für Flöte Violine und Continuo-Bach?s Trio Sonata In G BWV 1038 For Flute Violin And Continuo has survived as a set of parts in Johann Sebastian Bach?s hand yet the source does not give a composer. Thusits authenticity has been called into question time and again. According to the latest research however this tone sensitive sonata is presumed to be an original work by Bach. Editor PeterWollny a declared expert outlines the reasons for this in detail. The violin part is to be played in scordatura according to the source so this version has provided a part in original notation as well as in standardnotation for regularly tuned violins.

Score and parts for Saariaho's Cendres arranged for Alto Flute Cello and Piano.Quoting Saariaho: While writing Cendres I was mainly concentrating on the interpretation of particular musical ideas by the threedifferent instruments of the trio each of which has its unique character and palette of colours. Musical tension is created and regulated by sometimes bringing the instruments as close together as possible in all ways (pitch rhythm dynamics articulation colour etc.) or at the other extreme letting each of them express the music in their most idiomatic fashion. Between these two extremes there is an unlimited number of possible ways to createmore or less homogenous musical situations. The consciousness of this variety was the rope on which I was balancing whilst working on the piece.Cendres was commissioned by the Gesellschaft fur Neue Musik Ruhr andKulturbüro der Stadt Essen for the Wolpe Trio. Duration 10 minutes.

This diptych consists of two brief contrasting movements which however have a common focus on the amalgamation and fusion of tonal colour in the three instruments.The harmonic foundations of the first movement are provided by ring modulation spectrums although these are also based on equal-tempered tuning in semitones. In the manner of a deep intake of breath, life is breathed into the first movement through numerous clashes, contrasting registers and runs at lightning speed.The second movement has an unmistakable focus on tonal colouring and the concept of echo and reverberation complemented by simple acoustic effects, unfolding a substantially extended tonal spectrum in continuation of the first movement. / Flûte, Violoncelle Et Piano

Celebrating the Life of Flutist Robert Vincent Jones (1920-2016). Par PANN CARTER. Following their world premiere, The Heare Ensemble proclaimed: 'Melodies for Robert contains rich harmonies, soaring melodies, and unexpected twists, but beyond the musical elements, it also has incredible depth of soul. Like so much of Carter's music, it paints the heart of the American landscape and makes you yearn for more.' MELODIES FOR ROBERT was commissioned by the SDG Music Foundation in memory of flutist Robert Vincent Jones: it consists of two movements, titled 'Sing,' and 'Listen.'/ Répertoire / Flûte Traversière, Violoncelle et Piano