaires Et Orches… (7)
Soli, Choeur Mixte (SATB), Ins… (7)
3 Hautbois, Basson, Instrument… (7)
Organ, Trumpet (duet) (7)
2 Trompettes, Batterie Et Orch… (7)
6 Instruments ŕ Cordes et Bass… (7)
Trompette Et Orchestre (7)
Soli (SATB), Chor (SATB/SATB) … (7)
T, B, Hautbois, Instruments A … (7)
Soli (SB) Et Orchestre (7)
3 Parties Similaires, Flűte A … (7)
2 Choeurs Mixtes A 4 Voix, Ens… (7)
Drums (7)
Choeur Mixte (SATB), Flűte A B… (7)
4 Parties Mixtes, 2 Trompettes… (7)
Choeur Mixte (SAB), Flűte A Be… (7)
Violon 1, Violon 2, Alto, Viol… (7)
Oboe, Basso continuo (7)
Streichorchester (7)
Violin, Clarinet, Piano (trio)… (6)
2 Violas (duet) (6)
Violon, Clavecin Obligatoire E… (6)
Clavecin, Hautbois Obligatoire… (6)
Hautbois, Basson, Violon, Viol… (6)
Clavier et Piano (6)
Flute Trio: 3 flutes (6)
Soli (SATB), Chor (SATB) und K… (6)
Klavier und Orchester (6)
Choeur Mixte (ATB) Ou Choeur D… (6)
2 Petits Choeurs ŕ 4 Voix, 2 G… (6)
Soli (du Choeur), 1 Voix D'Enf… (6)
Soli, Gemischter Chor 1 & 2, … (6)
String Quintet: 2 violins, 2 v… (6)
Percussion (6)
Saxophone and Orchestra (6)
4 Flűtes ŕ Bec (Instruments ŕ … (6)
4 Parties Mixtes, Choeur De Pa… (6)
3 A 5 Parties Mixtes (6)
Solistes (SATB) . Choeur Mixte… (6)
2 Flűtes Traversičres, 2 Hautb… (6)
Flute Quartet: 4 flutes (6)
2 Flutes, Violoncello (6)
4 Parties Mixtes, 2 Violons et… (6)
Orgue (Piano) (6)
Alto, Cordes Et Basse Continue… (6)
Viole, Instruments A Cordes Et… (6)
Kammerorchester (6)
Hautbois D'Amour (Hautbois), I… (6)
Soli (SATB), Gemischter Chor (… (6)
Violin, Cello, Organ (6)
Choral, Organ (6)
2 Maîtres De Chapelle Du Choeu… (6)
Choeur Mixte A 3 Voix, 2 Violo… (6)
Soprano, Orchestre et Orgue (6)
2 Flűtes A Bec, Hautbois, Viol… (6)
Cordes (Aussi Chorale) (6)
4 A 6 Parties Mixtes (2 Guitar… (6)
Hautbois, Trompette, Instrumen… (6)
Tuba (6)
Flute, Cello, Piano (trio) (6)
Choeur Mixte A 4 Voix, 2 Violo… (6)
Soli (SATB), Choeur Mixte (SAT… (6)
Hautbois, Clarinette, 4 Violon… (6)
2 Choeurs Mixtes (SATB Et SATB… (6)
Flűte ŕ Bec Alto, Instruments … (6)
3 Parties Mixtes (SSB, Aussi E… (6)
Gemischter Chor (SATB/CantoATB… (6)
Instruments A Vent (6)
Soli (SAT), Choeur Mixte (SATB… (6)
Alto, 4 Parties Mixtes Orchest… (6)
S, S, A, T, Basse (Aussi Chora… (6)
3 Parties Mixtes, 2 Violons Et… (6)
Choeur Mixte (SATB), Flűte A B… (6)
Clavecin et Instruments ŕ Cord… (6)
Soli (SATB), 2 Choeurs Mixtes … (6)
4 Voix (Ténor, Flűte ŕ Bec Alt… (6)
Choeur De Femmes A 3 Voix (Cho… (6)
6 Pianos Et Orchestre (6)
Piano (Ou Clavecin) Et Orchest… (6)
Flűte Traversičre et Instrumen… (6)
3 Recorders (trio) (6)
3 Instruments ŕ Cordes/4 Instr… (6)
SingSt, Klavier (6)
4 Parties Mixtes, Flűte Traver… (6)
Gesang (6)
Violin, Horn and Piano (6)
Soprano voice, Orchestra (6)
Petit Orchestre (6)
Stationery (6)
Choeur Mixte (SATB), 2 Trompet… (5)
Blechbläser (5)
Voix Hautes (Original) et Pian… (5)
2 A 4 Parties (5)
Voix Haute(s) Ou Moyenne(s), 1… (5)
2 Violons ou Flűte Traversičre… (5)
Organ and Brass Quartet (5)
Solistes (SAAATTTTBBB), Choeur… (5)
2 Flűtes Traversičres, Instrum… (5)
Soprano, Violon I, Violon II e… (5)
Soprano, Choeur Mixte (SSATB, … (5)
Choeur Mixte (SATB), 2 Hautboi… (5)
Maître De Chapelle (Tenor Et R… (5)
2 Hautbois (Ou 2 Flűtes A Bec … (5)
Choeur Mixte (SATB) Et Basse C… (5)
2 Flűtes Traversičres, 2 Hautb… (5)
Quintette (2 Violons, Viole et… (5)
Choeur Mixte et Orchestre (5)
Flűte Traversičre, 2 Hautbois,… (5)
3 Parties Mixtes (5)
Instrument (5)
Trompette et Orchestre de Cham… (5)
5 Parties Mixtes, Instruments … (5)
Flűte Traversičre, 2 Hautbois,… (5)
Soli (SATB), Chor (SATB) und O… (5)
Soli (SSATTB), Choeur Mixte (S… (5)
3 Clarinets (trio) (5)
4 Parties Mixtes et Orgue (5)
S, S Basse (Aussi Chorale), 2 … (5)
4 A 6 Parties Mixtes (5)
Choral SSAATBB, Organ (5)
Choeur Mixte (SAB) (2 Violons … (5)
3 Guitares ou plus (5)
Descant (Soprano) Recorder, Ba… (5)
Solistes, Choeur Mixte, et Orc… (5)
3 Instruments Mélodiques et Ba… (5)
2 Choeurs Mixtes (SATB et SATB… (5)
Viole (5)
Singstimme (5)
Concert band (5)
Saxophone (5)
Triangle et Orchestre ŕ Cordes… (4)
Baryton, Choeur Mixte (SATB), … (4)
Voix Haute(s), 5 Parties Mixte… (4)
2 Violons, Instruments ŕ Corde… (4)
3 Choeurs d'Hommes (TTBB) (4)
S, T, 2 Violons Et Violoncelle… (4)
Guitar, String Quartet (4)
Violoncelle (Partie Séparée) (4)
Viol et Basse Continue (4)
S, SATB, B, (2 Grands Choeurs … (4)
Clarinette et Instruments ŕ Co… (4)
2 Violons ou Clarinette et Vio… (4)
Flűte Traversičre, Accesoires … (4)
Organ, Percussion (4)
2 Violons, Violoncelle (ou Alt… (4)
S, A, T, T, B, 5 Parties Mixte… (4)
Flűte Traversičre Alto (Grande… (4)
Organ and Orchestra (4)
Flűte Traversičre, Hautbois et… (4)
Low voice, Organ (4)
Soprano, Flűte Traversičre, Vi… (4)
Klavierauszug - Sopran solo, … (4)
Choeur Mixte (SATB), Hautbois … (4)
Lute (4)
Flűte Traversičre, Orchestre D… (4)
4 Parties Mixtes, Instruments … (4)
Flűte Traversičre ou Violon), … (4)
4 A 10 Parties Mixtes (4)
Violon, Viole ou Violon et Bas… (4)
Solistes (SSATTB), Choeur Mixt… (4)
Flűte Traversičre Alto, 2 Flűt… (4)
Violoncelle, Contrebasse, Bass… (4)
1 ou 2 Flűtes ŕ Bec Soprano (4)
Hautbois, 2 Cors et Instrument… (4)
2 Violons ou Flűte Traversičre… (4)
Contrebasse (Partie séparée) (4)
Wind ensemble (4)
2 Violins, Piano (4)
Flűte ŕ Bec Soprano, Flűte ŕ B… (4)
Musique de Chambre et Piano (4)
2 Choeurs Mixtes ŕ 4 Voix (SSA… (4)
Flűte Traversičre ou Violon), … (4)
Choeur Mixte A 2 A 8 Voix Et O… (4)
Flűte ŕ Bec Alto, Flűte ŕ Bec … (4)
Soli (ATB), Chor (SSATB) und O… (4)
Piano et Quatuor ŕ Cordes (4)
2 Flutes, Piano (4)
Solistes, SATB et Orchestre (4)
Vocal (4)
Alto, 2 Violons et Basse Conti… (4)
Hautbois D'Amour et Orchestre … (4)
Flűte ŕ Bec Soprano, Flűte ŕ B… (4)
Baryton, Choeur Mixte (SATB), … (4)
Piccolo, Piano (4)
Low voice (4)
Violon Solo, Violoncelle Solo,… (4)
Horn und Orchester (4)
4 ŕ 5 Parties Mixtes (4)
Violon, Violoncelle et Contreb… (4)
2 Gemischter Choren, Orcheste… (4)
Alto Saxophone and Piano (4)
Soli (SAATTBB), Choeur Mixte (… (4)
Flűte Traversičre (Ou Flűte Tr… (4)
Flűte ŕ Bec Soprano, Flűte ŕ B… (4)
S, B, 2 Violons Et Basse Conti… (4)
2 Violons, Violoncelle et Bass… (4)
Flűte Traversičre Hautbois, Ba… (4)
Violoncelle et Orchestre de Ch… (4)
Soprano, Choeur Mixte (SATB) E… (4)
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Concerto
Clavecin Et Instruments A Cordes
Barenreiter
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Cembalokonzert I
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Cembalokonzert I
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Cembalokonzert I
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Cembalokonzert II
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Cembalokonzert VII
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Cembalokonzert
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Cembalokonzert
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Cembalokonzert IV
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Cembalokonzert I
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Johann Sebastian Bach: Concerto For Harpsichord In G Minor: Harpsichord: Part
Clavecin Et Instruments A Cordes
Barenreiter
G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish ...
(+)
G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor BWV 1058 is the last complete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. Ms. Bach 234). However it only came to occupy this position later when the manuscript wasbound. It stands at the very outset of the genesis of this group of works and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this case the original model the Concerto for Violin and Strings in A minor (BWV 1041) has survived thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score & parts (BA5230) two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Johann Sebastian Bach: Concerto For Harpsichord No.5 In F Minor: Harpsichord:
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called 'Scottish Collegium Musician...
(+)
In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor BWV 1056 is the fifth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model is nowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228) two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Johann Sebastian Bach: Harpsichord Concerto No.2 in E major: Harpsichord: Part
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bach prepared in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument although opinions differ on the original key and instrument. Bach had alreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169) at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225) two-keyboard reduction (BA5225-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Johann Sebastian Bach: Concerto For Harpsichord In G Minor: Harpsichord: Part
Clavecin Et Instruments A Cordes
Barenreiter
G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish ...
(+)
G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor BWV 1058 is the last complete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. Ms. Bach 234). However it only came to occupy this position later when the manuscript wasbound. It stands at the very outset of the genesis of this group of works and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this case the original model the Concerto for Violin and Strings in A minor (BWV 1041) has survived thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score & parts (BA5230) two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Johann Sebastian Bach: Concerto for Keyboard No.4 in A major BWV 1055:
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for Harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly Violin or Oboe).- Urtext of the New Bach Edition- Full scores and performing material to the five concertos for Harpsichord and Strings BWV 1052-1056 (BA5224-BA5228) the concerto for Harpsichord two Recorders and Strings BWV 1057 (BA5229) as well as the concerto BWV 1058 (BA5230) also for Harpsichordand Strings based on the Violin concerto in A minor are available for sale.- Study score of the Complete Concertos for Keyboard format 22.5 x 16.5cm (TP410)
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Johann Sebastian Bach: Harpsichord Concerto No.2 in E major: Harpsichord: Part
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bach prepared in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument although opinions differ on the original key and instrument. Bach had alreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169) at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225) two-keyboard reduction (BA5225-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Concerto For Harpsichord No.5 In F Minor: Harpsichord:
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called 'Scottish Collegium Musician...
(+)
In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor BWV 1056 is the fifth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model is nowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228) two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Johann Sebastian Bach: Concerto for Keyboard No.4 in A major BWV 1055:
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for Harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly Violin or Oboe).- Urtext of the New Bach Edition- Full scores and performing material to the five concertos for Harpsichord and Strings BWV 1052-1056 (BA5224-BA5228) the concerto for Harpsichord two Recorders and Strings BWV 1057 (BA5229) as well as the concerto BWV 1058 (BA5230) also for Harpsichordand Strings based on the Violin concerto in A minor are available for sale.- Study score of the Complete Concertos for Keyboard format 22.5 x 16.5cm (TP410)
5.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Harpsichord Concerto No.3 in D major: Harpsichord: Part
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-major Concerto BWV 1054 originated as a transcription of Bach’s Violin Concerto in E major BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234) where BWV 1054 forms the third item. Toaccommodate the upper limit of the harpsichord keyboard Bach decided to transpose the piece down a whole tone which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line.The D-major Concerto owes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement a form otherwise seldom encountered in his concertos.Urtext of the New Bach EditionFull score & parts (BA5226) two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.50 GBP - Sold by Musicroom UK
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Carl Philipp Emanuel Bach: Concerto for Harpsichord in D minor BWV 1052a:
Clavecin Et Instruments A Cordes
Barenreiter
Based on Johann Sebastian Bach. First edition-In early 1729 Bach became director...
(+)
Based on Johann Sebastian Bach. First edition-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).When Johann Sebastian Bach created his six-part corpus of harpsichord concertos in 1738 (BWV 1052-1057) he gave pride of place to the Concerto in D minor BWV 1052. It has long been thought for good reasons that this piece was based on a lost violin concerto in the same key that he had already transcribed on twoprevious occasions.The second 'forerunner' of BWV 1052 is the present harpsichord concerto. It was first published by Wilhelm Rust in volume 17 of the old Bach Society Gesamtausgabe (1869) and given the number BWV 1052a in the Schmieder catalogue. Rust felt that Johann Sebastian Bach himself wrote out the principal source a set of orchestral parts preserved in the Berlin Staatsbibliothek under the shelf mark Mus. ms. St 350 and therefore treated the piece as an authentic early version of BWV 1052. Today however we know that the scribe was Carl Philipp Emanuel Bach who is generally also regarded as the work's author.Urtext of the New Bach EditionParts (BA5231) two-keyboard reduction (BA5231-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Johann Sebastian Bach: Concerto For Harpsichord No.5 In F Minor: Harpsichord:
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called 'Scottish Collegium Musician...
(+)
In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor BWV 1056 is the fifth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model is nowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228) two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Harpsichord Concerto No.3 in D major: Harpsichord: Part
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-major Concerto BWV 1054 originated as a transcription of Bach’s Violin Concerto in E major BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234) where BWV 1054 forms the third item. Toaccommodate the upper limit of the harpsichord keyboard Bach decided to transpose the piece down a whole tone which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line.The D-major Concerto owes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement a form otherwise seldom encountered in his concertos.Urtext of the New Bach EditionFull score & parts (BA5226) two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Concerto For Harpsichord In G Minor: Harpsichord: Part
Clavecin Et Instruments A Cordes
Barenreiter
G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish ...
(+)
G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor BWV 1058 is the last complete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. Ms. Bach 234). However it only came to occupy this position later when the manuscript wasbound. It stands at the very outset of the genesis of this group of works and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this case the original model the Concerto for Violin and Strings in A minor (BWV 1041) has survived thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score & parts (BA5230) two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Harpsichord Concerto No.3 in D major: Harpsichord: Part
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-major Concerto BWV 1054 originated as a transcription of Bach’s Violin Concerto in E major BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234) where BWV 1054 forms the third item. Toaccommodate the upper limit of the harpsichord keyboard Bach decided to transpose the piece down a whole tone which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line.The D-major Concerto owes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement a form otherwise seldom encountered in his concertos.Urtext of the New Bach EditionFull score & parts (BA5226) two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Concerto For Harpsichord No.5 In F Minor: Harpsichord:
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called 'Scottish Collegium Musician...
(+)
In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor BWV 1056 is the fifth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model is nowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228) two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Harpsichord Concerto No.3 in D major: Harpsichord: Part
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-major Concerto BWV 1054 originated as a transcription of Bach’s Violin Concerto in E major BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234) where BWV 1054 forms the third item. Toaccommodate the upper limit of the harpsichord keyboard Bach decided to transpose the piece down a whole tone which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line.The D-major Concerto owes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement a form otherwise seldom encountered in his concertos.Urtext of the New Bach EditionFull score & parts (BA5226) two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Harpsichord Concerto No.2 in E major: Harpsichord: Part
Clavecin Et Instruments A Cordes
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
(+)
In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bach prepared in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument although opinions differ on the original key and instrument. Bach had alreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169) at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225) two-keyboard reduction (BA5225-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK
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Carl Philipp Emanuel Bach: Concerto for Harpsichord in D minor BWV 1052a:
Clavecin Et Instruments A Cordes
Barenreiter
Based on Johann Sebastian Bach. First edition-In early 1729 Bach became director...
(+)
Based on Johann Sebastian Bach. First edition-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).When Johann Sebastian Bach created his six-part corpus of harpsichord concertos in 1738 (BWV 1052-1057) he gave pride of place to the Concerto in D minor BWV 1052. It has long been thought for good reasons that this piece was based on a lost violin concerto in the same key that he had already transcribed on twoprevious occasions.The second 'forerunner' of BWV 1052 is the present harpsichord concerto. It was first published by Wilhelm Rust in volume 17 of the old Bach Society Gesamtausgabe (1869) and given the number BWV 1052a in the Schmieder catalogue. Rust felt that Johann Sebastian Bach himself wrote out the principal source a set of orchestral parts preserved in the Berlin Staatsbibliothek under the shelf mark Mus. ms. St 350 and therefore treated the piece as an authentic early version of BWV 1052. Today however we know that the scribe was Carl Philipp Emanuel Bach who is generally also regarded as the work's author.Urtext of the New Bach EditionParts (BA5231) two-keyboard reduction (BA5231-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
5.00 GBP - Sold by Musicroom UK
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