SKU: SU.26030041
Set of PartsX-ING is the intersection of sound worlds at a crossing of stylistic boundaries. The three movements characterize three X-ING concepts: 1. Pegasus X-ING, 2. X-ING Over, 3. Double X-ING.Electric Viola (or 5 string Violin); 4fl,2ob,eh,2cl,bcl; asx,tsx,bari; 4tpt,4hn,2tbn,btbn,euph,tba; 6perc,hp; cb Duration: 15' Composed: 2017 Published by: Vener Music Publishing (ASCAP) Also available: Full Score cat#26030040.
SKU: SU.26030040
Full ScoreX-ING is the intersection of sound worlds at a crossing of stylistic boundaries. The three movements characterize three X-ING concepts: 1. Pegasus X-ING, 2. X-ING Over, 3. Double X-ING.Electric Viola (or 5 string Violin); 4fl,2ob,eh,2cl,bcl; asx,tsx,bari; 4tpt,4hn,2tbn,btbn,euph,tba; 6perc,hp; cb Duration: 15' Composed: 2017 Published by: Vener Music Publishing (ASCAP) Also available: Set of Parts cat#26030040.
SKU: CL.012-4603-75
Composed by Carl Maria von Weber for solo viola with orchestra, the Hungarian Rondo has become a standard repertoire bassoon solo. This edition offers a choice of soloist, including bassoon, bass clarinet, euphonium, or tuba. The band setting is carefully arranged to require a minimum of preparation time, and is playable with either full concert band, or if accompanying a soloist requiring greater presence, just woodwinds and horns. The finale includes an ossia part as well as the original. An excellent piece to feature a guest artist or outstanding soloist with your band!
About C.L. Barnhouse Spotlight Series
The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments
SKU: CL.012-4603-00
SKU: CL.012-4603-01
SKU: SU.50501250
Viola solo; picc, fl, ob, eh, Eb cl, 2Bb cl, bcl, 2bn, cbn; 2hn, 2 tp, 2 tbn, tba; perc (Mar, Vibr, SD, BD, Tri) Duration: 14' Composed: 2013 Published by: Seesaw Music.
SKU: XC.FCB2106
UPC: 812598038644. 9 x 12 inches.
Who would have thought that sea shanties would have caused a huge social media craze? These four classic yet timely shanties are scored in full four-part-flex with percussion and viola world parts. These are also perfectly suitable for festival performance in addition to the countless other applications of this fun and energetic music!
SKU: XC.FCB2106FS
UPC: 812598038652. 9 x 12 inches.
SKU: CF.YPS125F
ISBN 9780825892639. UPC: 798408092634. 9 x 12 inches.
A joyous arrangement of three familiar Christmas favorites is also a means of introducing the rondo form to your students. Jolly Old Saint Nicholas is the recurring rondo A-theme, presented with variation each time and featuring different sections of the band. The contrasting B- and C-themes are Deck the Halls and Up on the Housetop, providing the maximum opportunity for style and dynamic contrast. A delightful choice for your next holiday concert.
SKU: CF.YPS120F
ISBN 9780825892530. UPC: 798408092535. 9 x 12 inches.
Chant, Chorale and Dance for young band is composed of three contrasting styles as the title implies. Along with its baroque-like modal harmonies, this work provides the young musician with ample opportunities for expressive and technical development. It is the perfect piece for concert or contest performances.
SKU: MH.1-59913-064-5
ISBN 9781599130644.
I wrote Galloping Ghosts (A Ragtime March) to conclude a concert of my chamber music in New York City on October 28, 1986. It is the final part of a work called Rags for Divers Players. This work was written to show the variety possible within the standard rag form. I used all the players available for the finale -- two violins, viola, cello, bass, flute, oboe, clarinet, horn, bassoon, and piano. Since this is a rather unusual instrumental combination and not easy to reassemble, I decided to rescore the work for concert band. Galloping Ghosts is written in a standard march form but incorporates many of the syncopations found in ragtime. The uniquely American music called ragtime traces its history to African rhythms brought over by slaves. Over the years this music became welded to European musical forms such as the quadrille and the march. Drums and banjos and the minstrel tradition lent a special flavor, and from all these elements ragtime slowly evolved within the largely unknown black subculture of the late 19th century. In the late 1890's it emerged as a fully developed form in the classic piano solos of Scott Joplin (1869-1917). Joplin's 1899 hit, Maple Leaf Rag, was an overnight sensation and brought ragtime worldwide fame. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 & 2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 3 Bb Bass & Bb Contrabass Clarinet, 2 Bassoon 1 & 2, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Cornet 1, 3 Bb Cornet 2, 3 Bb Cornet 3, 2 Horn 1 & 2 in F, 2 Horn 3 & 4 in F, 4 Trombone 1 & 2, 4 Bass Trombone, 2 Baritone (B.C.), 2 Baritone (T.C.), 4 Tuba, 1 String Bass, 1 Timpani, 1 Xylophone, 3 Percussion 1, 3 Percussion 2.
SKU: HL.49000797
ISBN 9790001106146.
SKU: AP.36-52784001
English.
Anna Amalia of Prussia held various titles during her lifetime, including Princess and Abbess of Quedlinburg. Born in Berlin, she was one of ten surviving children of the royal family of King Frederick William I of Prussia. Princess Anna Amalia studied harpsichord, piano and counterpoint. Princess Anna also founded a music library collection, which included autographed scores of J.S. Bach and other composers. This collection still exists today (Amalien Bibliothek). This two-movement Divertimento in Bb Major has something for everyone. The melodic and secondary parts are passed equally between the instruments. The piano part is quite playable for a high school student. It has the character of a conversation between friends gathering for a friendly afternoon tea. This arrangement is scored for piano quartet, with a substitue clarinet part in place of violin.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: CF.YPS121F
ISBN 9780825892554. UPC: 798408092559. 9 x 12 inches.
Band conductors know of this famous folk song because of the popular setting by band composing icon Percy Grainger, but it has been out of reach for young bands... until now! Andrew Balent has arranged the delightful tune in a setting that works wonderfully for young band.
SKU: HL.44004695
UPC: 073999463712.
(Two violin, one viola, one cello).
SKU: CF.YPS123F
ISBN 9780825892592. UPC: 798408092597. 9 x 12 inches.
Joseph Compello gives us Morning Glory, which is evocative of some of the greatest marches, but well with in the capabilities of young bands. It is harmonious, with creative counter lines in the low brass and standard modulation at the trio. Perfect for a contest/festival warm-up.
SKU: MH.0-931329-53-1
ISBN 9780931329531.
Journey back to ancient Greece and view a place of long-gone legend. Follow the trail to the Kingdom of Ithaca, from the heroic palace, to a place of tranquility, to a reckless dance of abandon, to the return of Odysseus. The melodic material used in 200 B.C. is from a two thousand year old Greek hymn to Apollo. The legendary adventures of Odysseus as described by Homer in the Odyssey (ca. 700 B.C.) provide the programmatic material. The music is freely based upon the First Delphic Hymn (or Paen to Apollo), composed ca. 200 B.C. The source is a transcription appearing on pages 363 - 367 of Ancient and Oriental Music, Edited by Egon Wellesz (Oxford University Press: London, 1957). Each movement of the work depicts a key event in the epic Homeric poem, as described below. Movement I: Intrada - The first four notes of this movement, C - Bb - G - Bb, are the melodic and harmonic foundation for the entire work. These pitches, introduced in a simple and direct manner, are subsequently developed in more complex fashions throughout the suite. Following this stately introduction is a militaristic fanfare that introduces the dotted-eighth and sixteenth-note figure later reprised in the second and fourth movements. Indeed, all the musical ideas which will be central to the remaining movements first appear in the Intrada. This movement depicts the grandeur of Odysseus and his kingdom in Ithaca, and establishes the heroic mood of the entire work. Movement II: Ballad - After a brief restatement of the opening dotted-eighth-and-sixteenth fanfare, the second movement extracts the falling third (Bb to G) from the C - Bb - G - Bb motif and extends it and expands it into a haunting solo for alto saxophone. The C - Bb - G - Bb motif appears again (see measures 23 - 33 in trumpets) as counterpoint to this melody, now pulsing through the thick texture of the band. Many performers have come to view the Ballad as the emotional epicenter of the entire suite; my conception of the Ballad is to achieve a union of pathos and strength. Programmatically, this movement depicts Odysseus's son, Telemachos, as he both longs for Odysseus's return and stoically defends his father's kingdom. Movement III: Dance - It will take Odysseus twenty years to return to Ithaca. During his absence, noblemen besiege his palace, violating the sanctity of the household and seeking the hand of his wife, Penelope. This movement depicts the wanton revelries that result. The original four-note motif is chromatically altered and the meter is made irregular. The rapid tempo, driving percussion, and angular meter and melodies combine in an explosion of reckless abandon. Movement IV: March Building from a delicate woodwind ensemble accompanied by finger cymbals to a fully orchestrated statement replete with thundering percussion, this is a resounding march of victory. Odysseus has returned in triumph to restore dignity to his household and to reclaim the throne of the Kingdom of Ithaca. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 - 2, 2 Oboe 1 - 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet, 2 Bassoon 1 - 2, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1-2, 2 F Horn 3-4, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (B.C.), 2 Euphonium T.C., 4 Tuba, 1 Timpani, 2 Mallet Percussion: Bells, Xylophone, 2 Percussion 1: Snare Drum, Tambourine, 2 Percussion 2: Crash Cymbals, Suspended Cymbal, Tom-Tom, Finger Cymbals, 1 Percussion 3: Bass Drum.
SKU: CF.YPS124F
ISBN 9780825892615. UPC: 798408092610. 9 x 12 inches.
This hymn tune has been used in movies and television, most notably in the soundtrack of the film True Grit. Carl Strommen brings us a lush and reverent treatment of the Anthony Showalter hymn that will encourage the musical growth of your ensemble. Stunningly beautiful!
SKU: CF.YPS122F
ISBN 9780825892578. UPC: 798408092573. 9 x 12 inches.
Black Mast conjures images of a dramatic life on the high seas in the service of a pirate captain and crew, and is also Peter Terry's first work in the Carl Fischer catalogue.
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