Oratorium-Frank Martin's Golgotha for 5 Vocal soloists mixed Choir (SATB) Organ and Orchestra. Taken from Passion Oratorio  arranged in two parts based on the gospels and texts according to St. Augustin.Frank Martin was born in Geneva Switzerland on 15 September 1890. He was the tenth and youngest child of a clergyman's family. He played and improvised on the Piano even before he went to school.

Acis and Galatea HWV 49a1st versionHandel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid’s Metamorphoses a total of three times: in the cantata Aci Galatea e Polifemo HWV 72 (1708) (BA4068) the masque Acis and Galatea HWV 49a (1718) (BA4039) and finally the pasticcio-like serenata Acis and Galatea HWV 49b (1732) (BA10700).This species of stage work was related to the early eighteenth-century English masque by virtue of its choral numbers and straightforward formal design and to the Italian serenata due to its use of one voice to a part in the choruses. In the England of Handel’s dayit was given a multitude of generic names: besides “masques” such works were often called “little operas” “English operas” or “pastoral operas” (the term “serenata” had not yet entered English parlance). Handel himself did not specify the genre of Acis and Galatea in his autograph score and probably as a result uncertainty arose among copyists printers and performers as to the work’s proper designation for it has come down to us with a confusing array of generic titles. Handel wrote the piece for James Brydges (1674–1744) Earl of Carnarvon and later Duke of Chandos at whose country estate in Cannons the composer spent the years 1717 and 1718.- Urtext of the Halle handel Edition- Full score (BA4039) and vocal score (BA4039-90) available for sale- performance material (BA4039-72) available for sale

Cris de percussions sounds, des rythmes latins Vocalising comme samba, bossa nova, cha cha, mambo et calypso, brésilien et cubain ' corps ' ne voix ' rythmique workshopSing AlongsVocal Percussion est un concept totalement innovant. Avec thevocalisation de sons tambour-set, Richard Filz a créé acomprehensive atelier, où la rythmes produits imputable à la voix peut servir d'accompagnement de chanteurs andinstrumentalists. L'atelier de Percussion vocale est un great'rhythm work-out' pour tous les autres musiciens et de chanteurs! - comme accompagnement a cappella pièces-comme accompagnement pour ensembles instrumentaux-pour percussions / enseignement-rythmique instrumental de formation pour tous les musiciens-chanteurs, ensembles vocaux, choirsVocalisation (école) de tambour ensemble sons : Bass Drum, caisse claire, Hi-hat, Toms, cymbales / Divers

Le travail a été composé pour la célébration du millénaire de la christianisation de la Russie, et fait usage de textes d'orthodoxe russe du XVIe siècle. La première représentation à Moscou le 26 décembre 1988 par l'URSS Etat Chamber Choir a été réalisée par Valeri Polianski. / Choeur Mixte